Reissues

*2024 stock* Kassa (1927-1973) belongs to the long tradition of melancholy raconteurs with a decided gift of gab. The unique embrace of his deep voice heightens the emotion generated by the hum of his lyrics. For Ethiopians he is, along with such other great post-war voices as Assèfa Abatè, Fréw Haylou, Asnaqètch Wèrqu or Kètèma Mèkonnen, a perfect example of the culture of the word: poetry and freedom of expression, wit and impressive verve that hits the mark, quiet vehemence and merciless loqu…

This is the world's best student band rare groove! A storm of jazz funk coiled by the 70's Kashmere High School Brass Band from Houston, Texas, with an astonishing groove that you wouldn't expect from high school students! The songs, jacket design, sound quality, and every aspect of this rare groove masterpiece will be reissued on LP for the first time, including the four titles in the entire catalog!This is the third album released in 1971, and includes a cover of James Brown's "Super Bad" (A5)…

This is the world's best student band rare groove! A storm of jazz funk coiled by the 70's Kashmere High School Brass Band from Houston, Texas, with an astonishing groove that you wouldn't expect from high school students! The songs, jacket design, sound quality, and every aspect of this rare groove masterpiece will be reissued on LP for the first time, including the four titles in the entire catalog!Among the many student band albums, this 4th album released in 1972 is hailed as the "world's be…

Peripheral Minimal records is proud to announce the forthcoming release of the legendary and previously unreleased album, "Womb" by Steve Parry (Neu Elektrikk / Hywl Nofio) and Colin Potter (Nurse With Wound). Recorded onto tape in 1981, it has remained unreleased in any format until now! Limited to 500 copies in a digipak CD with an 8-page booklet containing detailed information about the recordings. "Womb remained unreleased other than a few cassette tapes given to friends. In 2014 I re-discov…

Beat Records is pleased to reissue on CD the OST by Ennio Morricone for the drama film Metello, directed in 1970 by Mauro Bolognini, starring Massimo Ranieri, Ottavia Piccolo, Tina Aumont Manuela Andrei, Franco Balducci, Claudio Biava, Lucia Bosé, Sergio Ciulli, Pino Colizzi, Luigi Diberti, Adolfo Geri, Corrado Gaipa, Luigi Antonio Guerra , Gabriele Lavia, Renzo Montagnani, Piero Morgia, Mariano Rigillo, Steffen Zacharias, and Frank Wolff. The OST was first reissued on CD in Japan in 1991 (SCC-1…

Available again the expanded soundtrack from the 1982 cult classic Lo squartatore di New York (The New York Ripper) by the late Italian director Lucio Fulci, featuring the beautiful music of Maestro Francesco de Masi. One of the historical titles in the Beat Records catalog, an abbreviated presentation of this soundtrack was released on LP and CD backed with music from Una Tomba Aperta, Una Bara Vuota by Maestro Piero Piccioni. Now, one of the most incredible movie scores by this extraordinary m…

Recorded September 20, 1963, at the Monterey Jazz Festival, this set featured Miles Davis's new quintet, with George Coleman, Herbie Hancock, Ron Carter, and Tony Williams. This group, minus Coleman and with the addition of Wayne Shorter, would soon go on to make some of the most highly regarded jazz LPs of all time. This smoking set features a wonderful rendition of "So What", among others. Essential live jazz classic.

This compilation features tracks released between 1978 and 1988 in Western France.

Reduced Price, last copies ** 2024 Much-needed repress, Llimited edition of 150 copies, silkscreened covers and printed insert. ** A hazy, claustrophobic bridge between minimalism, drone, creative conceptualism, ambient music, and noise, we’re thrilled to offer the first ever vinyl reissue of Nord’s “Psycotron - 1” - one of the greatest and most sought-after holy grails of early Japanese Noise. Recorded by Hiroshi Oikawa only a handful of years before his complete disappearance and originally i…

*2024 stock* For a long time downplayed and deprived of any recognition whatsoever, oromo music is one of the liveliest Ethiopian musical traditions. This 28th volume of Ethiopique pays tribute to Ali Birra, the man in whom Oromo music has irrepressibly affirmed itself since the 1960s. A very unusual groove, very different from gouragué, amhara and tigrignarhythms, a relentless quest for identity and, on top of that, a guitar style that would stand out anywhere. (Most of the pieces presented her…

*2024 stock* Centennial of the First Ethiopian Recordings Double CD The life and work of Tessema Eshete, the first Ethiopian singer to record commercially. 32 historic songs recorded in Berlin in 1910

*2024 stock* “An authentic legend in Ethiopia, Mahmoud Ahmed has set the bases of a truly original musical style in that he synthesizes the most diverse influences into a language both typical and universal. With his haunting, husky and velvety voice that rises up in wild spirals, Mahmoud Ahmed has invented a world of uncertain borders, an unlikely mix of East-African rhythmic turns, mysterious melodies with refined ornamentation and surprising Indian inflections, all this streaked with electric…

*2024 stock* The Swinging Addis of the 1960s and early 1970s (before the dreadful Derg’s Stalinist-military glaciation) was a period of intense experimenting that encompassed the traditional repertoire. Whether Oromo or Amhara, all the greatest voices of the time took part with intense creative fervour, as can be heard on this 25th CD in the Ethiopiques collection. It features such pop singers as Tlahoun Gèssèssè, Alèmayèhu Eshèté, Sèyfou Yohannes, Essatu Tèssèmma etc. as well as traditional art…

*300 copies limited edition* WRWTFWW Records is happy to announce a new collaborative album between Polish producer, multi-instrumentalist and sound engineer Albert Karch (notably known for his superb 2019 album Celestially Light featuring Ichiko Aoba) and Irish ambient master and label’s favorite Gareth Quinn Redmond (Ar Ais Arís, Laistigh Den Ghleo, Umcheol albums from the WR catalogue). Recorded in at Albert Karch’s studio in Warsaw in January 2023, Warszawa is conceptually rooted in the reas…

WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made. A precious and sought-after item among …

Spanning five pivotal years, Live and Radio Recordings 1957-1962 captures Krzysztof Komeda at the edge of Polish jazz’s modernist awakening. These performances surge with lyricism and quiet provocation, showcasing a composer whose restlessly poetic imagination reshaped European jazz sensibilities.​

Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums Sc…

Hania Rani’s fourth solo album, her first real live album, Nostalgia, was released on September 27 on Gondwana Records. Nostalgia is the first album to present both Rani’s music and her photos together. Her first ‘real’ live album, recorded in a space with significant meaning for Rani as an artist and person the Polish Radio studios in Warsaw. With Nostalgia Hania presents the studios through her own eyes as somewhere unique and unknown. “Over the years, the spaces of Polish Radio became an impo…

Intermission released a Japan-only Laserdisc in 1987, it included an hour of Nils-Udo's work with specially commissioned music by Japanese Kankyo-Ongaku ensemble Interior.

*400 copies limited edition* A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s! 1 hour and 46 minutes of free and spiritual jazz.

Until now, the earliest recordings anyone has heard by Joe McPhee come from the period around his 1968 debut album, Underground Railroad. McPhee had just started playing tenor saxophone at that point. A couple of years earlier, the bassist featured on all of McPhee's early recordings, Tyrone Crabb, led a band of his own, the Jazzmen, in which McPhee was featured on his first instrument: trumpet. Indeed, McPhee was a trumpet legacy – his father was a trumpeter. In the mid-'60s, Joe was a serious …

"Aguaturbia" (1970) is an essential album to understand the construction of what we know today as Chilean rock. This very influential album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. It comprises original compositions and electrifying renditions of songs brought to fame by the likes of Tommy James & The Shondells, The Beatles and, of course, Jefferson Airplane elevating these classics to new heights of intensit…

Tip! *10 copies limited edition. Soundohm exclusive edition with white cover* Solonoise 1, reissued for the first time since 1989. A tour de force, and a brilliant window to the early years of "Merzbow". Reissued on 4 different colors, and limited to 100 copies worldwide. Hand poured white tape with riso printed artwork by Tori Press.

*2024 stock* As was the case with Ethiopiques 1 and 3, this 24th CD in the Ethiopiques collection presents a selection of powerful pieces from the historical Amha Records catalogue. We meet again with such artists as Ayaléw Mèsfin, Gétatchèw Kassa and Sèyfou Yohannes, and are introduced to other artists as yet unreleased or hardly known in the West, among them Menelik Wèsnatchèw, Seyoum Gèbrèyès, Tamrat Molla and Wubshèt Fisseha. Bonus tracks: Two pieces by the young Mulatu Astatqé, recorded in …

*2024 stock* The story of Orchestra Ethiopia (1963-1975) is unusual and compelling in more ways than one. Just as modern music was reaching the peak of its excellence and popularity, at the very same moment, via Orchestra Ethiopia's unlikely undertaking, traditional music acquired a legitimacy that the times had tended to deprive it of. Between the coup d'état (Dec 1960) and the revolution (1974), Ethiopia was combining, unbeknownst to all, both the end of an empire and the "golden age" of its m…

*2024 stock* Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music -- the Swinging Sixties which, in Ethiopia, went on until the fall of the Emperor Haile Sellassie I in 1974. On a par with Tlahoun Gèssèssè, Bzunèsh Bèqèlè or Mahmoud Ahmed, Alèmayèhu is a star at the top of the constellation that once lit up the wild nights in the capital city Addis Ababa. The singer, as remarkable for his frenetic rock numbers as for his heart-rending ballads, has, by …

*2024 stock* An outstanding pianist and a remarkable composer, Emahoy Tsegué-Maryam Guébrou, now a Christian nun in a Jerusalem monastery, recorded her own piano solo works, seeped in Ethiopian culture. Their rich, personal poetry brings to mind Carlos d’Alessio’s «India Song». A rare curiosity indeed, with beautiful melodies and a charming interpretation.

"It was 1979, and I was barely 5 years old. Some memories are impressed on my mind with a sort of solarized texture, like in the photographs of the period, full of icons and myths. My father Franco and mother Luciana were like crazy pinballs, touring the world: America, France and Germany were the sides against which they continuously bumped and Italy's capital the hole to which they always returned. I was really young, but I remember very well the period in which my father worked on this little…

After the high times and critical-mass arrangements of the previous two records, Snowbug exuded a breezy, spare, morning-after vibe. Edified by all manner of world-folk, classic Brazilian pop and the first volumes of the Ethiopiques comp, the Llamas recorded in London with Fulton Dingley and in Chicago with Bundy Brown and Jim O’Rourke engineering at Electrical Audio and John McEntire mixing at Soma. Snowbug is an understated, underrated gem.

The remix album, with marvelously creative EDM remakes from some of the best powerbook players of the day: Mouse On Mars, Jim O’Rourke, Kid Loco, Schneider TM, Stock, Hausen & Walkman, Cornelius and The High Llamas themselves. In addition to showcasing this emerging new generation of digital masters, the treatments here also highlight an oft-undersung aspect of The High Llamas’ sound – the influence of Krautrock.

Having passed – at least figuratively – through hundreds of years over the course of their previous two albums, the good ship High Llamas docked, fully loaded, into a congenial present moment for once in its life. O’Hagan’s continued work with Tim Gane and Stereolab caused a healthy dose of electronica to spike the Llamas’ already heady brew, creating an apex of late 90s-style neo-exotica. RIYL: Mouse On Mars, Oval, Grand Royal, Dots and Loops.

The High Llamas discover America – yes, it had been done before, but not via their envisaged pilgrims’ passage. Energized by the breakthroughs of Gideon Gaye, they went all-in, producing a wide-screen epic further exploring their unique agenda. The reference points multiplied, stretching through realms of classic pop and jazz, soundtrack music, exotica and neo-Americana, while charting a journey through musical landscapes of abiding lightness.

This brave foray into conceptual art music produced a jaw-dropping reset on the 20th century pop perspective. The High Llamas engaged songwriting and production with an eye toward filmmaking. Digging through ephemera of choice vintages with post-modern zest, they struck a rich vein they could call their own – a kind of gothic Americana, formal aspects pushed to extremes. The spirit of discovery here can be vibrantly felt over 30 years later.

*1st ever LP pressing!* For The Llamas’ 1992 debut, Sean O’Hagan, working the sextant to navigate a post-Microdisney course in the musical world, posted them up as a guitar pop band (RIYL: NRBQ, Big Star, Steely Dan), with nine exquisitely crafted examples of the oft out-of-step sound. Had there been no more after this, Santa Barbara would still be sought-after buried treasure by the perennial waves of voyagers seeking these sweet, jangling spices to this very day.

300 copies only! First-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and mastering by Marta Salogni. Established in 2013 by Valentina Magaletti and Tom Relleen, the duo operated until 2020 as a creative laboratory for the London-based musicians to explore beyond their traditional musical endeavours. They sought to deconstruct their usual sonic frameworks, venturing into a novel and unfamiliar auditory landscape. Their work seamlessly integrat…

In celebration of the 10th anniversary of Tomaga's debut album, 'Futura Grotesk', Hands in the Dark are re-releasing the long sold out record in a limited edition of 500 copies. The reissue is accompanied by the first-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and 300 units available. Both records have been remastered by Marta Salogni for the occasion. Always in search of exploration, with an obvious obsession for deconstruction their norm…

Robert Rental takes up residence with Dark Entries again for a reissue of Mental Detentions. Robert Rental was a Scottish pioneer of DIY electronic music. Along with his illustrious collaborators like Thomas Leer and Daniel Miller, Rental helped shape the countercultural sound of the UK with his timely melding of Krautrock, dub, and punk. Originally from Port Glasgow, he moved to the south of England with Thomas Leer in the late 1970s, and became involved with the local music scene. Robert Renta…

Terry Riley’s Shri Camel is a meditative masterwork blending the feeling of eastern music with repetitive electronic patterns, obtained using a modified Yamaha YC-45D combo organ tuned in just intonation and augmented with digital delay. In C and Rainbow in Curved Air get all the ink (inc?), but its own somewhat subtle way, 1980’s Shri Camel, the last of the three brilliant albums Terry Riley recorded for CBS, is every bit as groundbreaking as its hallowed predecessors. Not content to rest on hi…

The two works which comprise this retrospective release project - "Plan for Sleep” (1984) and "Every Dog Has His Day” (1985) - are collaborations between Yamanaka and Furuhashi which were foundational to the music development of Dumb Type's aural legacy and intermedia innovations at large. Their early stage music possessed a unique charm and innovation, serving as an essential element at the core of their art. Through this project, the legacy of these works is to be re-evaluated, and the essence…

In the performance of this work, "Plan for Sleep" (1986), created simultaneously with “Every Dog Has His Day” (1985), Yamanaka took on the role of sound operation. The performance begins with a minimal piece where the tones of the electronic organ and striking phrases from the piano and saxophone race forward in syncopation. Following this, various sound fragments drift over a deafening industrial beat reminiscent of machine noises. There are also pieces that transform the typing sounds of a typ…