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Rerelease of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4 – Jo Maka. The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tus…
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
Joe Henderson Our Thing To In ’N Out Revisited notes: The Blue Note label in the early and mid 1960s was a haven for musicians engaged in the process of expanding the jazz vocabulary with unconventional harmonic strategies and new compositional infrastructures that elicited equally exploratory improvisational responses. And it was an ongoing process, benefiting from the sporadic, albeit calculated, interaction of different perspectives and methods of creative inspiration. Established or working g…
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
Ted Lucas' self-titled album, pressed in Detroit at Third Man Pressing. This self-titled work published album by singer-songwriter and master guitarist Ted Lucas has achieved an almost mystical reputation among aficionados and collectors. Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. In 1972, the d…
The Ibex Band, with Giovanni Rico and Selam Woldemariam at the creative helm, provided the musical backbone for legends like Aster Aweke, Girma Beyene, Tilahun Gessesse, Mulatu Astatke, and Mahmoud Ahmed, including the iconic album Ere Mela Mela, shaping modern Ethiopian music as we know it today. This 1976 album (Ge’ez Year 1968) played a pivotal role in that legacy and has now resurfaced to set the record straight.
There’s a tendency to talk about the seventies as a golden age of Ethiopian mus…
*2025 stock. 180g heavy vinyl 2LP set with Obi Strip* First time vinyl reissue of the privately pressed Aussie Jazz Rock LP.
The genealogy of two musicians, keyboardist Oleg Ditrich and bassist Michael Vidale, started in 1973 with the band Aragorn and continued to Bedtime Story - Snakes Alive - Original Steps - Stepps- Stepps2, for about 5 years. In that short period of time, the group's name was changed six times, and musically it changed from progressive rock to jazz rock. Surprisingly, all of…
*2025 stock. 180g heavy vinyl 2LP set with Obi Strip* In 1975, there was an album that quietly vanished after pressing only 50 copies without a cover. This album was recorded by Snakes Alive and released by themselves. Their self-titled album contains an exquisite combination of progressive rock and jazz rock, also its high quality easily showed the magnificent talent of the members. But this album was barely known to people because of its extremely low number of pressings before the bootleg CDs…
*2025 stock. LP miniature* A road paving, agency grabbing, '69 girl group garage band trip! Nashville, 1966: five young girls teach themselves their instruments playing along to the radio. Initially named 'The Pivots' and by the end of '67 christened as The Feminine Complex, they were playing out and developing a local following including radio and television appearances. They created their own versions of popular songs, a style that reflected their need to express their own experience of girlho…
*2025 Stock* Limited 180gm vinyl LP pressing (with obi strip) – including two bonus tracks - housed in single tip-on linen paper sleeve. Includes four page insert with rare photos and extensive liner notes by Brian Young. Originally issued by Regal Zonophone in 1971, this highly sought after release has never been reissued on LP officially. The band's sound has been likened to that of the twin lead guitar style of Help Yourself/early Wishbone Ash with refined vocals. The songs are spiced with ta…
*2025 stock. LP miniature* "A black-magical Devendra Banhart in a different time/place long before this freakfolk thing hit, the English bard Simon Finn released Pass The Distance, a sprawling, fractured, dense brew of dark acid-folk... The album’s centerpiece is “Jerusalem”, a six-minute, shiver-inducing crucifixion-of-Jesus exorcism that anticipates Current 93 as well as a bevy of lesser apocalyptic folkies. By its ecstatic, organ smashed final strains, you can’t but help imagining Finn sweaty…
*2025 stock* This is the soundtrack album for 'The Stone Killer' by director Michael Winner starring Charles Bronson, which came in the middle of a 3-part crime thriller series (1972, 1973, 1974). It follows Charles Bronson as a detective getting to the bottom of the killings in the Sicilian Mafia, with a score by the British film composer Roy Budd ('Get Carter', 'Fear is the Key'). The soundtrack was initially released in Italy and Japan on LP and 7” single, respectively, but only limited copie…
LP + Gamebook in Italian Edition NEVER APPROACH THE GODS OF THE IMMATERIAL PLANS WITHOUT POWER, KNOWLEDGE AND A CLEAR MIND! Heimat der Katastrophe is very happy to present the album by Silencio Permanente, a dungeon synth champion from Argentina! The album, based on an original screenplay by the underground heroic-fantasy writer Gian Spazz, is a little, vintage ambient jewel, halfway between the golden era of New Age music and the 80's horror movies soundtracks. In this album the dungeon-synth m…
The next in an ongoing series of Ghost Box back catalogue re-issues, Séance at Hobs Lane is an overlooked classic of British electronics. Its sinister atmospherics are comprised of VCS3 synthesizer squalls, howling guitar, skronking sax, and oddly haunting keyboard and cello melodies. The album has a similar eccentric and disturbing atmosphere to the work of great mid-century British experimentalists like Desmond Leslie, Daphne Oram or Tristram Carey.
Hobs Lane is the fictional tube station whe…
‘Faust'o’ is the eponymous artist's fifth album, produced and arranged with Alberto Radius. Reissued for the first time since 1983, the year the original album was released, it is now available in a black vinyl / 180 gram version, with a limited and numbered edition of 300 copies.
*2025 stock. Issued in a replica mini-LP jacket with inner sleeve, 16-page booklet, and OBI strip.* Piero Piccioni ‘Colpo Rovente’ is one of the rarest soundtrack albums in the Italian film music history. This soundtrack stands out from the traditional period into the psychedelic era. Soft-spoken and suave cool jazz, along with hallucinogenic go-go sounds appears throughout the film and soundtrack. Dynamic big band tunes are stunningly matched with impossibly beautiful jazz funk scores infused w…
*2025 stock* The only album released by Barbara Moore under the name of the four-piece chorus group Voices In Latin on UK Morgan/US Pulsar in 1968. The album features a light Latin sound and scat & chorus.
*2025 stock* If you are looking for ultra-rare Softpop, you’ve come to the right place! Laminated Hardboard Tip-On Cover. With Poster, Insert and Obi Limited 500 Copies. The Canterbury Music Festival’s 1968 album, Rain & Shine, an almost willfully secret psych-pop masterpiece of sorts, on the obscure and collectable BT Puppy label out of New York City, owned by the legendary Tokens, and the source of many rarities from Canterbury Music Festival to the Brute Force classic “The King Of Fuh” (licen…
Burial's groundbreaking debut album. Burial carves out a sound which sends the dormant slinky syncopations of UK garage, via radio interference, into a padded cell of cushioned, muffled bass, passing through the best of Pole's Berlin crackle dub. Burial explores a tangential, parallel dimension of the growing sound of dubstep. Burial's parallel dimension sounds set in a near future South London underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or…