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Émile Sornin aka Forever Pavot is currently on an impressive release run. After composing the soundtracks for the films De Nos Frères Blessés by Hélier Cisterne in 2020 and Babysitter by Monia Chokri in 2022, he presented in March a new solo album, L'Idiophone on Born Bad Records, for which he has been touring Europe since its release. The Parisian multi-instrumentalist is already back on BMM with his third soundtrack for Monia Chokri's new film, Simple Comme Sylvain. "Monia came to me for her p…
*2025 repress* The third album by Canterbury's own Caravan, originally released in 1971, reissued with two full sides of bonus outtakes taken from the album's original recording sessions at A.I.R. and Decca studios in London in 1970-71. This was the last album to feature the original Caravan line-up, before David Sinclair left to form Matching Mole with Robert Wyatt (Soft Machine) later that year.
"In the Land of Grey and Pink is considered by many to be a pinnacle release from Caravan. The albu…
2025 stock In one of his first forays into big budget Hollywood, Ennio Morricone handed in one of his weirdest, eeriest scores.
From the beautiful to the absolutely demented, while still playing in the same sandbox. Once you get to the deranged Satanic prog rock of “Magic And Ecstasy,” it hits you: this is the craziest we’ve ever heard Morricone. And it’s amazing.
“I like the first Exorcist, because of the Catholic guilt I have, and because it scared the hell out of me; but The Heretic surpasses…
2025 stock "Live at The Library Theatre '83" captures the legendary Nico, former member of The Velvet Underground, in a raw and intimate live performance at Manchester’s Library Theatre in 1983. This release, issued by Culture Factory and Cherry Red Records, marks the first time this concert has been available on vinyl, presented as a limited edition for Record Store Day.
2025 stock In 1992 the Melvins' fascination/adoration/denigration of the mighty KISS rock and roll universe compelled them to excrete out three solo masterworks inspired by the KISS solo LPs. The first in the series is King Buzzo, from the Melvins' giggling guitar grumpus. Four songs of atmospheric clanging and rockin' banging. Also features the many talents, drumming and otherwise, of a famous Grunge superstar, whose name sort of rhymes with New Wave Asshole. The second in the series is Dale Cr…
2025 stock In 1992 the Melvins' fascination/adoration/denigration of the mighty KISS rock and roll universe compelled them to excrete out three solo masterworks inspired by the KISS solo LPs. The first in the series is King Buzzo, from the Melvins' giggling guitar grumpus. Four songs of atmospheric clanging and rockin' banging. Also features the many talents, drumming and otherwise, of a famous Grunge superstar, whose name sort of rhymes with New Wave Asshole. The second in the series is Dale Cr…
2025 stock In 1992 the Melvins' fascination/adoration/denigration of the mighty KISS rock and roll universe compelled them to excrete out three solo masterworks inspired by the KISS solo LPs. The first in the series is King Buzzo, from the Melvins' giggling guitar grumpus. Four songs of atmospheric clanging and rockin' banging. Also features the many talents, drumming and otherwise, of a famous Grunge superstar, whose name sort of rhymes with New Wave Asshole. The second in the series is Dale Cr…
Reese and the Smooth Ones was captured during the same revolutionary Paris session as Message to Our Folks, but stands apart as a two-part, 40-minute odyssey of unchained invention.
*200 copies limited edition* In continuation of PQR’s incessant quest for those one-off gems of U.S. Prog, we bring you the first ever reissue of a classic among prog collectors and enthusiasts at large, the sole album by Eearthrise. In fact, this edition is 2 albums in 1, as, over and above the 4 main tracks, it features 5 previously unreleased ones, spanning key member Bill Drobile’s different compositional phases, from fuzzed out psychedelia to prog. Emerging from New Jersey’s fertile musical…
Sound Mind Sound Body was inspired in part by the working principles of Fripp & Eno, extrapolated by Rafael Toral via a unique signal path leading out of his guitar. He paid notice to the massive impact of discreet gestures, creating slow-moving tones and spacious orchestral resonances, drifting and droning with glacial majesty, hardly recognizable as guitar much of the time. The first pieces were recorded in 1987; in 1994, a collection was released on Portugal's AnAnAnA, producing an hour’s wor…
Digital album is the 2025 Edition, available on CD. Wave Field, released in 1995, was a departure from the first album into new composition methods involving the dirty textures of rock guitar, sounding in the open ears of many listeners (like Jim O'Rourke, who issued the disc in the US on dexter's cigar) as a synthesis of disparate elements — a nexus where Alvin Lucier, Sonic Youth, My Bloody Valentine and Eno blend together. Here, the clangorous potential of the guitar was emphasized, giving a …
*2025 Repress* A catalog such as Beat Records, with its roots in the '60s may have a difficult logistic. Beat Records changed many times head quarter up to moving to Via Filippo Nicolai 16 from the late '80s up to nowadays. Such a company catalog, sensibly grown during 55 years of life, was always needing more space and so, recently, the label decided to find a new place where to agglomerate various storages spread through Rome. What does all the above things have to do with They Call Him Trinit…
Female singer-songwriter released in 1971 on the Dandelion label, run by progressive DJ John Peel, Second album by Bridget St John. Backed by John Martin (g), Rick Sanders (g,vln) and other artists active in the folk world, and with chamber music arrangements by Ron Gysin, known for his orchestral arrangement of Pink Floyd's “Atom Heart Mother”, this album is a masterpiece of shaded, magical singing and English fantasy beauty. Paper-jacketed, SHM-CD with commentary and bilingual lyrics. Includes…
Tranquillity and lyricism. Italian Celeste expresses a fantastic sound world with well-chosen arrangements. The carefully woven compositions, reminiscent of an exquisite textile, symbolise the “quiet” sound of Italy. This timeless masterpiece has been remastered in 2024 for the first time in 14 years and is now available in an encore pressing! Paper jacket, SHM-CD, 1 bonus track.
The only album by hard rock band Twenty Sixty Six and Zen, released in Germany in 1972 as a mixed Anglo-German band. The original is an extremely rare and classic record, which has been sold at a high price amongst enthusiasts. The wild vocals and keyboards form a heavy and thick dynamism, and there are many progressive elements such as the introduction of the mellotron. This long-awaited encore pressing of this long-unavailable masterpiece is now available in paper jacket and SHM-CD / remastere…
If there were a hall of fame for underground weirdo freak bands, Second Hand would be among the first nominees. Their second album, released on April 1st 1971 through Vic Keary's Mushroom Records, is no joke - it's one of the most unhinged, inventive and genuinely strange records to emerge from the British progressive underground.
Second Hand began life as The Next Collection in South London in 1965, with teenage school-friends Ken Elliott (keyboards, mellotron, harmonica) and Kieran O'Connor (d…
Third album by Guru Guru, pioneers of the krautrock scene, released in 1972. The last album of the band's heyday with the original three members Mani Neumeier, Uli Trepte and Ax Genrich. The band moved to a more organised style of playing, which, combined with the humour of the covers, gave the impression of being a bit of a letdown, but the content was excellent, and the album is a masterpiece of well-crafted songs with a lot of attention to detail. The aggression has receded, but the psychedel…
Bristolian artist, illustrator and toymaker Ed Cheverton debuted as Earth Mother Spectral Pilot with a cosmology-inspired melodic ambient album on SWIMS. We are now treated to a long overdue re-release. Known for his features in publications like It's Nice That, Juxtapoz, and The Guardian, Cheverton widens his creative scope to music via a project that borrows its title from a series of comics of his. Influenced by ambient and atmospheric soundtracks, one can hear the connection to Kawai Kenji, …