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File under: Contemporary

Michelle Ekizian, Louis Karchin

Songs, Capriccios, and Octoechoes (CD)

Label: New World Records

Format: CD

Genre: Compositional

In stock

€14.40
€11.52
VAT exempt
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Michelle Ekizian (b 1956) and Louis Karchin (b 1951) represent a generation of American composers that has seen postwar American serialism enriched by other compositional approaches, both new and old. The process of stylistic synthesis and individualization, evidenced in the works presented here and in others, continues unabated today.

Written in between the first and second installments of her ongoing orchestral cycle, The Exiled Heart Series, which now includes “The Exiled Heart” (1986), “Morning of Light” (1988), and “Beyond the Reach of Wind and Fire” (1989), Ekizian's Octoéchos (1986-87) shares with the latter two works a two-part structure: an opening movement for instruments alone, followed by an epilogue, which features vocal settings of poems by Theodore Roethke found in his 1964 collection The Far Field. As Ekizian has indicated: “In these compositions, I have tried to expand the notion of musical structure as journey into that of musical journey as a course of exile: Displacements and disorientations establish a path marked by the tension between restlessness and resolution.”

Karchin’s Songs of John Keats (1984) is scored for soprano, flute, clarinet, violin, cello, percussion, and piano. He writes: “The plan of the work is relatively simple. Two Keats poems, the spirited 'Song' and the more reflective sonnet 'To Sleep', are linked by a short musical interlude. The lighter opening poem, set to quickly moving music, provides a foil for the longer weightier second song. The contemplative character of 'To Sleep' is broken occasionally by brief outbursts and a final climactic moment; otherwise, a sense of calm is pervasive. “

Capriccio for Violin and Seven Instruments was composed in 1976-77. The accompanying ensemble includes flute/piccolo, oboe, bass clarinet, percussion, piano, viola, and double bass. As the composer has indicated, the solo violin part is at times quite difficult, but it serves primarily to lead a very active supporting ensemble, more in the character of a Baroque concerto grosso than a Romantic virtuoso concerto.

Details
File under: Contemporary
Cat. number: 80425
Year: 1992
Notes:
Recorded September 23, 1987 at Rutgers Presbyterian Church, New York City. Cover art: Philip Taaffee. Zone of the Straits (1991). Mixed media on linen, 114 x 114 inches. Courtesy Gagosian Gallery, New York City. "Octoéchos" and Capriccio published by the American Composers Alliance "Songs of John Keats" published by C.F. Peters This recording was made possible with grants from the Andrew W. Mellon Foundation, The American Composers Alliance, and the New York State Council on the Arts. ℗ 1992 © 1992 Recorded Anthology of American Music, Inc. Made in U.S.A. Printed in USA CD comes packaged in a standard plastic jewel case, and includes an 8-page booklet with notes and lyrics in English. NOTE: The booklet lists the publisher as [url=https://www.discogs.com/label/274757-C-F-Peters]C.F. Peters[/url], but that link's profile reads "DO NOT USE" and to use [url=https://www.discogs.com/label/72813-Edition-Peters]Edition Peters[/url] instead.