Reissues
Sergio Mendes & Brasil '66
On Herb Alpert Presents Sergio Mendes & Brasil ’66, the pianist and his group turn bossa nova and Brazilian songcraft into sleek, cross‑border pop. Their version of Jorge Ben’s “Mais Que Nada” became the first Portuguese‑language hit in the US, opening doors for Brazilian music worldwide and helping earn the album a place in the Grammy Hall of Fame.
Look Mom No Head!
On Look Mom No Head!, The Cramps double down on their psychobilly sleaze, tossing rockabilly, garage punk and B‑movie kink into a Hollywood acid bath. Lux Interior and Poison Ivy steer 14 songs of gutter glamour and mutant bravado that sound like a jukebox possessed in a roadside strip club at the end of the world.
Powerhouse
A bold new spotlight shines on the classic 1971 release Powerhouse by celebrated organist Chester Thompson—an album that captures the pulse of its time with fire, finesse, and unmistakable soul. Released in 1971, Powerhouse remains a standout work in Thompson’s discography, drawing listeners into a world where groove, grit, and melodic imagination collide.
From the first notes, Powerhouse delivers an electrifying blend of organ-driven energy and captivating musical momentum. Thompson’s masterful…
The Skipper at Home
Henry Franklin is set to release *The Skipper At Home*, a bold new musical journey arriving on **[Release Date]**. The album blends intimate storytelling with adventurous grooves, drawing listeners into a world where humor meets heart, and every track feels like a destination.
With *The Skipper At Home*, Henry Franklin crafts a sound that’s both reflective and kinetic—layered arrangements, memorable melodies, and a distinct voice that moves effortlessly between the personal and the playful. From…
Sound Sun Pleasure
Sound Sun Pleasure was recorded in Chicago at the same March 1959 sessions that produced the instrumental album Jazz In Silhouette, and features near-identical personnel. However, the recordings sat on the shelf for over ten years, finally achieving release in 1970. Whereas Silhouette was comprised of Sun Ra originals, Sound Sun Pleasure explores two works Sunny co-composed with trumpeter Hobart Dotson and four standards, two of which ("'Round Midnight" and "Back In Your Own Backyard") are sung …
Eternity's Pillar
Los Angeles, 1985. Every Sunday after midnight, on KTTV Channel 11, an independent commercial television station, something appeared that had no business being on commercial television: Alice Coltrane, appearing as Turiya, broadcasting devotional wisdom, meditation and music straight into the Californian night. The programme was called Eternity's Pillar. It ran until 1988, then vanished, thought lost for decades, until seventeen episodes surfaced from broadcast master tapes held by the Coltrane …
Low Profile
Strut Records proudly presents a new reissue of the original Afrobeat classic Low Profile (Not For The Blacks), recorded and composed by Afrika 70 saxophonist and bandleader Lekan Animashaun and produced by Fela Kuti.
After years touring the world as Fela’s baritone saxophonist, Animashaun stepped forward to lead the legendary Egypt 80 band following Tony Allen’s departure, remaining the group’s musical director until Fela’s death in 1997. He continued on subsequent tours with Seun Kuti until 20…
The Jolly Story 1967
Francesco Battiato was born on 23 March, 1945, in Jonia, a small town in the province of Catania. After attending the secondary school he moved to Milan to seek his fortune as a musician, but without any significant results during the first years. Giorgio Gaber listened to him by chance and, sensing his talent, recommended him to Ricordi, who didn’t want to engage him. Therefore, Gaber recommended him to Walter Gürtler, who immediately accepted to include him in the group of the protest singers,…
Broken Man / Willow Tree / Just A Dream
*2026 stock* Peanut Rubble was a power trio from Buckinhamshire, a rural area a few miles northwest of London. This Radio Luxembourg Studios recordings were made back in 1968, being an early sample of british heavy music one year before Led Zeppelin released their first album.
They used to play in college/university circuit, airbases and youth clubs with 100w Marshall stacks, being too loud for some of those clubs. They supported bands such as Status Quo, The Pretty Things, Arthur Brown or Pink …
God Is Good
It's been years now. OM have done their time in the desert, and ever-changing, are returned. Today, they say, God is Good. Are you surprised? Perhaps you've haven't understood what OM was saying to you. But perhaps you felt something... It's true that the one way pursued by OM leads in many different directions. It is a mystic path. Songs come from innumerable sources, filtering through the external and the internal. OM albums are rituals, personal convictions transcripted into verse. Playing th…
Advaitic Songs
More than a decade after its initial release, Om's Advaitic Songs continues to stand as a towering achievement in heavy music's ongoing evolution - a record that demolished preconceptions about what drone-doom could become while establishing new possibilities for consciousness-expanding composition. Where God Is Good represented the first step in a more ornate and sophisticated direction for Om, Advaitic Songs achieved a level of composition that would have been impossible to foresee from the du…
Starring LeChat
An FM dial tuned to Japan, 1985 - then fed through the loudest band the country has ever produced. Kyonetsu No Hatsune Kaidan, issued by Alchemy Records in 2018, was the first new studio album in three and a half years from Hatsune Kaidan - the union of noise legends Hijokaidan and the Vocaloid singing synthesizer Hatsune Miku - and it aims its feedback at a very specific target: the golden age of Japanese pop, from anime themes to the classic kayokyoku songbook.
By 2018 the project had settled …
Dove Va La Tua Strada?
A road that waited fifty-two years to be walked. Recorded in Trieste in 1973 and never released, Dove Va La Tua Strada? is the lone document of Exit - a band that vanished without leaving an official trace, now resurfacing through Black Widow Records in a highly limited edition of 400 copies. This is Italian prog archaeology of the purest kind: not a reissue, but a first appearance, half a century late.
The story of its recovery has something novelistic about it. In the summer of 2021, at the Tr…
Jazz In Britain '68-'69
*2026 repress* John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne -…
Elis & Tom
Elis & Tom is a bossa nova album, released in 1974, recorded by Brazilian singer Elis Regina and singer-songwriter Antônio Carlos Jobim. Recorded over a 16-day period at MGM Studios in Los Angeles, California, the album was an old wish of Regina, who always wanted to record a full album of Jobim's songs with him. This finally came true in 1974, when Elis was celebrating her 10th anniversary as an artist of Philips Records. The label approved the project as a gift for her.
St. John Green
The album “St. John Green” is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era, the record perfectly captures the musical and cultural atmosphere of the late 1960s. The album blends various elements typical of psychedelia with sonic experimentation, garage lysergic influences and a free-spirited approach to songwriting.
Satori
*2026 repress!!* The Flower Travellin' Band's first musical outing, Challenge, was released in 1970 and was essentially a series of covers of Cream, Hendrix, Big Brother and Jefferson Airplane material. However, Satori appeared a year later and forever changed the way the group would be perceived, both in Japan and in the musical world at large. Possessing the vision to select Akira "Joe" Yamanaka as their vocalist, the Flower Travellin' boys elevated themselves above other Japanese bands of the…
M.U.U.N.H. 31.04.1982 + A Journey Through Sound, Silence and Return
Bringing page and tape into the same charged zone, this bundle pairs A Journey Through Sound, Silence and Return with M.U.U.N.H. 31.04.1982, uniting Maurizio Bianchi’s most ascetic industrial vortex with Raffaele Pezzella’s definitive monograph. Together they form a single, immersive dossier on sound as extremity, withdrawal and unresolved return.
A Journey Through Sound, Silence and Return (Monograph) (Book)
Few figures in experimental music embody rupture as completely as Maurizio Bianchi. A Journey Through Sound, Silence and Return traces his arc from ferocious early industrial extremism to a radical withdrawal and enigmatic comeback, revealing an artistic ethic where creation, renunciation and re-emergence form one continuous, troubling gesture.
Celestial Ocean
*2026 repress* 1973s brilliant Celestial Ocean, by the legendary Swiss krautrock band Brainticket, is a concept album that details an ancient pharoahs journey into the afterlife (substitute the word "journey" for "trip" and youll get what they were driving at). However, Brainticket were not mere products of their time, they explored some truly compelling musical territory and produced a superlative blanket of sound-featuring a pioneering mix of early synthesizers, flute, zither, sitar, and male …