New Arrivals
Ttuunneesszz Duh Rruunneesszz (Blue TB7 Series) LP
Charlemagne Palestine first started using electronic instruments in his music in the late 1960s. Palestine on the release: "Electronic instruments were very rare and exotic in the 1960s.There were Moogs around New York but they were only in universities who preciously guarded them from us young composers. So after all this time visiting The Moog Sound Lab is like a dream come true for me... to have so many oscillators all singing together is a truly beautiful experience. I am so glad I am still …
Interrvallissphereee (Blue TB7 Series) LP
Charlemagne Palestine first started using electronic instruments in his music in the late 1960s. Palestine on the release: "Electronic instruments were very rare and exotic in the 1960s.There were Moogs around New York but they were only in universities who preciously guarded them from us young composers. So after all this time visiting The Moog Sound Lab is like a dream come true for me... to have so many oscillators all singing together is a truly beautiful experience. I am so glad I am still …
Resonance
2008 release. Ken Vandermark has had a productive relationship with the Polish label Not Two, which put out the 12-disc boxed set of the complete Vandermark 5 at the Alchemia club in Krakow from 2004. The most recent collaboration has resulted in these two vinyl releases.The Resonance Ensemble is a 10-piece band that was assembled from Vandermark collaborators from Chicago, New York, Poland, Sweden and the Ukraine (where the 2008 concert featured on this LP was held). One might question how well…
First Thirst, Live at Cave12
Swiss drummer Nicolas Field (1975) has been collaborating with Japanese saxophone player living-legend Akira Sakata since his first visits in Japan in 2006. Nicolas Field is born in London in 1975. He studied drums and percussion at the Amsterdam Conservatorium (1996-2002), sonology at The Hague Conservatorium (1997-2002) and "Art and media" at HEAD in Geneva (2007-2009). He has received multiple awards and was artist in residence at the Swiss Institute in Rome (2010-11), AirAntwerpen (2011), Be…
Second Life: Light Bulb 1977-81
As part of our Second Life series, we are pleased to present a special anthology of Light Bulbmagazine (1977–81), produced in cooperation with the Los Angeles Free Music Society and edited by LAFMS founding member Chip Chapman. Light Bulb was the house organ of the Los Angeles Free Music Society, made by and for the experimental collective of musicians that formed in 1972 Pasadena and soon "became a lightning rod for art-damaged, weird-music lovers everywhere." Nowhere is the DIY, visual complex…
Don't Hold Onto The Clouds
Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM
(SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A
musician who's a video artist, a producer, an animator, and also the
unwilling star of one of Israel's most successful recent documentaries,
every one of his records contrasts with whatever it was that came
before. But that's fundamental to his appeal: no one…
Why Does Everybody Love Free Music ..
Edition of 250, few copies available. “Recorded in the US and UK 2011. Thanks to everyone who set up a show
last year, especially John Schoen, Larry Marotta, Helga Fassonaki,
Andrew Scott, Suzy Polling and Lee Etherington who made possible the
performances documented here.” Originally released on cassette in 2012
as PAL-007. Photos by R. Orcutt. "In short, almost everything you could want from a live document." Byron Coley
My Friends When I’m Not There
Edition of 250, few copies available. Recorded at Seminole Massacre Elementary, Miami FL, in the main stairwell, December 25, 2013 and originally released on cassette as PAL-028 in 2014. Photo by Jim Hensley. Mastered by James Plotkin. "A lovely contemplative performance, full of hope and sadness" Byron Coley
Greek Fusion Orchestra Vol.1
Kyriakos Sfetsas formed GFO in 1976, in order to accomplish an ambition dating back to his 1960's Avant-garde period in Paris: to create a piece of work that would expand the boundaries of Greek traditional music. The result is a Progressive-Jazz Fusion masterpiece comprising complex and intriguing compositions, and performed by Athens' best musicians of the day. Sfetsas grew up on the island of Lefkada where he studied classical music from an early age at the local conservatory. At the same tim…
Elektronische Musik Elektronische + Phonetische Kompositionen (4
2017 "upgrade" of this early Creel Pone title; this replica edition includes all of the material from Reinhold Weber's two Corona-label LPs, "Elektronische Musik" & "Elektronische + Phonetische Kompositionen" - Creel Pones #009 & #099, respectively - along with everything from his two later Sound Star Ton LPs (again) "Elektronische Musik" & "Computermusik", all on four separate discs. Those who have already acquired the first two titles in earlier sweeps can simply purchase the CP 009-099.2 pack…
Le Robot, Symphonie Rouge, Symphonie Jaune
2018 edition. As I understand it, in the short history of Creel Pone thus far, there have been a few candidates for replication that were refused simply on the grounds that the music within fell outside of the “Core” EAI - or "Era of Interest" - represented by the series: 1948 - 1981; those dates on the foil-seal. Why these specific dates, you ask? Well, on October 5th, 1948, the ORTF broadcast Pierre Schaeffer’s “Cinq Etudes de Bruits,” hailed by many as the birth-date of Musique Concrète and s…
Applied Autonomy
The great Robert Lippok (To Rococo Rot) returns with his first solo album in seven years, Applied Autonomy for Olaf Bender's Raster. A survey of what he’s been up to, as much as a statement of intent for here and now, Applied Autonomy reprises the fine balance of tuff-edged minimalism, spatial illusion and melodic delicacy that emerged with Redsuperstructure [2011], but ratcheting its effect with a renewed vigour for a frankly epic impact.As the title makes explicit, Robert’s 3rd solo album is c…
A Sound Work To Accompany
Issued privately in 1972 by Toronto's Carmen Lamanna Gallery following an Autumn 1970 exhibition, this "Sound Work" by Sculptor Robin MacKenzie is a wonder of simplicity. Presenting a series of unadorned Sound Events - the approaches & recessions of single vehicles on what sounds like a lonely stretch of the 403 at 3am, then the Composer's footsteps similarly walking toward & away from the microphone's singular vantage point - in a manner befitting both the storied "Sounds of the Junkyard" Folk…
Elektron Musik Studion, Dokumentation 1-4
2018 repress. Issued privately by Stockholm’s "Elektron Musik Studion” (EMS)
between 1966 & 1973, the four “Dokumentation” LPs were something of a
seasonal report card of the studio’s charter output, “internally”
issuing key early works. Composers Ralph Lundsten
& Leo Nilsen - whose side-length “Aloha Arita” & “Kalejdoskop”
have only been issued in severely excerpted form in the interim, -
Karl-Birger Blomdahl, Bengt Emil Johnson, Jan W. Morthenson, Arne
Mellnäs, Lars-Gunnar Bodin, and Sv…
Keyboard Music
Handy, double-pack reproduction offering a pair of Compilations on the Greek Music Box label, the first comprised of key Magnetic Tape & Spectral Computer Music pieces by Iannis Xenakis, Dimitris Kamarotos, Xaris Xanthoudakis, & Vasilis Riziotis, the latter of, essentially, Dark Ambient & assorted "Wave" & "Age" fare by Vangelis Katsoulis, Lena Platonos, "Antitheseis" alum Michael Grigoriou, & Minas Alexiades, each on its own disc inside a "Gatefold" booklet. Released pretty much back-to-back - …
Electro/Acoustic, The Referee Has Vanished, Zaat
Lovely set of tape-music by composer Jack Tamul, issued in 1980
by Spectrum - not the Wergo sub-label, but the same Bear Mountain-area
powerhouse that released William Hoskins’ “Galactic Fantasy” &
William Strickland’s “An Electronic Visit to the Zoo” the year prior -
“recorded at the Jacksonville Museum of Arts & Sciences."Starting with a series of pieces incorporating acoustic
materials: “Genesis” is a choir piece peppered with synthesizer &
tape-manipulation; “Lament for Gettysburg” is …
Radiophonic Tape Compositions
Replica edition of this impossible-to-find, internal compilation of
early-mid-80s Australian Tape Collage & Digital Assemblage, issued
privately by Sydney Classical radio station 2MBS & consisting of
five extended pieces; one each by Composers Peter Mumme, Peter Schaefer,
Robert Douglas, Jon Rose, & Michael Hannan. There is a fair
deal of the Fairlight's timbral & formal palette across the album's
otherwise conceptually disparate offerings; understandable given
the era & geographic associ…
Soliloque I, Soliloque IV, Match, Antifonia
Nicolae Brînduș was born in Bucharest in 1935 and swiftly
matriculated through his studies in Piano & Composition at
the National University of Music before embarking on the life-changing
seminars at the Internationale Ferienkurse für Neue Musik, Darmstadt
throughout the late 60s & early 70s; even working at Ircam for a
spell in the mid-1980s. How this formative music, composed & recorded largely during his
Darmstadt phase, has remained so relatively unknown is insane to me; it
has all of…
Ciclul „Cosmofonie”
The second title in Creel Pone's 23x survey of Romanian Early
Electronic Music, offering both pieces from the lone Electrecord LP by
Composer Dinu Petrescu, along with a composition from one of the many
Corul Madrigal offerings, here conducted by Marin Constantin. "Space Doina", or possibly "Doina Space (1978)", "music
for symphony orchestra, mixed choir, children's choir, synthesizer,
magnetic tape and electronic modulation" starts off with a gaseous drone
of distant reverberance, seguei…
Groupe De Recherches Musicales
This is the last of the 199.x titles, a great diversion
into those that were endlessly divisive amongst the C.P. cabal; so much
so that common ground had to be carved out & explored... I'd heard legend of this internal-issue-only "White Label" GRM
compilation, from trusted source "Ravi" Ben, of La Dame Blanche fame,
but had never heard nor seen a copy until one literally landed in my lap
at a soirée recently. Largely consisting of alternative & revised
versions of prime 1973-era GRM pieces…