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Field recordings made at Mariental-Dorf (Germany) 1970, Göteborg 1970 (Sweden), Wolfsburg 1969 (Germany) Sonnenberg, Harz 1970 (Germany) with a Uher mono recorder and a microphone Sennheiser MD 421 N
Claire Bergerault, voice. Jean-Luc Guionnet, pipe organ. 'Music that proves that improvisation can still offer something vibrant and different. Intense, powerful music that will annoy as many as it delights.' Highly recommended !
Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.
Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
Michael Chapman, one of the finest acoustic guitar innovators borne of the late '70s UK folk scene, was in Philadelphia early 2010, paying tribute to his good friend, the late Jack Rose, a mighty six-string alchemist in his own right, and a youngster wholly inspired by Chapman's critical recordings. While sharing in the good light of friendship backstage, we asked Michael if he'd ever recorded an LP of purely improvised guitar music. It seemed feasible, as the current state of acou…
Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …
The follow-up to our "Danza de la Muerte" compilation focuses on the more song orientated Syntactic releases. Also, you will find tracks that were planned as Syntactic or Klanggalerie 7"s, but never made it onto vinyl. The track list reads as follows: Andrew Liles - In this vegetable Glass of Nature Le Zappalot (Rehberg/Bauer/Birnbach) - Erika goes to Leopoldau O Yuki Conjugate - Madal (Circular…
New studio album with eye popping artwork by Jesse Peper in a custom made gatefold case. "V1 or V2"?Someone let loose the china doll from the cupboard again. Simply put, “The Minus Touch” is double plus good. A fantastic place for any LPD/Ka-Spel beginner to start and obviously, an essential for the Old Guard. Ka-Spel's synthedelic song cycle has a flavour reminiscent of other aeons, though Edward's manner of time travel seems to be to wreck himself before he Chyekks himself. Torch is only…
Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…
The recording of The Dunrobin Session took place during a residency at Carleton University in Ottawa, Canada, during which Pauline Oliveros presented a series of concerts and workshops in collaboration with percussionist Jesse Stewart, who teaches music composition at Carleton. Oliveros and Stewart are composers, performers, educators, and writers, and each has pursued creative exploration of new instrumental resources while developing expertise on a traditional instrument (accordion and drum).R…
Angharad Davies (violin) and duo Cremaster consisting of Alfredo Costa Monteiro (electro-acoustic devices, speakers, electric guitar) and Ferran Fages (feedback mixing board, electro-acoustic devices). Composed, recorded and assembled between september 2010 and july 2012 in Barcelona. Violin parts recorded by Kostis Kilymis on march 2012 in Oxford. Pluie fine is the result of several exchanges of recorded material shared between Cremaster and Angharad Davies, from 2010 to 2012. Each piec…
'Architeuthis rex. Leviathan. King. Magnificent sea dweller and haunter of the dreams of Italian artist Antonio Gallucci. Dark of the Sea is that dream, each of the seven recordings an aperture into a horrific underwater world filled with the fear of what lies outside. Together, the album is a kaleidoscope of Don Cherry's Brown Rice, backward masked King Tubby acetates, strange strings, outer space broadcasts of unholy funeral rites, Native American percussion and metaphysical drone. Illustrati…
For a couple of years Ryoji Hojito, together with his wife Yoshiko, were coming to Lithuania for a one week autumn vacation. We've met in the course of their explorative journeys around the country and without thinking too much went to a studio for a spontaneous session and a year later played a concert at St. Catherin's Church in Vilnius. Both of us were happy about the music we've got on tape and today we want to share with you seven impro peaces!
"Splinters is remembered, indeed lionized by knowing UK jazz fans, as the monumental musical meeting of tenor giant Tubby Hayes, trumpeter Kenny Wheeler, saxophonist Trevor Watts, pianist Stan Tracey, bassist Jeff Clyne, and legendary drummers John Stevens and Phil Seamen. Split The Difference is the rare recording Trevor Watts made of the group's first public appearance, at London's 100 Club on May 22nd, 1972. Two extended sets of continuous collective improvisation comprise this full-length CD…
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70s and formed R.M.I. in 1993. After nearly 20 years together as R.M.I. and over 30 albums and hundreds of concerts, you might think that there might be no surprises left, but like their undulating, fl…
The disc is a recent release on the Monotype label by a group named LHZ+H, who are the semi regular trio of Thomas Lehn, (analogue synth) Carl Ludwig Hübsch (tuba) and Philip Zoubek (piano) augmented on this 2008 occasion by the trumpeter Franz Hautzinger, who on this occasion added a delay pedal to his instrument. The release contains four improvised tracks, and is named Scope. Now, I have been known to describe some improvised music as brooding a good few times before, perhaps trying to …
"Two improvisations on piano & tenor saxophone, one in concert and the other before the audience arrived, recorded at the Bimhuis in Amsterdam in 2006. The sleeve design is derived from work by the late Tomas Schmit whose work is much loved by both MM and EP."-psi
Originally released on Polydor in 1968. During this year, The Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Very Urgent, their eagerly-awaited debut recording, was a joyful call of intent. The album mixes simple but utterly unstoppable tunes and exhilarating horn charts -- immediately establishing a vitality and exuberance that would continue to define the group. Nevertheless, their evident preference f…
Fans of Sun Ra, take notice -- there is a new American original on the scene who hails from Birmingham, Alabama. Lonnie Holley's music is unlike anything ever heard, and these recordings are a welcome addition to the continuum of music. This album marks the first time Dust-to-Digital has taken an artist into a recording studio. Lonnie Bradley Holley was born on February 10, 1950 in Birmingham, Alabama, the seventh of twenty-seven children. From the age of 5, Holley worked various jobs: pi…