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*100 copies limited edition* It is not with sheer joy, but with overwhelming jouissance that we undertook the demanding task to reissue on vinyl the behemoth that is called Anabelas. Heralded in its contemporary 70s music press in Argentina as a phenomenal release, and venerably revered globally for many years to come by progrock aficionados as a best-kept secret. Unfettered by the stealthily eroding repetitiveness that eventually forces aural innovations into the territory of trite and lacklust…
*2026 stock* The Brockas are... and that’s the point where you stop, the point where the futility of trying to break down with anymeasure of sobriety becomes impossible as sober is the last thing that comes to mind when you hear their freeform psychedelia. Breaking down the gatekeepers, rebelling against what you got, putting on a show right now. It’s Dadaist Punk in its sense of mischief and how it feeds this disruptive sense of never telling a straight story, not least being the claim they mak…
*2026 stock* Sasebo unveil Ça C’est Bon, a bold and captivating new record built on atmosphere, rhythm and effortless attitude. With a title that translates simply to “That’s Good,” the album embraces pleasure without overthinking it—music that feels immediate, sensual and alive.
Across Ça C’est Bon, Sasebo create a world where sophistication meets spontaneity. The record moves with confidence, balancing infectious momentum with moments of intimacy and reflection. Its songs are shaped by a keen …
*200 copies limited edition* Toronto’s shape-shifting psych project Lammping continues its ambitious four-album series with the upcoming LP — a lush, immersive collaboration between Drew Smith (Dr. Ew, The Bicycles) and Chris Cummings (Marker Starling). The record follows Never Never, Lammping’s acclaimed joint effort with Bloodshot Bill, and finds producer Mikhail Galkin (a.k.a. DJ Alibi) and drummer Jay Anderson exploring a different corner of the project’s expanding sonic universe. Where Neve…
*2026 stock* Zach Cooper weaves recordings with the Vermont Contemporary Music Ensemble, high school demos, solo compositions and eraserhead-less tape experiments into the shining fabric of The Sentence. A debut album brimming with many talents and tales, The Sentence is atemporal, a divining of Cooper’s personal history to map his musical travels through formative years in New York state, his studies and collaborations within the University of Vermont’s music theory and composition department, …
*200 copies limited edition* Following the acclaimed Tectonic Plates, his celebrated collaboration with John Butcher and Mark Sanders, Alan Niblock returns to 577 Records with Sonic Breath, a striking solo work built from the elemental encounter between improvised voice and double bass. On Sonic Breath, Niblock treats the double bass not simply as an instrument but as a resonant environment for the voice. Breath, vibration, texture and gesture become the primary materials, allowing the music to …
In 1984, Frans de Waard published Archive 1, a fanzine containing nothing but discographies of bands he liked: The Legendary Pink Dots, Nocturnal Emissions, Van Kaye + Ignit, Attrition, Esplendor Geometrico, DDAA, Konstruktivits, Portion Control, and P16.D4. At a time before the Internet, it was a much-valued resource for fans of these bands, although hopelessly out of date by today’s standards.
Shortly afterwards, he published issue 2, with discographies of bands on the Insane Music label: Pseu…
Afro7 returns with the third Scorpios album, Lemon Barah — a vibrant fusion of Sudanese traditional rhythms, psychedelic funk and jazz. Born in London and shaped by musicians from Sudan, Jamaica, Japan and beyond, Scorpios have spent 13 years building a reputation for powerful live performances across England and Europe. Featuring rich percussion, analogue synths, horns, guitars and soulful vocals.
Sinsuke Fujieda Group recorded Fukushima at Groove Studio Matsudo in May 2023. When Superfly Records put it out on vinyl in the spring of 2025 the thousand copies vanished within days, two further pressings followed, and copies on the second-hand market are now asking three figures. This CD is the record the LP could not hold: the five compositions restored to their full unedited length, three flute pieces that had only ever appeared digitally, and Jiva, a previously unheard piece for bamboo cla…
*50 copies limited edition* Francisco Mela's new solo album, Carnaval De Oriente, arrives this October via 577 Records. A deeply personal statement from the acclaimed drummer and composer, the album draws on the rhythms, spirit, and traditions of his Cuban roots while embracing fearless improvisation and sonic exploration. Carnaval De Oriente will be available this October on 577 Records.
On SLG3, Juan Manuel Cidrón returns to vinyl with four long-form electronic landscapes shaped by analogue circuitry, minimal pulse and cosmic drift. The Almería synthesist turns S, L, G and 3 into open territories - desert-wide, elemental and quietly visionary - where natural rhythm and machine logic meet in a patient, dream-lit dialogue.
On Solos II, Anton Toorell turns two simultaneously played guitars into a shimmering architecture of tone, tension and air. Recorded in an Italian wine cellar, its three extended pieces use altered tunings, open strings and resonant decay to create lucid, microtonal currents - rigorous in design, but touched with the ease of unhurried improvisation.
Insane," or in French, "un truc de malade": expressions often used to describe a strange work of art, a daring piece of architecture, or an experimental piece of music. It’s a comment that should be taken figuratively: not necessarily pejorative, and most often even positive. In contrast, the music of this album reflects a "sick" theme in the true sense of the word, as the two protagonists chose to resume their twenty-year collaboration in the antechamber of a hematologist's office.
The album’s …
Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas…
For a while the trio just called itself "Me, you and Sue", which suited them - none of the three has ever seemed especially concerned with naming things. Adam Bohman, Sue Lynch and Crystabel Efemena Riley found each other through London's Horse Improvised Music Club and have been playing together in various rooms for years. This is their first record as a three, and it needed a real title. Lynboril Lisinopril takes Lyn(ch), Bo(hman) and Ril(ey), puts the invented word into a search engine and ke…
*100 copies limited edition* Some ensembles begin with a repertoire. Others begin with a community. Airlft emerged in Philadelphia in 2022 as an ongoing monthly gathering initiated by drummer and percussionist Kevin Diehl: a space where composers, improvisers and listeners could meet in an open process of experimentation. Over the course of four years, that process gradually evolved into a shared musical language, one shaped less by fixed personnel than by sustained collaboration. Spatial Recogn…
* Edition of 100 copies * Two people in a room, and not one moment of merging. That is what makes All I Know In The City remarkable, and it is not a small thing. Potliquor is the duo of pianist Sharon Udoh and turntablist Allen Moore, caught live at Elastic Arts in Chicago on 18 January 2026 and issued by Amalgam, the artist-run Chicago collective and label founded in 2015 by drummer and engineer Bill Harris, who also recorded, mixed and mastered the session. Amalgam has spent a decade documenti…
* Edition of 100 copies * Two years of sessions went into this record, spread between 2023 and 2025 at Marmalade, the West Loop studio Ishmael Ali co-founded and works in as an engineer. Nobody was watching the clock. You can hear that in the shape of the thing: ten pieces that were never meant to add up to a single argument, solo cello miniatures wedged between full band tracks, a couple of them actual songs with words and a singer. The solo pieces may be the strangest part of it. Ali amplifies…
Across four decades, Andrew Chalk has built one of experimental music's most singular bodies of work. Mystical Obscurant gathers new recordings into a survey in miniature — drifting guitars, blurred keys, and loop-based vignettes sharing one unmistakable atmosphere: a subjunctive music of suggestion, where memory unfolds at its own pace.
Broken Flag was never only a noise label. Never Say When, the compilation Gary Mundy assembled in 1987 as the imprint neared its end, is the evidence: ten tracks mapping a network that ran from Croydon to Udine, almost none of them behaving the way the label's reputation would predict.
Mundy founded Broken Flag in 1982, out of a bedroom in South London, alongside his own project Ramleh. Across the decade it issued early work by The New Blockaders, Consumer Electronics, Skullflower, Maurizio Bian…