New Arrivals
The Old King of Witches
On The Old King of Witches, Old Tower pares dark ambient down to its bones and dresses it in ‘90s deep electronics. Following a “stranger” lured through moss‑choked forests and caverns by reclusive witches, the album becomes a fiction of time stasis and regression, where man slides toward beast and the mysterious old world quietly devours the new.
The World Is Empty, the Heart Is Full
On The World Is Empty, the Heart Is Full, Raspberry Bulbs strip away excess and come back sharper, crueler and strangely more tuneful. Eleven compact songs fuse metallic edge, noise‑rock abrasion and post‑punk unease, with venomous vocals lashing out at a self‑satisfied “underground” that mistake style exercises for substance.
Entstaubung
*2026 stock. 100 copies limited edition* A sonic presentation of a site-specific installation in Marl, created at the invitation of the Skulpturenmuseum Marl. Nathalie Brum recorded a local production site for industrial filters that are exported worldwide. By filtering the sound itself and capturing the essence of the atmosphere, Brum creates an ambient, subversive soundscape.
One side contains the soundscape alone, while the other contains the soundscape accompanied by stories told by locals a…
Locked
Exclusive Bad Sector tape release for his live-gig at XXI Congresso Post Industriale.
Sottana & Calze
On this split cassette, Sottana & Calze’s The Gloria and The Rita collide in a sharply focused post‑industrial ritual. Trifurcated contact mics, woolen stockings and monophonic chants meet the Canadian project’s obsessive “canes” study, pressed onto dual‑color shells as a rare Canadian/Italo‑Norwegian collaboration built for XXI Congresso Post Industriale.
D.D.D.D.
On The Gloria, D.D.D.D. channels Heretic/Erotic noise from the cold north into a focused burst of post‑industrial intensity. Conceived as a special tape for XXI Congresso Post Industriale, it distills Desire, Devotion, Dedication and Discipline into a sharp, ritual object: glossy black shell, stark white print, and sound built to scorch in real time.
Die Fantastischen Abenteuer von Pawel Denda
On Die Fantastischen Abenteuer von Pawel Denda, Pawel Denda surfaces as a lurid, possibly fictional shadow-figure whose “lost & found” tapes collapse sacrilege and kitsch. Framed as SataniK Industrial-Pop from a corrupt Polish priest’s secret box, the album spins a blasphemous, pulp-noir mythology into jagged, future-facing noise theatre.
Canvas on Which It Is Impossible to Paint
On Canvas on Which It Is Impossible to Paint, Tungu and Hui-Chun Lin stretch improvisation to the brink of impossibility. Lin’s fiercely physical cello dialogues with Senchuk’s cut‑tape, bass and environmental ghosts, while Makigami Koichi’s voice skews the frame further, turning the duo’s third chapter into a volatile, detail‑rich sonic palimpsest.
The Commission
The Commission marks forty years of Capricorni Pneumatici with an eerie convergence of sound and image. A new CD of liturgical trances and mechanical nightmares intersects with Tomislav Török Terek’s London installation, where ritual ambient, police sirens and Tunguska dreams fuse into one destabilizing, cavernous listening experience.
Broken Man / Willow Tree / Just A Dream
*2026 stock* Peanut Rubble was a power trio from Buckinhamshire, a rural area a few miles northwest of London. This Radio Luxembourg Studios recordings were made back in 1968, being an early sample of british heavy music one year before Led Zeppelin released their first album.
They used to play in college/university circuit, airbases and youth clubs with 100w Marshall stacks, being too loud for some of those clubs. They supported bands such as Status Quo, The Pretty Things, Arthur Brown or Pink …
The Fullness of a House
On The Fullness of a House, Nial Morgan turns cheap fans, glasses and wood into a nervous, breathing architecture of sound. Domestic surfaces vibrate, stall and shimmer, yielding a quietly gripping electroacoustic diary where technical fatigue, spatial resonance and emotional ambiguity are held in fragile equilibrium.
Vos
The most recent album by Vrouw! The hand-picked tracks comefrom improvised recording sessions in which a fox spirit watches over the web of voices and sounds.
Five voices, five languages, one attitude: the all-female-collective Vrouw! comes from Berlin – and their music refuses any origin. The musicians form a network of noises, voice and structure from improvised material. Amplified everyday objects, self-made "microphone hats" and a bass that holds everything together - the result is a sound b…
God Is Good
It's been years now. OM have done their time in the desert, and ever-changing, are returned. Today, they say, God is Good. Are you surprised? Perhaps you've haven't understood what OM was saying to you. But perhaps you felt something... It's true that the one way pursued by OM leads in many different directions. It is a mystic path. Songs come from innumerable sources, filtering through the external and the internal. OM albums are rituals, personal convictions transcripted into verse. Playing th…
Advaitic Songs
More than a decade after its initial release, Om's Advaitic Songs continues to stand as a towering achievement in heavy music's ongoing evolution - a record that demolished preconceptions about what drone-doom could become while establishing new possibilities for consciousness-expanding composition. Where God Is Good represented the first step in a more ornate and sophisticated direction for Om, Advaitic Songs achieved a level of composition that would have been impossible to foresee from the du…
For The Raven
*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…
Materia
Italian sound artist Giulio Aldinucci returns with his 5th album on KARL: „Materia” is unsurprisingly a truly masterfully composed and sound-designed ambient masterpiece that adds perfectly to a series of critically acclaimed albums like “Disappearing In A Mirror” (2018) or “Shards Of Distant Times” – some of which made it onto several year’s best lists.
The Call
On The Call, Henry Grimes refuses the “leader date as reward” narrative, stepping out as a co‑equal melodic force with Perry Robinson and Tom Price in a trio document where free jazz means deep listening, not just full‑bore blaze.
Trio
On Trio, Lowell Davidson explodes the piano tradition from the inside out, trading clustered storms, sudden lyric breaks and pregnant silence with Gary Peacock and Milford Graves in a one‑off 1965 session that still feels dangerously new.
The Will Come Is Now
On The Will Come Is Now, Ronnie Boykins finally moves from Sun Ra’s bass chair to the centre of the frame, leading a septet through six originals where earthy groove, cosmic harmony and astonishing arco work reveal the band’s quiet architect as a full‑blown composer.
Winter Blues
*100 copies limited edition* U.S. style power electronics from Italy.