New Arrivals
Tin Pan Alley
Tin Pan Alley is the iconic name given to a collection of New York City music publishers and songwriters who dominated popular music in the United States during the late 19th and early 20th centuries. Originally, it referred to a specific location: West 28th Street between Fifth and Sixth Avenues in Manhattan’s Flower District.
Drawing inspiration from this historic music landmark, renowned Japanese musicians Haruomi Hosono (Apryl Fool, Happy End, Yellow Magic Orchestra), Masataka Matsutoya (mus…
Mama Too Tight
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension.
The title track, Mama Too Tight, …
Rats Notte Di Terrore
Beat Records Company and Cabum Edizioni Musicali are proud to present the CD release of the original motion picture soundtrack of Rats Notte Di Terrore, the 1984 Horror cult directed by Bruno Mattei and Claudio Fragasso.
The score composed by Luigi Ceccarelli it’s an electronic symphony, since years requested by horror cinema fans, it has been processed in a wonderful stereo thanks to remastering of a multi-track original master of the period and a meticulous restoration and mix by the composer.…
La Scorta
Beat Records is pleased to reissue on CD the soundtrack by Ennio Morricone for the drama film “La Scorta”, directed in 1993 by Ricky Tognazzi, with a screenplay by Graziano Diana and Simona Izzo, photography by Alessio Gelsini Torresi, editing by Carla Simoncelli and Filippo Bussi, music by Ennio Morricone, produced by Claudio Bonivento, distributed by Istituto Luce Italnoleggio, and cinematography by Pentavideo Medusa.
Ennio Morricone is no stranger to the noir and crime genres, having scored c…
Rumanikos, Kokin, Mixolydian, Kourd Atar, Pigmy, Slendro
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
Jacknife
Recorded at the legendary Van Gelder Studio in September 1965 and released on the prestigious Blue Note label, this remarkable album spotlights alto saxophone virtuoso Jackie McLean leading a powerhouse quintet through five original compositions. This recording captures a pivotal moment in post-bop jazz, highlighting McLean’s bold, expressive style and his commitment to pushing the boundaries of the genre.
Joining McLean are two celebrated trumpeters, Charles Tolliver and Lee Morgan, each bringi…
Wranglin'
First released in 1964 under the expert production of Blackwell for Island Records, this remarkable album captures the essence of Jamaican soulful jazz through the extraordinary talent of Ernest Ranglin. As a pioneering guitarist and composer, Ranglin delivers an impeccable performance that blends the rich traditions of jazz with the vibrant rhythms of Jamaica.
Accompanied by a highly swinging rhythm section, featuring Malcolm Cecil on bass and Alan Ganley on drums, the album explores a captivat…
Guitar In Ernest
Born in 1932, Ernest Ranglin stands as one of the most influential session guitarists in the history of Jamaican music. His iconic playing features on countless recordings by legends such as Alton Ellis, Jimmy Cliff, Bunny Wailer, Max Romeo, the Skatalites, the Heptones, and the Congos, among many others.
Produced by Chris Blackwell and originally released in 1961 on Island Records, "Guitar in Ernest" showcases the sophisticated jazz side of Ranglin’s artistry. This exceptional album highlights …
Melophobia
Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.
Semiotic Drift
Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.
Juno
Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than technical bravura.
Ensemble A
Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.
Oneiric
Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping tones and near-silence, aching toward something just out of reach.
The Last Sacrifice
The Last Sacrifice by Mike Lindsay—co-founder of Tunng and the creative force behind Lump—offers a meticulously crafted folk-horror soundtrack that doubles as a standalone listening experience. Written as the audio companion to Rupert Russell's sinister true crime tale, Lindsay’s score winds through moods of spectral dread and rustic eeriness, shaped by analog warmth and otherworldly textures. The resulting album is immersive and haunting, deftly blending traditional English folk motifs with chi…
Where to From
Where to From marks the much-anticipated solo return of Hildur Guðnadóttir, a composer-collaborator equally versed in spectral pop, avant-garde, and soundtrack work. Reaching beyond her acclaimed film and TV scores, Guðnadóttir crafts nine intimately reflective pieces for strings and choir—drawn from years of voice memos and melodic fragments—where minimalist restraint meets moments of luminous warmth. The album’s texture hovers between Scandinavian melancholy, sacred choral atmosphere, and a me…
Betsy Jolas: Femme le soir
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (piano). These pieces unravel at the tempo of spoken thought, suspending lyrical lines in unhurried motion and sudden illumination.
Sarah Nemtsov: Tzimtzum
Tzimtzum imagines four sweeping new orchestral canvases from Sarah Nemtsov, weaving Ensemble Nikel’s hybrid-electric force with WDR Sinfonieorchester’s expressive palette under Peter Rundel. Her music traces broken cycles - rupture, echo, and repair - through deeply textured instrumentations and bold structural arcs.
Selected Works 1985-2005
Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 repress captures their hypnotic blend of ceremonial rhythm, improvisation and deeply spiritual overtones, threading together global traditions and ecstatic energy to create immersive soundscapes meant for both movement and contemplation.
New Conference Call
New Conference Call brings together Gebhard Ullmann, Uwe Oberg, Joe Fonda and Dieter Ulrich for an engaging session rooted in deep listening, spirited interplay and exploratory textures. Their varied compositional voices and dynamic rapport yield music that stretches from reflective lyricism to intricate rhythmic conversations, underscoring their ability to blend innovation with ensemble empathy.
Death in the Urban Jungle
Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experience as tactile as it is elusive.