2025 stock In the late 1970s, Amsterdam was a crucible for radical improvisation, and Mistakes—the collaboration between South African saxophonist Sean Bergin and Dutch cellist Ernst Reijseger—stands as a vivid document of that era’s restless energy. Released on the Data label, the album captures two musicians at the threshold of their creative powers, forging a dialogue that is as unpredictable as it is intimate.

Bergin, who had recently relocated from Durban, brings a raw, searching lyricism to the session, his tenor and soprano saxophones weaving lines that oscillate between angular abstraction and melodic warmth. Reijseger, already developing his reputation as a cellist unbound by tradition, matches Bergin’s intensity with a vocabulary that draws as much from the avant-garde as from folk and classical idioms. His cello is by turns percussive, plaintive, and exuberant, often blurring the line between rhythm and melody

The music on Mistakes is rooted in free improvisation, but it never lapses into chaos. Instead, the duo’s interplay is marked by a keen sense of listening and mutual provocation. Tracks unfold as spontaneous conversations, with motifs emerging, mutating, and dissolving in real time. There’s a theatricality to their exchanges—a sense of risk and play—that feels both deeply personal and emblematic of the Dutch scene’s embrace of the unexpected

The album’s production is spare, foregrounding the tactile presence of the instruments and the physicality of performance. The result is a recording that feels immediate and unvarnished, inviting the listener into the room with the musicians. Mistakes is not just a historical artifact; it remains a bracing listen, a testament to the enduring power of improvisation to surprise, challenge, and move

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