The second night. October 11, 1979. Same club, same sextet, completely different energy. Where Volume 1 leaned heavily on UGMAA repertoire, this follow-up session finds Horace Tapscott diving deep into the Great American Songbook with results that border on the transcendent.

The personnel remains unchanged from the previous evening: Reggie Bullen on trumpet, Gary Bias on alto, the twin-bass attack of Roberto Miranda and David Bryant, and George Goldsmith holding down the drums. But the setlist tells a different story. "Acirfa" returns as an opener, yet what follows is a masterclass in ballad interpretation.

"Stella By Starlight" stretches past twenty-one minutes, Victor Young's composition becoming a vehicle for extended group meditation. Tapscott approaches the melody with the reverence of someone who understands that standards aren't museum pieces but living documents. Billy Strayhorn's "Lush Life" receives similarly expansive treatment - six minutes of pure heartbreak filtered through Tapscott's singular harmonic conception. "Niger's Theme" and "Inspiration of Silence" provide the original material, the latter closing the set with characteristic introspection. Throughout, the double bass configuration creates a bottom end so rich it seems to swallow the room whole.

If Volume 1 demonstrated Tapscott's compositional vision, Volume 2 reveals something equally essential: his deep roots in the tradition he was simultaneously expanding. Two nights at the Lighthouse, two essential documents. This is what happened when the underground met the mainstream on its own terms.