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Marion Brown

Reference: Marion Brown Capricorn Moon Why Not? & With Burton Greene Quartet (2CD)

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The rhythm team by Rashied Ali and Reggie Johnson (with former Sun Ra member Ronnie Boykins adding texture on "Capricorn Moon") establishes a solid foundation, complemented by Alan Shorter's sharp trumpet, while Benny Maupin's close expressions in monophonic form also support it. The fact that pianist Burt Green recorded an almost unnoticed ESP album (just a month later) with Brown as a sideman illustrates how fluid and negotiable musical activities were within this nascent community.

Although Rashied Ali played drums intermittently in this quartet, he was working with John Coltrane at the time of the recording and could not participate in this session. The music, balanced by Green's delightful dissonant clusters and melodic developments within the piano, grants Brown a broad range of interpretative possibilities. This spans from the mournful symphonic poem "Ballad II" to the fierce rebellion of "Taking It Out of the Ground," in which Brown's alto saxophone interacts with Frank Smith's unstable tenor sax, creating a knife-edge intensity.

Brown's second ESP album, "Why Not," suggests a transitional phase in his conceptual evolution. This shift toward moods that evoke or reveal emotion and programmatic details eventually leads to the highly regarded Southern trilogy of the 1970s: "Afternoon of a Georgia Faun," "Geechee Recollections," and "Sweet Earth Flying." Each of the four tracks on "Why Not" is distinct, portraying composer Brown through a storytelling method that weaves in references and allusions from the past through its characters and plots.

For instance, while Stanley Cowell's lengthy piano rhapsody and Brown's punchy alto give the piece changes, the theme of "La Sorella" is entirely borrowed from the French composer Charles Borel-Clair's piece of the same name, composed in 1905, which was originally arranged from Brazilian folk dance. "Fortunato" is an eloquent and poignant ballad of traditional thought, and the title may reference the unfortunate victim from Edgar Allan Poe's story, "The Cask of Amontillado." 

Details
Cat. number: THINGAMAJIG 2-2506
Year: 2026

Release notes

Tracks 1-1 - 1-4 recorded New York City, November 1965 Track 1-5 and tracks 2-1 - 2-3 recorded New York City, January 1966 Tracks 2-4 - 2-7 recorded New York City, October 1966

Tracklist
CD 2506-1
Marion Brown
Capricorn Moon
1-1Capricorn Moon22:31
1-227 Cooper Square3:48
1-3Exhibition18:01
1-4Mephistopheles18:18
Burton Greene Quartet
1-5Cluster Quartet12:09
CD 2506-2
2-1Ballade II10:36
2-2Bloom In The Commune8:07
2-3Taking It Out Of The Ground13:03
Marion Brown Quartet
Why Not?
2-4La Sorella11:31
2-5Fortunato8:36
2-6Why Not?6:59
2-7Homecoming10:16
Credits
Marion Brown
Alto Saxophone, Composed By (1-1 to 1-3, 2-4 to 2-7)
Burton Greene
Composed By (1-5 to 2-3), Piano, Percussion (1-5 to 2-3)
Werner X. Uehlinger
Curated By
fuhrer vienna
Design Concept [Graphic Concept]
Henry Grimes
Double Bass (1-5, 2-1 to 2-3)
Reggie Johnson
Double Bass (1-1 to 1-4)
Ronnie Boykins
Double Bass (1-1)
Norris "Sirone" Jones
Double Bass (2-4 to 2-7)
Dave Grant
Drums (1-5, 2-2)
Tom Price
Drums (2-1, 2-3)
Rashied Ali
Drums, Percussion (1-1 to 1-4, 2-4 to 2-7)
Art Lange
Liner Notes
Michael Brändli
Mastered By
Guy Kopelowicz
Photography By [Cover Photo By]
Stanley Cowell
Piano (2-4 to 2-7)
Bernhard «Benne» Vischer
Producer [Honorary Producer]
Bennie Maupin
Tenor Saxophone (1-3)
Frank Smith
Tenor Saxophone (2-3)
Alan Shorter
Trumpet (1-1 to 1-4)