Reissues

Ylem (1972) for nineteen players, in two versions played by the London Sinfonietta under Stockhausen and recorded at EMI Studios, London, on 21 March 1973.

Am Himmel wandre ich (1972), twelve American Indian songs for two voices by Stockhausen, sung by Helga Hamm-Albrecht and Karl O. Barkey and recorded in February 1977.

*Limited edition of 300 copies.* Music by Masami Akita. Recorded and mixed at Bedroom in Tokyo, August 2007. Originally this album was released by Quasi Pop Records in 2007 in Ukraine. Full of ice-breaking analogue feedbacks over dense overdrived textures, some beasty, pulsing rhythmic elements on the background and rollercoaster's LFO spazmes of analogue synth. This is the bright example of modern "post-analogue-post-laptop era" sound of Merzbow: these compositions are wild at heart as the wild…

*Limited edition of 300 copies.* Dedicated to an independent Chechnya. On the front cover, there is a Coat of Arms of the Chechen Republic of Ichkeria during the first First Chechen War for Independence. 'Chechnya Over Dub' was originally released by Staalplaat as a part of Fatah Guerrilla in 1996.

*Limited edition of 300 copies.* Written, recorded & performed by Muslimgauze, this album was withdrawn by Bryn Jones, and replaced by the "Betrayal" album, in fall 1993. This is the album in its original form, as intended by Jones. The material was recovered from a cassette copy of the album as the original DAT was reused. It has been released on CD in 2019 by Hong-Kong based label Ultra-Mail Prod.

*2022 repress, Limited edition of 300 copies, 3 digital bonus tracks, incl. download.* "October Language" is the debut album by New Orleans based duo Belong, comprised of Turk Dietrich and Mike Jones. Since it's release in early 2006, Belongs debut masterpiece has accumulated a dedicated cult following, with comparisons to the work of Christian Fennesz and Gas, with some claims that it plays like My Bloody Valentine's "Loveless" sans the songs. While these comparisons are useful for filing this …

Trans (1971), Stockhausen's orchestral work with tape, on one CD with the world premiere recording of 16 October 1971 and a later studio recording under Hans Zender.

Sternklang (1971), Stockhausen's park music for five groups, in the 1975 Paris studio recording with members of Intermodulation and Gentle Fire, on two CDs.

Six of the seventeen intuitive-music texts of Für kommende Zeiten (1968-70), played by the Ensemble for Intuitive Music Weimar and recorded in 2005.

Stockhausen Edition no. 12: Stimmung (1968) for six vocalists in its Paris version, in two recordings made at the WDR in Cologne by the Collegium Vocale Köln in 1969 and 1982.

Stockhausen Edition no. 5: Gruppen (1955-57) for three orchestras, recorded on 9 May 1965, and Carré (1959-60) for four orchestras and choirs, taped at the dress rehearsal of 1960.

Stockhausen Edition no. 4: Kontra-Punkte (1952-53), Zeitmaße (1955-56), Stop (1965) and Adieu (1966), played by London Sinfonietta musicians with Stockhausen conducting.

Stockhausen Edition no. 2: Formel (1951), Schlagtrio and Spiel (1952, revised 1970s) and Punkte (1952, recomposed 1962), with the composer credited as conductor.

Stockhausen Edition no. 1: five early works from 1950 and 1951 (Chöre für Doris, Choral, Drei Lieder, Sonatine, Kreuzspiel), recorded between 1973 and 1976 for the Complete Edition.

Strings Revisited revives and revamps the sound of Strings, a now-classic recording of Henrik Otto Donner´s compositions by tenor saxophonist/flautist Juhani Aaltonen together with a jazz group and strings that was originally released in 1976 and has become one of the cornerstones of modern Finnish jazz. Strings Revisited was born from the idea of building on the music of the original album in order to create new music. Three compositions from it were recorded as new contemporary arrangements an…

Killer! 1st pressing, already sold-out at the label. A duo live recording of Takehisa Kosugi and Mototeru Takagi held at Kunteki Shrine in Kochi City on January 19, 1985. Kosugi radiating a roaring sound using violin, electronics, and voice together with Takagi's sharp saxophone

Jo Kondo – one of Japan’s most celebrated living composers – sets out his conception of music as a ‘shared object of listening’, an ultimately hopeful vision of music as a purposeless – non-instrumentalised – activity that brings together composers, performers, and audiences as equal partners in the shared creativity of listening. At once an exploration and critique of the aesthetics of absolute music from German Romanticism to the present day as well as an argument for diversity in both interpr…

A little psych-dub masterpiece recorded in 1981 by the elusive Minus Group, a mysterious studio band led by multi-instrumentalist Enzo Minuti (aka Ezy Minus). The two tracks on this single are different arrangements of the same composition, the first, on Side A, being an afro-dub version with phrasings on sax and synth (both played by Minuti himself), weirdly processed choir vocals, and obsessively repetitive percussion. Side B, on the other hand, contains a tropical-downtempo mix, with claves a…

* 320 pages with many drawings, music examples and photographs * Peter Ablinger used to say that he communicated in sound, not words. But his literary legacy is substantial, as this book demonstrates. He is a composer whose work is questioning basic assumptions about music as time-based performance-generated art form. Even though conceptually homogenous, his works are perplexing when observed through the traditional contexts of musical presentation. Most of the clues for their understanding come…

Transversales Disques is very glad to announce the release of Solitude Transit, unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for contemporary dance, choregraphed by Anne-Marie Reynaud. Affiliated with French Radio's Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005), a major figure of musique concrète and electroacoustic music broke away to pave his own path of individualistic expressions of minimalist mus…

USB in digipak; 11 films, three hours 55 minutes. Films includes: Praised Fan, for bassoon (2016, 17 min) Dafne Vicente-Sandoval, bassoon. Commissioned for the Adelaide Festival, Australia, by Ilan Volkov. Material recorded at Marcus Schmickler's P I E T H O P R A X I S studio in Koln, Germany. First Out, for guitar (2015, 22:14) David First, guitar. Completed in November 2015 in Hong Kong. Premiered on Czech Radio in Prague, Czech Republic, Nov. 27 2015. Material recorded at Berklee School of M…

*Limited edition of 500 copies.* Sonor Music Editions team was able to rescue from oblivion the lost tapes of this incredible recording, composed and orchestrated by the great Italian arranger and pianist Paolo Ormi. Originally conceived in 1972 at RCA studios in Rome, the album has been never officially released on any commercial/physical format until now. A promo Stereo-8 was only issued at the time on a ridiculous run, and only distributed for non-commercial purposes among the TV circuits. "P…

*2022 Stock.* Originally issued by Regal Zonophone in 1971, this highly sought after release has been reissued on LP officially. The band's sound has been likened to that of the twin lead guitar style of Help Yourself/early Wishbone Ash with refined vocals. The songs are spiced with tasteful organ/piano and additional percussion throughout. The recording took place at Regent Sounds Studio in London where The Rolling Stones, The Yardbirds and Pink Floyd also recorded, as well as at equally renown…

This double LP release features one of Miles Davis final great bands: John Scofield on guitar, Bill The Other Bill Evans Evans on saxophones, flute and electric piano, Darryl Jones on bass, Al Foster on drums, and percussionist Mino Cinelu. Miles was back in amazing form (incandescent and iridescent as ever, critic Greg Tate noted), when he mounted the stage at the Theatre St-Denis during the Festival International De Jazz De Montreal in July 1983, and this revelatory performance has been loving…

*2022 Stock.* ‘Visions in Black and White’ is a collection of rare jazz and improvised themes by one of the greatest Russian film composers Mikael Tariverdiev (1931-1996). Transferred from the original tapes and beautifully remastered, these recordings manage to retain their original ambience and capture a master at work. Originally composed for cinema and TV movies of the 1960s and 1970s, it centres on Mikael playing at the piano and keyboard. Many of the compositions can be described as jazz, …

*2022 Stock.* Lee Hazlewood’s LHI label only put out interesting albums. Yet despite the psychedelic cowboy's success with Nancy Sinatra and more, being on Lee Hazlewood Industries was no fast-track to success. Gorgeous and talented Detroit, Michigan girl group Honey Ltd had all the makings of a hit band, yet they disappeared after releasing just one album in 1968, a vinyl rarity that now regularly fetches upwards of $2,000. Light In The Attic Records is now looking to set the record straight. H…

*Gatefold LP featuring a 20-page booklet.* First official reissue of Nancy & Lee's classic 1968 duets album. The definitive reissue with Nancy's participation. Includes bonus tracks "Tired Of Waiting For You" and "Love Is Strange" from the album sessions. Remastered from the original analog tapes by GRAMMY®-nominated recording engineer John Baldwin. Vinyl pressed by RTI. Q&A with Nancy and GRAMMY®-nominated co-producer of the reissue Hunter Lea. Never-before-seen photos from Nancy Sinatra's pers…

*2022 Stock.* Not to be confused with the famous R'n'B star of the same name, Bobby Brown became known to the public for his bizarre self built percussion set which he played with hands and feet creating a very unusual and peculiar rhythm carpet, not to mention his odd vocal style which added to his intriguing musical choice a touch of captivating madness. Although not electronic, his musical take will be particularly enjoyable for who listened to experimental musicians such as Silver Apples, Un…

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy, Spencer Doran and distributed by Light In The Attic – is proud to reissue Yoshimura’s debut Music for Nine Post Cards for the first time outside Japan in collaboration with Hiroshi’s widow Yoko Yoshimura, with more reissues of Hiroshi’s works to follow in the future. Working ini…

*2022 stock. Limited edition of 500 copies. Pressed on LITA Exclusive Purple.* Devil in the Flesh is on par with the best Italian soundtracks of the period with sitars, drum breaks and trippy erotic ambience. Uptempo grooves, sleazy psychedelic sounds that transport you back to the 70’s club scene.

This would have been the Brazilian post-punk supergroup. It would have, because bassist and singer Sandra Coutinho moved to Germany, leaving these recordings behind -- only two songs were released, in an independent compilation (Enquanto Isso, 1991). Sandra (bass, As Mercenárias) along with Denise Camargo (keyboards and voice, Bruhahá Babélico and Dequinha e Zaba), Biba Meira (drums, De Falla), and Karla Xavier (guitar, R. Mutt), expressive musicians in expressive bands, were AKT. And this power…

Originally released in 1992, Der Abend Der Schwarzen Folklore is the third Massaker album, originally released by Rough Trade Germany. According to Caspar Brötzmann, the title track and Bass Totem are the band’s most accomplished songs. It’s certainly the most sonicly refined of their albums, recorded during a residency over several weeks at the pastoral site of Conny Plank’s studio near Cologne, and produced by Ingo Krauss and Bruno Gebhard, who had worked with the famed Krautrock producer unti…

** Last copies available ** "Sounds of Silence" is an anthology of some of the most intriguing silent tracks in recording history and includes rare works, among others, by Andy Warhol, John Lennon, Maurice Lemaitre, Sly & the Family Stone, Robert Wyatt, John Denver, Whitehouse, Orbital, Crass, Ciccone Youth, Afrika Bambaataa and of course Yves Klein. In their own quiet way, these silences speak volumes: they are performative, political, critical, abstract, poetic, cynical, technical, absurd… The…

** Edition of 200 copies** Second album from the italian artist Massimo Amato, here with a great ensemble of musicians exploring new forms of ambient music infected by etnic moods and his usual psychedelic approach. A smokey, nocturnal ambience of warm Spooner Oldham, Muscle Shoals keys and electronic fizz. Cymbals doubling for midnight waves crashing. A lazy calm of reverbed guitar, that wouldn`t be out of place on a Cocteau Twins record. The use of melodica nods towards the Dub meditations of …

** Black vinyl with obi strip ** This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 and was intended to be a follow-up album to the classic "The Giant Is Awakened" which was released that year.The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA’s jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading b…

Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…

Tip! A lost bit of 70s Italian modal jazz, with spiritual overtones and global percussion from drummer extraordinaire Tullio De Piscopo – an incredible set of heavily rhythmic grooves recorded in Milan in 1978 – originally a tiny edition effort on Carosello Records, and the most impressive rediscovery yet from New Platform!  For the occasion, the Tullio De Piscopo Quintet meets Argentine percussionist Luis  Agudo, who played for years alongside Brazilian guitarist Baden Powell and later with the…

Temporary Super Offer! 'Cecil Taylor’s whole career was a wave-front of exploration. The analogy with light is apposite enough. He evolved so fast most of us never quite caught up and relied instead on a few safe generalisations that momentarily applied around 1962 and only occasionally thereafter. Taylor rarely referenced the space programme, and admitted towards the end of his life that he had found the moon landings “banal”. Like Sun Ra, he was a cosmonaut of sound, breaking free of gravity a…

Temporary Super Offer! 'Among the jazz innovators, Albert Ayler is still considered a solitary figure to this day. From 1964 on he pursued his vision with firm determination. Like no other artist he used well-known melodies from military, marching, blues, gospel and minstrel show music as a starting point, and from these biographical earworm references he set out with the greatest expressiveness into an unconditionality that caused productive disturbance, which his music still does. On the one h…

*385 copies limited edition. Silkscreened chipboard jacket with obi (tan & white), inserts and a postcard* On their latest release, An’archives dives into the past, disinterring a revelatory collection of recordings from Japanese free-sound quintet Gu-N. Formed in 1994 by Fumio Kosakai (Incapacitants, Hijokaidan, C.C.C.C.) and Hidenobu Kaneda (Yuragi), alongside Ikuro Takahashi (Fushitsusha, Kousokuya, LSD March), Ryuichi Nagakubo (C.C.C.C., Yuragi), and Morihide Sawada (Yura Yura Teikoku, Marbl…