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This is where it begins. Recorded in May 1980 and self-released the same year as catalogue number 01, Industrial Tape is the founding document of the MB project, the first cassette Maurizio Bianchi issued under his new name after closing the Sacher-Pelz chapter. Working alone in his home in the Mantuan town of Pomponesco, twenty-four years old, equipped with little more than an analogue synthesiser, a tape machine, and a small bank of effects, Bianchi laid down four pieces that would set in moti…
101 Copies. Recorded in July 1980 and issued shortly thereafter on Andrew Cox's YHR Tapes with the catalogue number YHR 005, Voyeur Tape was the first MB cassette to cross the Channel into the British industrial underground, preceding by a matter of months its companion Cold Tape, which would follow on the same imprint as YHR 006 before year's end. Together the pair formed Maurizio Bianchi's decisive entry into the small mail-order network through which European industrial music was circulating …
101 Copies. Recorded in the autumn of 1980 and originally issued the same year on Andrew Cox's YHR Tapes in the United Kingdom, Cold Tape marks the moment Maurizio Bianchi's music first crossed the Channel into the British industrial underground. After a feverish run of self-released cassettes that spring and summer under the MB name, working from his home in the Mantuan town of Pomponesco, Bianchi entered into correspondence with the small network of European cassette imprints that had begun to…
Edition of 101 copies. Recorded in June 1980 and self-issued the same year on cassette, Atomique Tape belongs to the legendary first wave of releases under the MB name, the moniker Maurizio Bianchi adopted that spring after closing his earlier project Sacher-Pelz. Across roughly twelve months, working from his home in the Mantuan town of Pomponesco, Bianchi produced an extraordinary run of self-released tapes that would, almost immediately, place him at the centre of the international industrial…
Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…
*100 copies limited edition* A driving Italian soundtrack from the height of the cop/crime years – done with really full arrangements by Franco Micalizzi, in a way that easily rivals some of the best American work of the genre in the 70s! This score from 1976 (here reissued on wax) features an amazing band, spacey grooves, some jazz atmospheres, timeless brass-crescendos, the charm of '70s funk and the untameable talent of the maestro! Most of the orchestrations are quite bold – upbeat rhythms w…
Clear Vinyl. For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own…
Hatsune Kaidan (Hatsune Staircase) is a Japanese noise‑pop collaboration between legendary Osaka noise group Hijokaidan and the virtual Vocaloid singer Hatsune Miku, reinvented through live performance by real‑world vocalist Shirahata Kamin in a full “Miku‑style” costume. The project is part of Hijokaidan’s long‑running “Kaidan” (Staircase) series, which pairs the band with diverse guest artists, from idols to other avant‑garde acts. Hatsune Kaidan marks the first time a Vocaloid has been formal…
50th Anniversary edition of the legendary album ‘Rubycon’ by Tangerine Dream. Widely regarded as one of their finest albums, ‘Rubycon’ was the band’s second album for Virgin Records and comprised two long pieces which pioneered the use of sequencers and synthesiser technology and produced some of the finest ambient music ever recorded. The record was also their highest UK charting release, reaching number 10 on the UK charts.
This new edition features the remastered original stereo mix, along wi…
Stunning collection of quiet and soft piano pieces by the legendary German keyboardist Hans-Joachim Roedelius co-founder of seminal krautrock bands as Cluster and Harmonia. Inspired by the monumental work of Eric Satie, the album was originally released in 1991. Roedelius exhibits an unexpected subtlety on the keys which lighten these pieces lovingly and pointedly. It’s hardly surprising that the name of the album is a reference to the term ‘pianissimo’, which means to play softly. These are aft…
Effortlessly fusing krautrock with jazz and ethnic music, Embryo were unparalleled in the world of progressive fusion and 1984's Zack Glück is one of their most ambitious and rewarding LPs. Flutes and saxophones mix with oud, marimba and violin to make an intoxication concoction.
Africa, originally released in 1992 on Materiali Sonori, may be a late entry in the Embryo catalog but it is one of their most ambitious and truly progressive albums to date. As the name implies, the Munich group not only draws influence from the continent to their south, but also employs an African percussion ensemble on many tracks.
A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…
Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves.
This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.
One Size Fits All’s 50th Anniversary 2LP “black glitter” anniversary edition boasts a brand-new analog cut of the album, a bonus LP of highlights from the box set, and the 50th anniversary edition booklet. The booklet has newly revealed photos by Sam Emerson accompanying the bespoke liner notes by Ruth Underwood, David Fricke, and Joe Travers.
A 2022 Fourth Edition of Robert Fripp's innovative debut from 1979 mixed (from the original multi-track tapes) by Steven Wilson. 200g vinyl edition mastered by Jason Mitchell at Loud Mastering. Featuring contributions from: Barry Andrews, Phil Collins, Brian Eno, Peter Gabriel Daryl Hall, Peter Hammill, Tony Levin, Jerry Marotta,. Sid McGinnis, Terre Roche and Narada Michael Walden. The definitive LP version of a truly classic album.
After King Crimson's dissolution in 1974, Robert Fripp embar…
Come un vecchio incensiere all’alba di un villaggio deserto is Alan Sorrenti’s second album, released in 1973 by Harvest Records. This album marks an evolution in his musical exploration, continuing the experimentation begun with his previous album "Aria" and solidifying his position in the Italian progressive rock scene.
The centerpiece of the album is the lengthy suite that gives the record its title, a track lasting over twenty minutes that explores psychedelic, jazz, and folk sounds. The com…
Recorded in 1963, The Composer of Desafinado Plays documents the beginning of what would become a long-term creative relationship between Jobim and arranger Claus Ogerman. Although there was initial resistance by producers, Jobim not only plays guitar but piano as well in his debut for Verve. Jobim is joined by George Duvivier (bass), Edison Machado (drums), Leo Wright (flute), Jimmy Cleveland (trombone) and full strings on the 12-song instrumental set that features such bossa nova classics as “…
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
*45th Anniversary Edition,180 Gram, Gatefold* Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Morning," "Venus In Furs," "All Tomorrow's Parties," "…