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* 2022 stock * Marge Records presents Live at Dreher by Roy Burrowes Sextet featuring Mal Waldron Roy Burrowes (trompette & bugle), Richard Raux (saxophones ténor et soprano), Mal Waldron (piano), Patrice Caratini (contrebasse) & George Brown (batterie) - On two tracks : Roger Raspail (percussions) Recorded live on 10th march 1980 at Dreher, Paris.
* 2022 stock * New York-born drummer Stu Martin made a name for himself at the age of sixteen by playing with many of the great bands - those of Billy May, Jimmy Dorsey, Count Basie, Duke Ellington, Maynard Ferguson and Quincy Jones, among others. In the 1960s he moved to Europe where he played with the greatest musicians of the time such as Jean-Luc Ponty, the Kühn brothers, Martial Solal or John McLaughlin. A very complete drummer adapting to all forms of jazz, he was part of the John Surman a…
* 2022 stock * Sunny Murray's Aigu-Grave, a nominal quintet date with percussionist Pablo Sauvage appearing on two of the five tracks; the rest of the group features French tenor saxophonist Richard Raux, Bobby Few and Alan Silva. Its two leading tracks, “Happiness Tears” and “Tree Tops,” are memorable Murray compositions which are given free and satisfying treatments. The theme of “Happiness Tears” searches through some minor intervals before resolving in a cheerful major chord. “Tree Tops” is …
Tip! * 2022 stock * This 1979 date by tenor saxophonist Billy Harper is one of his most transcendent. Rife with his deep study of Coltrane's modalism, and his own deep knowledge of the blues and Eastern music, Harper and his quintet take on three extended pieces: "Soran Bushi-B.H." comes in at over 12 minutes, while "Cry Of Hunger," is over 20; both work out of extended harmonic architectures to place improvisation as a new element (remember, this was 1979), as an extension of the jazz "song." T…
*2022 stock* This official soundtrack album for the Italian horror movie La Chiesa ("The Church") features four pieces performed by Keith Emerson. These are The Church (Main Theme); Prelude 24 (From Well Tempered Clavier); The Possession, and The Church Revisited, all four of which have also been included on the Keith Emerson "At the Movies" 3CD set. Emerson's contributions add up to about 13 minutes of music all in all.The rest of the music on this soundtrack is by other artists, including seve…
"Released in 1972 on the Cinevox record label, Morricone’s score is in a word classic. It contains every musical trademark that we associate with the Maestro, quirky and jaunty backgrounds, romantic and poignant melodies, infectious and haunting musical interludes and emotive and heartrending passages that just melt the listener. The CD re-issue was also on Cinevox, and the company released it in the November of 2003, it contains a little more music than the LP recording in fact there are four …
*2022 stock* "Touted as being the definitive edition of Ennio Morricone's darkly seductive score for the first motion picture directed by Italian master of the macabre, Dario Argento, this release of L'uccello Dalle Piume Di Cristallo, or The Bird With The Crystal Plumage, coincides with the film's debut on Blu-ray (see separate review). The entire original soundtrack-album is presented here in stereo for the first time and, not only that, but a very generous helping of bonus and alternate track…
"Non ho sonno isn’t exactly a return to the glory days of Suspiria and Roller, but it’s very good, and is worthy of purchase before most of the 1980’s soundtracks. Though Goblin managed to hold on to the 1970’s sound even on most of their 1980’s work, this album sounds much more like the 1980’s than the 1970’s or 1990’s, especially the guitar. As far as opening themes go, “Non Ho Sonno” is good. That basically goes for the rest of the music too. It’s all very good, but not as unique and special …
*2022 stock* Back in '76 or so, Mario Bava wanted in on some of Argento's azione in the film music department. For his movies, Dario had enlisted some homegrown twentysomethings fresh from sessions in England as an outfit alternately called Oliver and Cherry Five. The quartet, rechristened Goblin, had cranked up their amplifiers to score Dario's two very popular films, the bloody Profondo Rosso and the supernaturally-inclined Suspiria. Bava wanted the same kind of sonorous edge for his next fora…
* 2022 stock * Futura Records presents Autumn Leaves: Ben Webster (saxophone ténor), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (drums) Recorded 5th june 1972 at studio Europasonor, Paris
* 2022 stock * This recording of a 1971 date pairs legendary hard bop pianist Freddie Redd with an obscure French rhythm section. Didier Levallet and Didier Carlier on bass and drums, respectively, are certainly good musicians; they comp and center very well around the changes Redd sets out in his original tunes such as "Diane I Love You," "Bleeker Street Blues," "To Bud With Love," "This Heart of Mine," "You," and "My God Is Love." Their backing is tight and organized, and that's the problem. R…
For Alejandro Jodorowsky'"Santa Sangre," Simon Boswell has composed, arranged and conducted a fascinating electronic music score with Latin flavor that describes all the world of Fenix the magician from his childhood to young man, a world full of music and colors, but also filled with dark fears.
Suspended sounds and vocalizations in Latin introduce the scrupulous 'electronic' commentary of Pino Donaggio. While the mysterious atmosphere of the opener La Setta soon evolves into a syncopated rhythm, the following Ansimando offers the listener disturbing notes of keyboards and elliptical effects of synthesizers that constitute, in addition, the central body of the mysterious Il Cuore Strappato. The dreamlike plots of Sogno are, instead, based on the continuous dialogue between acoustic guit…
*2022 stock* `Contamination' sees Italian progressive and cult soundtrack band Goblin add a refreshing dose of other wordly sci-fi sounds to their usual creeping horror atmospherics, and it makes for a mostly consistent and successful album.This time the soundtrack to a science-fiction film, It's a shame that the album is another mostly unnoticed and somewhat ignored work from the band, because in addition to a number of suspenseful and moody numbers, it contains the classic Goblin track `Quiet …
*2022 stock* A reissue of Cherry Five, the first and only homonymous work of the band, made by Claudio Simonetti, Massimo Morante, Fabio Pignatelli, drummer Carlo Bordini and singer Tony Tartarini. The album was recorded in 1974 but published only in 1976, a year before the official birth of Goblin and the worldwide success of "Profondo Rosso". In the original vinyl Simonetti and Morante were included as authors of the songs but not as performers. The record in question is a rarity today, sought…
* 2022 stock * Recorded in Paris during a prime period, tenor saxophonist Dexter Gordon jams on four basic group originals, including his own "Fried Bananas" and "Dexter Leaps Out." The medium- to uptempo numbers clock in between 9½ and 12 minutes apiece, giving Dexter, trumpeter Sonny Grey and the French rhythm section (pianist Georges Arvanitas, bassist Jacki Samson and drummer Charles Saudrais) plenty of opportunities to stretch out. A fine jam session that was decently recorded.
* 2022 stock * Futura Records presents Live Again: Georges Arvanitas (piano & piano électrique), Jacky Samson (contrebasse) & Charles Saudrais (drums). Recorded on 13th jan 1973 in Levallois (France) Contrabass – Jacky Samson Drums – Charles Saudrais Engineer – Christian Boulnois Mixed By – Jef Gilson Piano, Electric Piano, Liner Notes – Georges Arvanitas Producer – Gérard Terronès
* 2022 stock * Futura Records presents Chris meets Paris meets Chris : Chris Woods (saxophone alto & flûte), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (batterie) Recorded on 24th octobre 1973 at Bilboquet, Paris. Crédits Alto Saxophone, Flute – Chris Woods Bass – Jacky Samson Coordinator – Marianne Fernel Cover [Drawing], Design – Pierre Delgado Drums – Charles Saudrais Edited By, Mastered By – Alexis Frenkel Engineer – Jef Gilson Photography By – Christian Fauchar…
* 2022 stock * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gillespie, Monk and Coltrane, for a brief stroll in the desert. For three-quarters of an hour, the caravan passes by, evoking, one after the other, Pharoah Sanders and Alice Coltrane, Pierre Henry and Karlheinz Stockhausen... Oh yes, and one other thing, …
* 2022 stock * In 1971, the day after the death of Igor Stravinsky, Jef Gilson and his Unit (Pierre Moret and Jean-Claude Pourtier) made this curious homage to classical music. It is jazz, contemporary and electroacoustic music that the trio interrogate through a wild ‘noise’ session evoking as much John Cage as Pierre Henry, John Coltrane as the Percussions de Strasbourg, the Art Ensemble of Chicago as the Tacet by Jean Guérin.
Le Massacre du Printemps, (the Massacre of Spring) is a strange kin…