Reissues

Bill Fontana investigates the physics of perception itself. Side A: tape collages where sound becomes both material and force. Side B: Wave Spiral for 5 Rin Gongs - a sidelong, 21-minute centerpiece where pure sine waves create interference patterns, frequency made sculptural. Sound spiraling through space, dissolving boundaries between observer and phenomenon.

Paris, 1978. Don Cherry walks into a French studio with a suitcase full of instruments nobody expected and meets Ustad Ahmed Latif Khan for the first time. No rehearsal, no plan, just two musicians who recognize each other immediately as kindred spirits. What happens next is one of Cherry's best efforts - an album only hardcore fans know about, recorded in Paris, released only in France in 1981, disappeared, and now back again in a special edition that demands attention. This is what "world musi…

Hegel by Lucio Battisti offers a boundary-pushing, introspective journey through philosophical concepts, poetic abstraction, and experimental electronics. Its eight tracks unfold with Panella’s cryptic lyrics, reflecting on beauty, identity, and the passage of time within meticulously programmed synth-pop arrangements. As Battisti’s final work, it stands as a compelling testament to the possibilities of Italian songwriting and sonic innovation.​

Cosa Succederà alla Ragazza by Lucio Battisti deepens the exploration of electronic sounds and playful, surreal wordplay from Panella. The album, centered around the mysterious figure of the “girl,” combines pulsating, synthesized arrangements with a cut-up poetic style, producing a work both hypnotic and elusive. Through eight tracks, Battisti turns pop into a puzzle, rewarding repeated, attentive listening.​

La Sposa Occidentale by Lucio Battisti marks a further evolution in his sound, with surreally poetic lyrics from Panella and a sonic palette that merges synth-pop and dance electronics. The album presents a concept around a female protagonist, while adopting minimalist visual cues—a white cover with a stylized drawing—and delivering tracks of subtle complexity and rhythmic invention. The result is a sophisticated and enigmatic work that expands the boundaries of Italian pop.​

L'Apparenza by Lucio Battisti marks a pivotal moment in his career, expanding on electronic and lyrical experimentation begun in his Panella phase. The album’s multilayered arrangements and poetic ambiguity invite listeners into an abstract space, where meaning slips between lines and melodic innovation comes to the fore. With tracks like A portata di mano and Lo scenario, Battisti tests the boundaries of Italian pop, offering an album that is as challenging as it is rewarding.​

Don Giovanni by Lucio Battisti redefines Italian pop with a distinctive synthesis of minimal electronic textures and enigmatic poetic imagery. With Panella’s elliptical lyrics foregrounded, the album resists straightforward interpretation, instead encouraging listeners to linger over its paradoxes and musical subtleties. Each track oscillates between melodic openness and experimental abstraction, weaving a soundscape that is both contemporary and timeless.​

Umanamente Uomo: il Sogno by Lucio Battisti reinvents Italian pop with a poetic blend of nostalgia, emotional candor, and stylistic exploration. Mogol's lyrics navigate the complexities of memory, longing, and everyday struggles, set against Battisti's evolving sound, which balances melodic intimacy with touches of folk, progressive, and pop arrangements. These eight tracks, including enduring classics, reveal an artist at the peak of his expressive powers, fusing personal narrative with broader…

Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…

Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.​

You Need This!: “World Jazz Grooves Volume 2” is a double LP/CD/digital compilation curated by Jean-Claude and Victor Kiswell for BBE, released October 3, 2025. Traversing jazz experiments from Denmark, France, Brazil, Canada, USA, and Jamaica, the album uncovers rare and unreleased tracks, including contributions from Mary Lou Williams, Dadje, Cedric Brooks, John Tchicai, and Kahil El’Zabar, revealing a deeply international, cross-genre approach that celebrates the global diversity of jazz.​

For those who still believe prog is a four-letter word, Caravan remain a mystery - More fool them, for they are missing out on some of thesweetest and most tuneful melodies in 70s rock, whether it be the jazz- inflected vaudeville of the title track of If I Could Do It All Over Again, I'dDo It All Over You, the gentle celebration of Virgin On The Ridiculous from Caravan & The New Symphonia or the funky ambition of The Dabsong Conshirtoe on Cunning Stunts. Formed, like Soft Machine, from the grou…

H&F Recordings’ album Friends, sometimes known as Fragile, is a rediscovered gem of early 1970s British psych-folk. Crafted by Peter Howell and John Ferdinando, this collaborative project—originally issued as a private press—displays gentle harmonies, intricate acoustic textures, and a disarmingly intimate approach, now remastered for fresh ears after decades of semi-mythical obscurity.​

Unofficial release. Nana Vasconcelos’ Amazonas remains a vital artifact from the early 1970s, a period when the boundaries of Brazilian music stretched restlessly towards international horizons and deeper experiments in sound. Recorded predominantly as a solo project at Phonogram Studios in Rio de Janeiro, the album locates Vasconcelos in an intimate dialogue with percussion, voice, and the berimbau, instruments that he transforms into vehicles for storytelling as much as rhythmic exploration. R…

"Originally issued as a private LP in an edition of 400 copies in 1983. MB de-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation cas…

The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.

Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.

Electric Taal Band, the eponymous debut from Electric Taal Band, is a vibrant Toronto project that forges unexpected connections between Punjabi percussion, cosmic jazz, and modern electronics. Channeling inspirations from Little India crate-digging to club experiments, the record traverses rhythms and textures with a fearless, exploratory spirit.​

A Gradual Awakening by Danna and Clement is a landmark Canadian ambient album created in and with the wilds of Ontario during the early 1980s. Built with analog synthesizers and field recordings, the duo’s introspective soundscapes reflect deep environmental and personal connection, evoking both spirit and subtle change across gently unfolding musical landscapes.​

The Tinnitus Chorus, a new album from Michael Scott Dawson, is a collaborative ambient project reflecting on his personal experience with tinnitus. Joining forces with an eclectic cast from the worlds of experimental folk, jazz, and electronics, Dawson weaves tape loops, gentle melodies, and field recordings into a quietly unified journey through sound and vulnerability.​

Allen’s Soul Bag is a standout reissue from Allen Kwela Octet, capturing the spirit and sophistication of South African jazz in the early 1970s. The album, newly remastered from vinyl and pressed in a limited run, offers emotive ensemble playing and rich melodic invention, showcasing Kwela’s expressive guitar against vibrant horns, piano, and rhythm section.​

Everything Is Possible, the third album from Peace Flag Ensemble, pushes the boundaries of jazz improvisation and ambient experimentation. Led by Jon Neher’s lyrical piano and complemented by subtle electronic flourishes from Michael Scott Dawson, the group’s ensemble dialogue traverses gentle melodic passages and unexpected textural turns, resulting in a collection that is both introspective and quietly assertive.​

Mother Africa by Byard Lancaster radiates with spiritual energy and improvisational daring, weaving together free jazz, blues, and soulful overtones. The album’s exploratory language and deep sense of groove reflect Lancaster’s boundary-pushing ethos, resulting in a vivid listening experience that braids together African themes, fluid ensemble interplay, and Lancaster’s distinctive melodic sensibility.​

Us by Byard Lancaster is a vibrant suite of improvisations driven by searching melodic motifs and propulsive rhythms. In a compact yet dynamic trio format, Lancaster’s alto saxophone and flute navigate territory mapped equally by jazz tradition and the pursuit of abstraction, making the album a crucial benchmark for fans of adventurous 1970s jazz.​

Trio Xenakis – comprising percussionists Adélaïde Ferrière, Emmanuel Jacquet, and Rodolphe Théry – presents Xenakis-Reich (Live) on B Records, a rigorous examination of two foundational approaches to contemporary percussion composition. This vinyl edition documents live performances that illuminate both the technical demands and philosophical substrates of works by Iannis Xenakis (1922-2001) and Steve Reich (b. 1936). The program opens with Xenakis's Okho (12:47), a seminal work for three djembe…

**2025 Stock** Infinite Fog Productions presents the complete anthology of Blasterkorps, a cult project created by Geoffroy D. (Dernière Volonté, Position Parallèle) and Léonce B. (I-C-K, Nihiltronix, Soldat Arnaud, Cage Apotheek). Emerging from France’s underground between 1997 and 2002, the duo blended the depth of analog minimal synth and electro-industrial structures with the unmistakable voice of Geoffroy D. This long-awaited 2CD set gathers 25 compositions - nearly 100 minutes of music - i…

**2025 Stock** Ebalunga!!! presents a joyful reissue of the legendary compilation album "My Pussy Belongs To Daddy"!  Released in 1957 on the Beacon label run by the legendary producer Joe Davis - it was one of the first albums which captured the audience’s attention by means of double entendres in the songs. The release became one of the most eccentric and scandalous albums of its time and remains one of the most sought-after gems in the history of discography. It was unusual at the time for wo…

**2025 Stock** 40th-anniversary edition. Korpses Katatonik was a musical solo project of Zoe DeWitt during the years 1982 and 1983. Unlike DeWitt's later project Zero Kama, the work of Korpses Katatonik remains entirely within the realm of electronic music and shows an uncompromising experimental style comparable to that of other industrial bands like Coil, Throbbing Gristle, SPK, or Cabaret Voltaire. Like many other exponents of industrial culture Korpses Katatonik was inspired by dark psychiat…

**2025 Stock** After the groundbreaking new edition of the legendary and iconic compilation "My Pussy Belongs To Daddy" from 1957, Ebalunga!!! presents the exquisite solo album "Girlesque" by the incomparable Faye Richmonde. Originally released in 1959, "Girlesque" once again captures the attention of the audience with its unique blend of genres and provocative song titles. Without succumbing to vulgarity, Faye Richmonde maintains sophistication, ease and witty humor, playing with memorable melo…

**2025 Stock** Ebalunga!!!, Everland and Dundgol invite you to discover the rich and diverse world of Mongolian music.  "Mongolian Music from 70s - vol. I" opens the gates to the golden era of Mongolian music. This period, spanning from the 1970s to the early 1980s, is considered as the brightest and most influential period in history of Mongolian music. During this time, Mongolian musicians started using new instruments and technologies, such as electric guitars and synthesizers, which led to t…

**2025 Stock** Ebalunga!!! is coming back with a new long-awaited reissue of LP by the famous Hungarian guitarist, originally released in 1969.  Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Sz…

**2025 Stock** The Fact of Being are happy to inform about the second step in a series of reissues of early works by Peter Davison. The long-awaited re-edition of a highly acclaimed and innovative album "Glide" 1981 to celebrate its 40th anniversary. "Glide" was the second artist's album. Released in 1981 on vinyl and urgently repressed in 1982 due to high demand it was sold-out fast again and has not been reissued since that. To date, this is one of the rarest and wanted ambient recordings that…

First Nod release from 1992, now on vinyl for the first time. Originally self-released as a CD, a subset of the recordings were perfectly re-mastered by James Plotkin for this slab of black vinyl. During the "year punk broke," this trio (and sometimes four-piece) were holed up in a Western NY enclave, perfecting their craft of imperfections. A combination of studio and home recordings, this self-titled gem perfectly introduces you to the charming shambly rock which Nod has been creating for the …

With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.

Ojo de Mujer presents a rare gem from the twilight zone of 1970s electronic experimentation: Labat's Transition, an album that exists in its own peculiar dimension where psychedelic disco meets aquatic reverie, and synthetic soundscapes dissolve into moments of unexpected grace. Surfacing from the depths of obscurity, this Canadian pressing has long been whispered about among collectors and connoisseurs of the era's most adventurous electronic music. The album's striking cover — featuring a figu…

First released in 1998, Magic Thread finds Susumu Yokota navigating the liminal space between club rhythm and ambient reverie. Blending vaporous beats, dub inflections, and microscopic detail, the album traces the moment he stepped from late‑night dance floors into dawn-lit introspection.

Image 1983–1998 by Susumu Yokota collects fifteen years of sonic fragments tracing the evolution of his ambient vision. Recorded between early tape experiments and late‑1990s compositions, it bridges lo‑fi intimacy and polished minimalism, revealing the contours of an artist forever balancing wonder and restraint.

With Grinning Cat, Susumu Yokota continues to refine his delicate ambient universe through a dreamlike balance of melody, texture, and silence. The 2001 album merges found sounds, piano fragments, and vaporous rhythms into an otherworldly narrative of domestic tranquility and imaginative reverie.

With Sakura, Susumu Yokota unveiled an ambient masterpiece that blends sampled fragments of jazz, minimalism, and Japanese melody into a contemplative whole. Released in 1999 on Skintone and later on The Leaf Label, the album turns repetition into poetry, infusing electronic textures with a deep human warmth.

Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection - a rediscovery of autumnal warmth and luminous craft.