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A collection of music pieces composed and performed by Enrico Serotti (of Confusional Quartet fame) for the works of Eva Marisaldi. "Museum/Art" edition including 16 page coloured inner booklet with introduction by Guido Molinari.
From Richard Aicher and Andreas Merz' secret vaults: their own tape-production for Sinclair Computers at Rothof Studio near Munich - an unreleased recording, made to promote Sinclair ZX-81 computers!
John Luther Adams's The Place We Began contains four mysteriously evocative electro-acoustic works that the composer built from short recorded moments—audio fragments—of his early music (circa the early 1970s). This is not a trip down Memory Lane: in…
This CD presents the premiere recordings of two spirited and enticing quartets that draw on Peter Garland’s well-traveled ear and great sense of personal vision. Both works move with a unique sense of grace and a sincerity of expression that is purel…
The late Deben Bhattacharya was a noted Bengali record producer, ethnomusicologist, poet, documentarian, radio producer, and all around renaissance man. Having moved from Northern India to London as a young man, Bhattacharya began working for the BBC…
In the world of American folk music, Jean Ritchie was a truly unique presence. Most of the younger artists of the folk revival of the '50s and '60s were middle class urbanites and liberal arts college students who helped "rediscover" the older tradit…
Alessandro Moreschi (1858-1922) was the last known castrato, and the only one to have ever made recordings. He was born into a Catholic family in one of the so-called Roman Castles, where he was castrated either for health reasons, or because of his …
Christopher Roberts's Trios for Deep Voices, a five-movement work scored for the unusual ensemble of three double basses, is a sort of musical evocation—sometimes directly, sometimes indirectly—of the sounds and life that composer Roberts experienced…
Nakadai, which KPFA Folio/Other Minds Radio called “one of the most explosive LPs of the ’80s,” is a set of five works that offer a catalog of musical “waves”—from ripples to tsunamis. It features Smith playing pedal steel guitar solo, overdubbed, an…
As it casually explores the trombone’s timbres, The Webster Cycles is at times lush, at times stark. Mobile-like in the way that phrases and individual notes drift in and out and twist as if blown by the wind, it is something of a musical conundrum: …
The four pieces that make up this CD—Dark Waves, Among Red Mountains, Qilyuan, and Red Arc/Blue Veil—are for various combinations of one or two pianos, percussion, and electronics. Each piece is built from a complex, polyrhythmic layering of voices t…
Charlemagne Palestine's A Sweet Quasimodo Between Black Vampire Butterflies For Maybeck is a piece for two pianos played simultaneously in a tremolo style that Palestine calls “strumming,” a technique that has defined his piano music since the late ’…
This CD is made up of three compositions: Sevan, The Tubes, and Coimbra 4, Mundi Theatre.Sevan is built from a recording of Armenian musician Parik Nazarian’s vocalizations in massive pipes near the shore of Lake Sevan, Armenia. It explores resonance…
Chas Smith is one of the most unique musicians working today. He has created his own musical world—complete with its own instruments and “language.” It is a world of expansive musical tapestries and carefully sculpted textures that never sit absolute…
Daniel Lentz writes about the album, On The Leopard Altar:“The form and flow of Is It Love? is determined by that of the text/lyric. Unlike much of my music-with-text work, it does not use an additive process. Rather, it uses a subtractive one. The v…
JimFox's Descansos, Past, written in April 2004 in memory of composer-performer John Kuhlman, who died a few years earlier, was premiered in Los Angeles (by the same musicians who are heard on the present CD), June 2004, as part of a series of concer…
In three connected sections, Rick Cox's Fade offers a series of harmonic “moments” of various densities and complexities and timbres and lengths. Throughout the work, these moments, like elements in a mobile, are in a constant state of changing persp…
Kyle Gann's Long Night is exquisitely drifting, ever-unfolding music for three pianos that sometimes play independently and at other times in synchronization with one another. Gann calls this “the most successful piece from my early, Brian-Eno-influe…
Just Another Asshole was an influential and now-legendary mixed-media publication series edited by Barbara Ess from 1978 to 1987. The submission process was open and collaborative, and each issue was produced in a different format (e.g., limited-edit…
Edition of 200. 550 pages, LP size. Top Ten: 2008-2018 is the second volume in James Hoff’s Top Ten series. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their favorite recent…