Improvised pieces for tracker action organs and strings recorded in five English churches. Because these organs are entirely mechanical, there is a more direct physical relationship between the instrument and the player. When each stop is very carefully and slowly pulled while a key is pressed, a myriad of uncertain transitional stages of sound is produced. Thus organist Veryan Weston has a much wider of range of tones than he would have if he were playing a piano or electric organ. Violist Jon Rose and cellist Hannah Marshall adjust the tuning of their instruments to fit in with the particular environment, resulting in music not usually heard in churches (or anywhere else)