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Reissues

Hammond Explosion!
Jou Cogra’s rare 45 and LPs have been the object of desire for a long time among collectors. Born Josep Cortés Granero, this catalan musician moved freely from tropical / latin sounds to Hammond fueled rare grooves with influences of masters of those genres, from Pérez Prado to Jimmy Smith or Brian Auger. His first LP was a collection of popular latin tunes, rooted in his earlier work with latin orchestras. He then moved to the underground, releasing a mega rare privately pressed 4 songs E…
Fotografiert Bunny
First ever vinyl LP reissue of one of the best library / jazz / groovy albums from Germany. Conceived and recorded in 1965 as (sort of) the soundtrack for advertising-designer, artist and photographer Charles Wilp photo sessions, it was composed by classical trained musician Siegfried Ulbrich, credited here under one of his pseudonym Marvin Martin. The album is a fantastic sequence of jazzy easy listening sounds, sometimes spiced with the actual sound of Wilp and his models speaking through the …
Rebetika
Andy Moor (guitar) and Yannis Kyriakides (computer) lovingly deconstruct and reassemble their favorite Rebetika music in a set of nine pieces that encompass a wide scope of musical vision. This is an unusual and original take on the so-called "blues" music of the Greek diaspora of the early 20th century. This live set was recorded in 2006, first released as an exclusive download for the UK-based Seven Things download-only label, released on CD by Unsounds in 2010, and is now available on vinyl f…
Free Psychedelic Poster Inside
Alga Marghen presents a reissue of Intersystems' Free Psychedelic Poster Inside (1968). Intersystems occupied a difficult-to-reach critical nook between the many tropes that had established to frame the various artistic trends of 1960s. Announcing itself with a quivering beam of fluorescent sound, the beginning of Intersystems' Free Psychedelic Poster Inside feels as though it's slowly piercing right through your frontal lobe. Blake Parker's poetry is a dark glimpse into mundane domesticity …
Peachy
Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…
Number One Intersystems
Alga Marghen presents a reissue of Intersystems' Number One Intersystems (1967). Intersystems' works evoke the heightened awareness, intermittent psychosis, intellectual over-stimulation and giddy nihilism of an acid expedition. "Orange Juice and Velvet Underwear" may indeed be the most typically "Psychedelic" cut of Intersystems entire catalog. Its saturated crypto-Indian drone and bent acoustic guitar notes, are upstaged by Parker's lurid-sounding declamations and Mills-Cockell's fierce …
I [Sound Encounter Electric LIVE Recording]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970's. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
MU [Sound Encounter]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970’s. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
No Coming, No Going. The Music of Peter Kuhn 1978-1979
Live broadcast recording on December 19, 1978, at Columbia University Radio WKCR-FM, NYC. Originally issued on LP, edited and in slightly different order, as Livin’ Right on Kuhn’s Big City Records (LPK 225). Free-jazz woodwind specialist Peter Kuhn’s road to San Diego has been long and harrowing. Born in the San Fernando Valley and raised in L.A., Kuhn’s career flourished in the Bay Area and eventually led him to New York at the invitation of Anthony Braxton in the mid-’70s, where he played wit…
The Folk Group
**CD version** Piero Umiliani’s rich and diverse discography got us used to bold experimentalism, to excursions into popular music as into avantgarde. Nonetheless, while “The Folk Group” makes no surprise, it still represents a peculiar work within Umiliani’s seemingly endless career. Originally published under the name of M. Zalla, an alias he especially used for those albums that were difficult to classify – and among which we must mention the extraordinary “Mondo Inquieto” and “Problemi d’ogg…
The Intergalactic Thing
Last copies, reduced price. Killer a collection of rehearsals taped in the fall of 1969 at Ra's home studio in Philadelphia. The studio was also his home and the home of most of his Arkestra, here called the Astro- Ihnfinity Arkestra.  The music here is meditative, soul nurturing medicine. Just about every musician from the Arkestra, even the renowned saxophonists John Gilmore and Marshall Allen, doubles on percussion. One might think, with a discography as extensive as the one Sun Ra boasts, t…
Dies Irae
This record is the first record of this group to be released (not to be confused with the German namesake training krautrock record release on the Pilz label in 1971). It consists of tracks recorded on stage and in the studio from 1976 and 1978, when Dies Irae was at the top of its game. A record that will allow you to judge the qualities of this little-known group that claims its influences (including notorious groups of the era King Crimson, Van der Graaf generator and Magma) nevertheless has …
Here Come The Warm Jets
By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. Here Come The Warm Jets is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles in the Camel's Eye' or the Spector / Velvet Underground trad-rock-ism of Cindy Tells Me,' the album displays an unabashed love of quirky, catchy pop. Savage guita…
Taking Tiger Mountain (By Strategy)
Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's follow up album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly l…
No Sacrifice LP
Vidna Obmana is a pseudonym used by Belgian artist Dirk Serries. He has been a significant name in the ambient scene for more than two decades, releasing over more than 50 solo albums and numerous collaborations.  But apart from his main ambient colleagues, Vidna Obmana originates from the industrial cassette network scene in early eighties, releasing several tapes on his own label and on others. No Sacrifice Lp get tracks from infamous tape released in 1985 on Zeal SS No sacrifice for w…
An Anthology of Turkish Experimental Music 1961-2014
An Overview of Experimental and Electronic Music in Turkey: this anthology features 29 turkish artists: from the electronic music of the '60s to all forms of experimental music of the '10s. This is the second volume of an exploration by zone or sphere of influence. The constellation built between 2000 and 2012 with the seven-part series An Anthology of Noise and Electronic Music continues to expand through the Early Electronic collection (consisting mostly of tracks composed between the 50's an…
Dimensions
Very nice late 80s early 90s recordings from the man behind Futuro Antico "In this record I have sought to integrate those element that together formed my musical identity, and which at times I have lived with some difficulty, as they derived from different, and conflicting cultures. That is the reason why some parts of the record have been written out note, and other parts were improvised. There is a continuous mix of languages, from electronic music and avant-garde to minimalism, jazz, Arabic …
Fluid To The Influence
LP version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as an artistic f…
Illuminant/Glory
Illuminant/Glory is a wild awake, which marks the transition to a new perception of the self. A solitary trip towards the discover of the feral nature which ideally leads to death (Illuminant) and to rebirth (Glory) of whom embarks on this trip.  Through sampling in real time floor-tom, voice and synths, the listener is buried under layers of percussions, drones and mantras, dragged further down ("Come down with us") to exorcise the fear of what he is in nature. Only confronting with death…
A Fluxus Essay
Dorothy Iannone (b.1933) tells her Fluxus Story. Recorded in Berlin in 1979. Edition of 300 copies. CD with 20-page A4 offset-printed booklet. "There, Maciunas and I looked deeply but impassively into each other’s eyes, not knowing then that we would meet again on these pages. Perhaps he was thinking, “Who is this woman?”. Perhaps it might even have amused him, somewhere far back in his mind, to know that I am she who is the Fluxus women artist who is not the Fluxus women artist.“Dorothy Iannone…