Reissues
Fire Music To Mama Too Tight, Revisited
Temporary Super Offer! 'Jost may have had Fire Music and Mama Too Tight in mind when he suggested that by 1965 Archie Shepp spoke “basically two musical languages whose grammar and syntax had hardly anything in common.” This reflected the commentaries’s insistence that a chasm existed between free jazz and mainstream jazz practices, and, implicitly, between the New Wave in Jazz and the New Breed led by James Brown. What was revolutionary about Shepp’s music is that it rejected the underlying bin…
Electron Music / Shore Leave
*200 copies limited edition* Waveshaper Media presents Electron Music/Shore Leave, a new LP by former Pere Ubu synthesist and electronic music trailblazer, Allen Ravenstine. The LP is comprised of two EPs (1 per vinyl side), the first two parts in Raventine’s new Tyranny of Fiction series. Waveshaper Media first came into contact with Ravenstine when we interviewed him in 2012 for our modular synthesizer documentary I Dream Of Wires.
For those in the know, Allen Ravenstine has been one of the mo…
The Pavilion of Dreams
**Repress** For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces…
Landscape Of Life
Osanna, one of the greatest Italian prog bands, originally from Naples, was formed in 1971 on the wreckage of another local band "Citta Frontale". Its original line-up included Danilo Rustici (guitar, keyboards), Lino Vairetti (vocals, guitar, keyboards), Elio D'Anna (saxophone, flute), Lello Brandi (bass) and Massimo Guarino (drums, percussion). Osanna was one of the first bands in the world to present themselves theatrically at their shows, with costumes and made-up faces. In 1974, despite the…
The Futuristic Sounds Of Sun Ra
This special 60th Anniversary reissue of groundbreaking jazz artist Sun Ra’s iconic 1962 album The Futuristic Sounds of Sun Ra features all-analog re-mastering by Kevin Gray at Cohearent Audio, pressed on 180-gram vinyl at RTI. The package includes Tom Wilson’s original liner notes, plus insightful new essays by jazz historian Ben Young, as well as by Irwin Chusid, who is also a journalist, radio personality, and author. Engineered by Paul Cady, the sessions featured nine players, including Ra…
Picture Music
Picture Music’s eponymous, self-released promo cassette remains the only trace of the late night gatherings of friends in mid-‘80s Brisbane, Australia. Nowadays a fêted and rarely seen collectors item, ‘Picture Music’ stands as testament to their long nights-into-mornings spent together, making music and partying by the cool of night and candlelight as their equipment would simply overheat and crash in the sub-tropical heat of daytime.Concocted in a share house in the South of Brisbane in the mi…
A Selection Of Improvisations 1989-2017
Telesoniek Atelier is the nom d’artiste of Dutch audiovisual explorer and electronic music sorcerer Hans Kulk, who’s been steadily carving a name for himself in Dutch art circles while constantly shining a light on the electronic music pioneers that came before him. ‘A Selection of Improvisations’ brings together some of his work of the last quarter of a century, veering back and forth between avantgarde classical music (the post-Bachian opener ‘Chateauroux’, ‘Oberheim Impro’), thoughtful minima…
Muhammadunize
* Edition of 700 * Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001. Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples…
We Get Requests
The new Acoustic Sounds series is mastered from the original tapes, pressed on 180-gram vinyl and packaged in high-quality gatefold ("book-like") covers, curated by Stoughton Printing Co. where the printed sheet of paper is applied to the cardboard. All under the supervision of Chad Kassem, CEO of Acoustic Sounds, the most established company in the field of publications for audiophiles. The publications are selected from the extraordinary Verve/UMe catalog, and to begin with, the series focuses…
Future Percussion + Sotto e 'Ncoppa
Tip! This bundle includes the two recently reissued Future Percussion and Sotto e 'Ncoppa. A lost bit of 70s Italian modal jazz, with spiritual overtones and global percussion from drummer extraordinaire Tullio De Piscopo – an incredible set of heavily rhythmic grooves recorded in Milan in 1978 – originally a tiny edition effort on Carosello Records, and the most impressive rediscovery yet from New Platform! For the occasion, the Tullio De Piscopo Quintet meets Argentine percussionist Luis Ag…
Kuni Kawachi & Flower Travelling Band
The japanese keyboard player, vocalist, songwriter and arranger joined forces with members of the Flower Travelling Band on this amazing 1970 release. Published for the sole Japanese market on major company London Records, the album is still considered one of the top release in its own right, publicly praised by Julian Cope as a cornerstone of the (heavy) psych counterculture. Sharing some efforts with british contemporaries, the album is a brilliant example of how a – basically – hard rock comb…
H.P. Lovecraft II
The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining …
Adam's Apple
It is unclear whether it was Wayne Shorter’s initial intention to do anything particularly ambitious during the two visits to Rudy Van Gelder’s studio in February 1966 that produced Adam’s Apple. Certainly, neither the repertoire—five recently composed Shorter tunes in AABA format and “502 Blues,” by pianist Jimmy Rowles, a hard drinker, as Shorter was at the time (the subtitle denotes the police code for drinking and driving)—nor the treatments contain the radical originality of the five pieces…
Unity
'On Unity, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the groove jazz of Jimmy Smith as you could get, Young hadn't made the complete leap into freeform jazz-rock either. Here he finds himself in very distinguished company: drummer Elvin Jones, trumpeter Woody Shaw, and saxman Joe Henderson. Young was clearly taken by the explorations of saxophonists Coleman and …
The Sound Of Siam Volume 2 (Molam & Luk Thung From North-East Thailand 1970-1982)
*2022 stock* Soundway presents the The Sound of Siam 2 - Molam & Luk Thung Isan from North-East Thailand 1970 - 1982 features 19 tracks, many appearing outside of Thailand for the first time. Both CD and double LP & is accompanied with detailed liner notes written by compilers Chris Menist and Maft Sai. Soundway's second foray into South East Asia is focused on North-East Thailand, the epicentre of Molam and Luk Thung Isan music. Hypnotic phin & khaen riffs, pulsing, electrified country rhythms …
I Had The Craziest Dream: Modern Jazz And Hard-Bop In Post War London, Vol. 3
The third volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern: …
I Had The Craziest Dream: Modern Jazz And Hard-Bop In Post War London, Vol. 2
The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern:…
I Had the Craziest Dream: Modern Jazz and Hard-Bop in Post War London, Vol. 1
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
Lamkin: Versions & Variants Across the Northern Hemisphere
Death is Not the End teams up with folklorist Derek Piotr once more for this bumper archive of North American folk music, this time focusing on every version they could find of the ballad 'Lamkin'. It's a fascinating study that displays how a standard was able to shift and evolve as it moved from person to person over the decades.
Come, Let Us Sing
What shall we sing? Folklorist Derek Piotr presents the third and final installation in the Bare family trilogy, this time highlighting lesser-known and garbled versions of local folk tunes, and again braiding the past with the present by incorporating his own contemporary fieldwork of the Bare's living descendants.