Upcoming releases
Devotional Fade
Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo's hypnotic interplay. This is the sound of two of Chi…
Tru Folk
Footsteps, car horns, a drawer sliding shut. wind chimes, family voices, street corners. bus stops, parks, a dog barking, a fight on TV. Los Angeles, San Francisco, Taipei, Oakland, Keelung, San Gabriel Valley, South City.
It draws from a 15-year archive of field recordings that capture the ordinary music of lived life. Rather than aspiring to aesthetic refinement or spiritual escape, Tru Folk exists at street-level. It approaches sound as a vernacular practice that values what is common and hu…
Personal Rock
Twenty seven years ago, Jan Jelinek’s debut album Personal Rock was released by Source Records. Under the pseudonym Gramm, it brings together eight tracks that have not been available on vinyl since their original release. Faitiche is very glad to announce the re-release of the album: Personal Rock will appear as a double LP featuring the original cover artwork.What people wrote about Personal Rock two decades ago:“Situated somewhere between Jelinek’s much loved Loop-Finding Jazz Records, Farben…
I grow accustomed to the dark
*300 copies limited edition* The first resonant space Zosha Warpeha played in was the Emanuel Vigeland Museum in Oslo, Norway. Built as a mausoleum, its walls reach up into a gradual archway, creating an environment where sound expands and reverberates for twelve seconds before decaying into silence. Warpeha was greeted only by dim lights when she entered, and it wasn’t until she had spent several minutes listening that she was able to make out the frescoes that covered every inch of the room: g…
Actionreaction 2
On Actionreaction 2, Pippo Lionni, Sergio Corbini and Stefano Franceschini turn the studio into a single, improvising organism, where spackle knives and rollers become percussion, free‑jazz piano and sax tangle with electronics, and each canvas is written twice – in sound and in paint.
Whirpool Ocean
First time on vinyl for these incendiary hard psych rock tracks, which made their only other appearance in Australia in 1999 on CD as part of the “Sky Pilot” compilation released by Camera Obscura Records.
With each passing year since his death, the intense and inspiring musical legacy of Jesus Acedo is in danger of slipping into darkness. That’s where we at Lion Productions come in — together with Rich Hopkins and San Jacinto Records — to do our utmost to keep the Lambent Flame burning, so to …
Mijin
The title “Mijin” comes from a Japanese word meaning very fine particles. The album gathers particle-like sounds and lets them resonate in space. As I watch the movements that arise between them a balance gradually takes shape. Within those relationships and the quiet tension between them I explored how silence can resonate with sound.
The album begins with the most minimal piano chords then develops by reconstructing fragments of voice and percussion, Rhodes and synths along with traces of jazz…
The Beginning of Japanese Electroacoustic Music Vol.2
Big Tip! Born in the mid-1950s, the NHK Electronic Music Studio was a world-leading lab where Japan’s electronic music took shape. This album gathers works created there between 1968 and 1974—a vivid snapshot of chance operations, ring modulation, waveform experiments, broadcast collage, and intense hand-made tape craft.
Launched in 1993 in memory of the studio’s founding architect Hiroshi Shioya, our project treats these tapes as living works—not nostalgia. We re-check sources, rebuild the li…
The Beginning of Japanese Electroacoustic, Vol.16 - Electronic Convergence Oto no Hajimari wo Motomete
Tip! Celebrating the 90th anniversary of the birth of Maki Ishii (1936-2003), we present "Electronic Convergence," a collection of his pioneering electroacoustic works. These tracks represent a crucial era in the history of Japanese electronic music, primarily produced at the NHK Electronic Music Studio around the 1970s. Ishii’s unique fusion of traditional Japanese aesthetics and cutting-edge technology remains incredibly avant-garde even today. In February 2026, special memorial concerts will …
Electric Rebound
Fusing the freedom of jazz with the drive of progressive rock, this record delivers dynamic rhythms, soaring solos, and rich, textured soundscapes. From intricate instrumental passages to bold, high-voltage performances, this album captures the spirit of jazz rock and fusion at its finest.
II
"These are not musicians trading licks or showing off individual virtuosity - they are six voices engaged in genuine conversation, responding to each other with the kind of intuitive understanding that only comes from years of shared musical history. The music breathes, shifts, transforms. Moments of delicate interplay give way to passages of ferocious intensity; dense textures dissolve into sudden clarity. Nothing is predictable, yet everything feels inevitable." - Mark T., Third Millennium
Ritual Fever
There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered primor…
A Dwelling of the Mind Protruding Through the Head
Wizardmaster is the experimental electronic music project of Oakland-based musician Mark Stramaglia with long-time collaborator Oliver Kollar. Both were members of Operation Re-Information (ORI), which released albums on Vinyl Communications.
This release features improvised electronic recordings focused on mood, texture, and tonality, incorporating noisy synthesis, found and appropriated sound, irregular rhythms, and narrative structures inspired by soap operas. The album uses only homemade mus…
Avantgarde (4LP Bundle)
Special discounted Bundle. Audiophile edition. Pure analogue mastering & cutting from the original master tapes. Representing three of the most essential and sought-after works within the canon of 20th Century avant-garde composition, this bundle brings together Luc Ferrari's Presque Rien No.1 / Société II, Mauricio Kagel's Acustica, and Tōru Takemitsu's Quatrain / A Flock Descends Into The Pentagonal Garden in a single offering. Originally issued by Deutsche Grammophon between 1970 and 1980, ou…
People In Sorrow
Remastered LP edition. Finally back in print! Originally released by EMI's Pathé Marconi imprint in 1969, People in Sorrow — a 40-minute work by the four-piece lineup of Roscoe Mitchell, Joseph Jarman, Lester Bowie, and Malachi Favors — has long been unavailable on vinyl and CD, and then only in hard-to-find European and Japanese issues. It is arguably the finest and most ambitious of the 14 studio albums recorded by the Art Ensemble of Chicago during their 23-month sojourn in France, which laun…
Acustica
Composed between 1968 and 1970 and originally issued by Deutsche Grammophon in 1972, there are arguably few works within the canon of 20th Century experimental music as beloved and sought after as the Argentine composer Mauricio Kagel’s Acustica. Created for “experimental sound-producers and loudspeakers”, comprising electroacoustic material assembled on 4-track tape in 1969 at Westdeutscher Rundfunk (WDR) in Cologne, and acoustic material for 2 to 5 musicians, scored over roughly 200 filing-ca…
They Came Like Swallows - Seven Requiems for the Children of Gaza
On They Came Like Swallows – Seven Requiems for the Children of Gaza, Bonner Kramer and Thurston Moore channel decades of noise, songcraft and studio sorcery into seven slow‑burning laments, where volcanic drones, grief‑stricken melody and a haunted Joy Division cover fuse into a stark act of sonic mourning and resistance.
Presque Rien No.1 / Société II
Originally issued in 1970 within the third suite of LPs comprising Deutsche Grammophon's Avant-Garde series, the French composer and electroacoustic pioneer Luc Ferrari's Presque Rien No.1 / Société II stands among the most important and groundbreaking albums issued within the canon of 20th Century avant-garde and experimental music. Containing two radically distinct works, Presque Rien No.1 (1967-1970) and Société II (1967), it doubles as a near perfect illumination of the incredible range of c…
Quatrain / A Flock Descends Into The Pentagonal Garden
Containing what are easily among the important and celebrated works by Tōru Takemitsu, arguably Japan's most important and celebrated 20th Century avant-garde composer, 'Quatrain / A Flock Descends Into The Pentagonal Garden' was originally issued by Deutsche Grammophon in 1980. Had the Avant-Garde series not concluded nine years prior, it certainly would have been contained within its ranks. Illuminating a crucial juncture within the composer's career which not only found him fully embracing ac…
The West
Constellation Tatsu welcomes back Bifuu_ZONE, which means "a zone of gentle breeze" for a record that resists drama, instead favouring small tonal events that take you to a place you never knew existed but somehow feels familiar. Notes linger, erode and soften as stillness becomes the primary pull, sound unfolding patiently. The presence of the saxophone adds a human warmth as breath brushes against restrained electronic forms. Rather than inviting escape, the album grounds you in a park on a su…