We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.


Out of stock

Mecanica Popular

Que Sucede En El Tiempo?

Label: Dead-Cert Home Entertainment

Format: LP

Genre: Electronic

Out of stock

Behold, a cultishly coveted slab of freeform new wave dance/tape music from 1984 Madrid, Spain, reissued by Andy Votel, Sean Canty, and Doug Shipton's Dead-Cert label. Notable not only for including Beppe Loda's Typhoon favorite, "La Edad del Bronce" -- which sounds uncannily like a cut from Craig Leon's Nommos (1981) -- this album also features the beguiling concrète funk of "Galilea: Centro de Datos," which, by any measure, bears a striking, prototypical resemblance to Photek's "Ni - Ten - Ichi - Ryu" and has become something of an oft-asked-about staple in Dead-Cert's polysemous, polymetric DJ sets. Founded in 1978, Mecánica Popular was the brainchild of Luis Delgado (also a member of Finis Africae) and Eugenio Muñoz, conceived and nurtured during after-hours sessions in Madrid's Estudios RCA using exclusively tape loops -- no samples involved. They did, however, use an innovative set-up including a Polaroid 600 camera, an Eventide H910 Harmonizer, and an ARP Odyssey, all fed thru a matrix of FX to make a wonky, clanking sound that could be happily compared with the output of Conrad Schnitzler, Chris Carter, Jon Hassell, or Kerry Leimer during that fertile early-'80s era. For the DJs and post-punk fanatics, this one way is just too good to miss out on. Edition of 500. Cut at Dubplates & Mastering, Berlin.

Cat. number: VCR 009LP
Year: 2015