Reissues

On Look Mom No Head!, The Cramps double down on their psychobilly sleaze, tossing rockabilly, garage punk and B‑movie kink into a Hollywood acid bath. Lux Interior and Poison Ivy steer 14 songs of gutter glamour and mutant bravado that sound like a jukebox possessed in a roadside strip club at the end of the world.

For almost four decades, MZ.412 have forged some of the most uncompromising ritual industrial and dark ambient soundscapes the world has ever known. "The Nar Mattaru Curses" gathers obscure recordings from their whole career including previously unreleased or buried tracks, recorded between 1989 and 2017 in the legendary Nar Mattaru studio. Raw hymns of apocalyptic industrialism, occult malevolence, and crushing sonic sorcery that never made the original albums. An essential transmission for dev…

This set consists of an entire show at the Hope and Anchor pub in Islington, North London, recorded on 22 November 1977. This particular concert took place on the opening night of the "Front Row Festival", a series of shows by regulars of the venue during 1977. Many of the songs in the band's set that night were played by request; for this show, they rehearsed their entire catalogue. It is regarded as one of the band's more memorable shows.

Debut solo album for Alternative Tv frontman and long-time running Uk punk scenester, originally released in 1980 on Deptford Fun City Records. Mark Perry was also the man behind the iconic Sniffin' Glue zine, founded in July 1976. The album was produced by Grant Showbiz, principally known for his work with The Fall, The Smiths and Billy Bragg, and it is literally an art-rock nugget. Sort of an autobiographical work, the record is full of twisted hooks, showing the dark side of post-punk. Less h…

*Warehouse find!* A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969  “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. B…

*100 copies limited edition* Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP pic…

Wistful meta-folk from the American Midwest, self-published by US musician and occasional ANF customer Erik Kramer - totally floored by this.

On La Rana, Agustín Pereyra Lucena turns his deep love of Brazilian music into a crystalline, Latin‑jazz chamber album recorded far from home, in Oslo. Quartet interplay, bossa nova contours and long-form mood pieces melt South American warmth into Nordic air, anchored by his luminous guitar and quietly intense vocals.

* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert * So… Steinmetz. Hugh Steinmetz. A Danish trumpet player my mentor Peter Brötzmann always talked highly about. 'Aaaaah jaaaaa - those crazy Danes!' Steinmetz was one of very few Scandinavian musicians who actually travelled south and collaborated with European musicians in the late 60s. He is a legend. And a key to understand the early developments of free jazz. The possibilities given to S…

A bold new spotlight shines on the classic 1971 release Powerhouse by celebrated organist Chester Thompson—an album that captures the pulse of its time with fire, finesse, and unmistakable soul. Released in 1971, Powerhouse remains a standout work in Thompson’s discography, drawing listeners into a world where groove, grit, and melodic imagination collide. From the first notes, Powerhouse delivers an electrifying blend of organ-driven energy and captivating musical momentum. Thompson’s masterful…

Henry Franklin is set to release *The Skipper At Home*, a bold new musical journey arriving on **[Release Date]**. The album blends intimate storytelling with adventurous grooves, drawing listeners into a world where humor meets heart, and every track feels like a destination. With *The Skipper At Home*, Henry Franklin crafts a sound that’s both reflective and kinetic—layered arrangements, memorable melodies, and a distinct voice that moves effortlessly between the personal and the playful. From…

Half-speed master edition of Townes Van Zandt's 1969 second album, cut at StarDelta by Lewis Hopkin. Folk and country songwriting at its most intimate, from 'Be Here To Love Me' to 'Tecumseh Valley', with new clarity and depth.

Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and …

Strut Records proudly presents a new reissue of the original Afrobeat classic Low Profile (Not For The Blacks), recorded and composed by Afrika 70 saxophonist and bandleader Lekan Animashaun and produced by Fela Kuti. After years touring the world as Fela’s baritone saxophonist, Animashaun stepped forward to lead the legendary Egypt 80 band following Tony Allen’s departure, remaining the group’s musical director until Fela’s death in 1997. He continued on subsequent tours with Seun Kuti until 20…

Recorded in 1981, Turning Japanese captures Kraftwerk at the absolute height of their creative dominance, but sometime before their true induction into the household name superstar category of artists. Still representing a very forward thinking, boundary pushing and - as a result - specialist sound, this nine-track live recording feels like yesterday's tomorrow. Opening with a stunning neo-classical synth overture, we're then taken on a journey through the mind of the man machine, an industrial …

*2026 repress* 1971’s ‘About Time’ was the Ping Pong debut album. Founded by Alan Taylor from The Casuals it was one of the first bands in Italy (based in Bologna) to be inspired by the British sound of the period moving between late ‘60 psychedelic rock and the jazzy prog such Jethro Tull, Tonton Macoute, Camel and Caravan. 10 tracks all sung in English delicate and exceptionally well performed with warm precision, enthusiasm and greater energy in which the excellent musicians highlight their a…

The third tape on the fledgling Cold Spring label, 'Shoot And Crucify' was released back in 1988 in an edition of just 50 copies (CS003). It features some of the very earliest works of many now-influential and essential Industrial / Noise / Experimental artists. The 'scene' at the time was built on the mail-art network, exchanging an explosion of ideas, sounds and art around the world via the (then very cheap) postal system. Just a handful of these 19 tracks have since been reissued, but the vas…

Bonnie Dobson’s self-titled 1969 album is a striking blend of folk-pop and psychedelic nuances, marking a move beyond the traditional acoustic style that made her famous in the early 1960s. The album’s mood is often reflective and melancholic, balancing pastoral beauty with darker themes of change, loss, and uncertainty. One of the hidden gems of the album is track B4 “Pendant Que” by the celebrated Quebec songwriter Gilles Vigneault, which stands out since it is sung in French and reflects Dobs…

The complete electronic works of Dutch composer Ton de Leeuw, eight pieces from 1956 to 1982 restored from the original tapes, including the Prix Italia oratorio Job and Chronos, rediscovered in an archive.

The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …

The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …

*2026 stock* Peanut Rubble was a power trio from Buckinhamshire, a rural area a few miles northwest of London. This Radio Luxembourg Studios recordings were made back in 1968, being an early sample of british heavy music one year before Led Zeppelin released their first album. They used to play in college/university circuit, airbases and youth clubs with 100w Marshall stacks, being too loud for some of those clubs. They supported bands such as Status Quo, The Pretty Things, Arthur Brown or Pink …

*2026 stock. 250 copies limited edition* "Mystic Towers, and all related projects from Adam Kalmbach represent an important time for dungeon synth, one where we didn't really know what was going on and amazing records would come out of nowhere - it wouldn't be until much later when we were able to connect the pieces. Mystic Towers, Erdstall and Abandoned Places were all great projects but it would take time to emerge that these were not only created by the same individual, but all dedicated to t…

*2026 stock. 250 copies limited edition* "Mystic Towers, and all related projects from Adam Kalmbach represent an important time for dungeon synth, one where we didn't really know what was going on and amazing records would come out of nowhere - it wouldn't be until much later when we were able to connect the pieces. Mystic Towers, Erdstall and Abandoned Places were all great projects but it would take time to emerge that these were not only created by the same individual, but all dedicated to t…

"The Wiregrass Singers' Dewey Williams began learning the shape-note tradition in his childhood. He studied under Judge Jackson, who authored the landmark 1934 hymnbook The Colored Sacred Harp. In 1971, Williams formally organized The Wiregrass Sacred Harp Singers to preserve the music full-time. This unified troupe began touring nationally and leading workshops, which ultimately launched them onto stages at the Smithsonian and Newport folk festivals up until Williams' passing in 1995 when the g…

Death Is Not The End issue 15 heartbreaking archival fado recordings from Ercilia Costa - made in Madrid in 1930, accompanied by seminal guitarist Armandinho. One of the early stars of fado, Ercilia Costa was the first to take the music overseas to emigrant Portgugese communities.

*Warehouse Find !!!* After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates…

*Warehouse Find !!!* The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in ad…

Nippon Psychedelic Soul 1970-1979 is Time Capsule’s continuation of the deep dive into Japan’s rich history of folk and psychedelic soul music.

Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their …

*2026 stock* After many years in the shadows, the mighty Fief has returned to claim his throne. 8 new tracks of beautiful fantasy medieval music guaranteed to lift your spirits and evoke visions of days past.

*2026 stock. 300 copies limited edition* 5th vinyl pressing, limited to 300 copies: 140g orange/brown blob color-in-color vinyl in high quality full color jacket + black inner sleeve, hype sticker. An opus like no other can create. 30 minutes of pure medieval bliss. Mastered for vinyl by Mammoth Sound. Cover art by Silvana Massa.

*2026 stock. 300 copies limited edition.With blue flood inside jacket printing and slight layout updates + hype sticker.* "No other dungeon synth or related genre effects me the way Fief does. From beginning to end I am transported to an idyllic past of play and adventure. Is it my own childhood fantasies I am remembering, or some shared myth of adventure and magic? Regardless, this, and all other Fief albums, are pure Arcadian bliss." - ben

*2026 stock. 300 copies limited edition* Out of Season is proud to present I by Fief, a reimagined release that breathes fresh life into the project’s original spirit—combining introspective momentum, vivid atmosphere, and a deeply personal creative voice. I revisits the emotional core of the work while offering new depth through refined sonics, renewed focus, and a heightened sense of perspective. The result is both a return and an evolution: familiar enough to feel immediately personal, yet tr…

It's been years now. OM have done their time in the desert, and ever-changing, are returned. Today, they say, God is Good. Are you surprised? Perhaps you've haven't understood what OM was saying to you. But perhaps you felt something... It's true that the one way pursued by OM leads in many different directions. It is a mystic path. Songs come from innumerable sources, filtering through the external and the internal. OM albums are rituals, personal convictions transcripted into verse. Playing th…

More than a decade after its initial release, Om's Advaitic Songs continues to stand as a towering achievement in heavy music's ongoing evolution - a record that demolished preconceptions about what drone-doom could become while establishing new possibilities for consciousness-expanding composition. Where God Is Good represented the first step in a more ornate and sophisticated direction for Om, Advaitic Songs achieved a level of composition that would have been impossible to foresee from the du…

On In Pas(s)ing), Mick Goodrick turns understatement into signature, floating a cool, singing tone across an ECM all-star backdrop. John Surman, Eddie Gomez and Jack DeJohnette move with almost invisible precision around his quietly lyrical themes, creating a session where momentum whispers rather than shouts, and melody lingers long after the notes fade.

*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…

A road that waited fifty-two years to be walked. Recorded in Trieste in 1973 and never released, Dove Va La Tua Strada? is the lone document of Exit - a band that vanished without leaving an official trace, now resurfacing through Black Widow Records in a highly limited edition of 400 copies. This is Italian prog archaeology of the purest kind: not a reissue, but a first appearance, half a century late. The story of its recovery has something novelistic about it. In the summer of 2021, at the Tr…

"Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity. By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It was, and stil…