We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Reissues

Carretera Mágica
With Carretera mágica, Juan Belda & The Bit Band continue their journey through a musical territory where genres dissolve and direction emerges from collective exploration. Although its language can loosely evoke the broad landscape of jazz rock, the album ultimately resists precise categorization. Instead, it unfolds as an open musical route shaped by interplay, texture and evolving momentum. The core ensemble once again features Jorge Pardo, Juanjo Ortí and Enrico Barbaro, joined by collaborat…
Drukqs
Twenty-five years on, Warp returns Aphex Twin's Drukqs to physical formats. Thirty tracks across a hundred minutes: prepared piano miniatures, drill'n'bass with the brakes cut, musique concrète, a voicemail from his parents. The last gap in the vinyl discography, closed.
Look Mom No Head!
On Look Mom No Head!, The Cramps double down on their psychobilly sleaze, tossing rockabilly, garage punk and B‑movie kink into a Hollywood acid bath. Lux Interior and Poison Ivy steer 14 songs of gutter glamour and mutant bravado that sound like a jukebox possessed in a roadside strip club at the end of the world.
Music to Freak your Friends and Break your Lease
2026 stock. It is genuinely difficult to place Rod McKuen anywhere in the twentieth century. He read alongside Kerouac and Ginsberg at the Jazz Cellar in San Francisco in the early 1950s, sang with Lionel Hampton's band, worked as a contract player at Universal, and cut the beat-poetry record Beatsville for HiFi Records in 1959. The early 1960s took him to France, where his encounter with Jacques Brel produced the English versions of Ne me quitte pas and Le Moribond that entered the language as …
Clouds
If you don't know 'Clouds' then, quite naturally, you'd have to be living underground. The work of Venetian composer Gigi Masin went mostly ignored until Music From Memory's early-2010s reissue campaign pulled him and his ingenious ambient works out of the murk, among which many salvages include his now calling-card, 'Clouds'. Re-pressed astonishingly through P-Vine of all labels, this soul-quelling masterwork - first recorded in 1989 for a split release with Charles Hayward and mostly forgotten…
The Nar Mattaru Curses
For almost four decades, MZ.412 have forged some of the most uncompromising ritual industrial and dark ambient soundscapes the world has ever known. "The Nar Mattaru Curses" gathers obscure recordings from their whole career including previously unreleased or buried tracks, recorded between 1989 and 2017 in the legendary Nar Mattaru studio. Raw hymns of apocalyptic industrialism, occult malevolence, and crushing sonic sorcery that never made the original albums. An essential transmission for dev…
Kajyadhi-fu bushi
*2026 repress* Comes with new cover art. Disc is translucent colored vinyl with the image of Okinawa's ocean.A charming set of double transformations on this 7 inch. “Kajyadhi Fu Bushi” is a traditional Ryukyu minyo (Okinawa folk song), a joyous celebratory classic which is usually sung at weddings, with lyrics describing how “beautiful buds unfold”, using the distinctive Ryukyu/Okinanwa pentatonic scale. Typically performed by a small ensemble of a singer accompanied by sanshin, the Okinawan pr…
Plage Arrière
A much needed repress of French ambient composer and lifeguard Roméo Poirier's cult debut record, Plage Arrière. Released with updated artwork, by London imprint Kit Records. Plage Arrière is a deep sea meditation on a constellation of Greek beaches across three islands. Trumpets, echo-clicks and Harold Budd-esque shimmer piano whirl together on these sand-caked missives, tumbled and re-engineered by their surroundings like seaglass. Poirier evokes the sub-aqeaous ambitions of Jürgen Müller, or …
Live at the Hope and Anchor Recorded on November 22nd, 1977
This set consists of an entire show at the Hope and Anchor pub in Islington, North London, recorded on 22 November 1977. This particular concert took place on the opening night of the "Front Row Festival", a series of shows by regulars of the venue during 1977. Many of the songs in the band's set that night were played by request; for this show, they rehearsed their entire catalogue. It is regarded as one of the band's more memorable shows.
Epic Sound Battles Chapter One
Here’s a monster of its own. Not to be confused with Trevor Jackson early 2000 project (even if the british producer has obviously been informed by post-punk, dub, post-industrial and the likes) Playgroup was more than anything a collective, based somewhere around Bristol and London. Drummer Bruce Smith was the key figure behind the project. Neneh Cherry husband and fabulous motorik force for The Pop Group, The Slits, New Age Steppers, African Head Charge and – more recently - Public Image Limit…
Snappy Turns
Debut solo album for Alternative Tv frontman and long-time running Uk punk scenester, originally released in 1980 on Deptford Fun City Records. Mark Perry was also the man behind the iconic Sniffin' Glue zine, founded in July 1976. The album was produced by Grant Showbiz, principally known for his work with The Fall, The Smiths and Billy Bragg, and it is literally an art-rock nugget. Sort of an autobiographical work, the record is full of twisted hooks, showing the dark side of post-punk. Less h…
Selected Works
*220 copies limited edition* Lucien's music is inspired by Caribbean rhythms (biguines, mazurka, zouk), Caribbean rhythms (calypso), and Latin American rhythms (bossa nova, salsa), and is strongly influenced by modal jazz, jazz-fusion, and American funk. Laura Laura, Mim, Herbie — titles that showcase the musicians' creativity and the harmonic elegance of the compositions, making jazz both accessible and sophisticated.  Lucien Joly’s talent is evident not only in his compositions but also in his…
Fapardokly
*Warehouse find!* Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea simila…
Hush
*Warehouse find!* Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that …
Heaven / Earth
*Warehouse find!* A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969  “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. B…
Blak Saagan bundle
Two records, ten sides, one argument. Blak Saagan's Se Ci Fosse La Luce Sarebbe Bellissimo and Un Sequestro Lungo 10.000 Anni read as the same book at two magnifications, and this bundle pairs them for the first time: the long overdue repress of the 2021 double LP alongside the triple album that answers it. The first takes a single captivity and maps it in detail. Every title attaches to the 1978 kidnapping of the former Italian prime minister Aldo Moro by the Red Brigades: the fifty-four days, …
E.s.p.
*Warehouse find!* In Italy, the genre of documentary film has represented a particularly fertile field for a critical review of the musical contribution to cinema at least since as early as the 1950s. The Italian public television RAI used to broadcast disturbing  paranoiac dramas, weird documentaries on the bottom of the sea and indigestible so-called “educational” movies. ESP was a television series produced by Rai in 1973, directed by Daniele D'Anza, and aired from Sunday, May 27 1973 to Sun…
Basso Valdambrini Plus Dino Piana
*Warehouse find* After the convincing performance at the fifth Jazz Festival di Sanremo 1960, Basso and Valdambrini realized for Jolly the third album, adding to the original formation of the quintet that has recorded the album LPM 2079, the promising trombonist Dino Piana. Also included you will find a track of Valdambrini and Basso dedicated to Turin, in perfect California style: the folk song “Ciao Turin”.
Roots
*2026 repress!!!* What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records. Maybe it was a little too out there for the time, but it’s aged very, v…
A Sucked Orange
*100 copies limited edition* Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP pic…