Reissues
Hexerei Im Zwielicht Der Finsternis
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
Scumbag
Bones returns with Scumbag, a stripped-back, lo-fi record that distills his bleak vision into its rawest form. With skeletal beats, muffled samples, and whispered delivery, he crafts a shadowy atmosphere that's equal parts haunting and hypnotic. Known for his prolific output and DIY ethos, Bones sidesteps convention once again - this is not music for the charts, but for the dead of night. Scumbag feels like a confessional mumbled into a tape recorder, full of dread, detachment, and flashes of vu…
Tapestry Of Noise
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven together in the first place. Slowdown’s 6CD expansion assembles long, previously scattered or hard‑to‑access works into a single, overwhelming fabric that moves from twitching tape‑loop delirium to fully seared harsh‑noise architectures.
Early discs re…
Laptop Noise
** 2026 Stock ** Laptop Noise zeroes in on the period where Merzbow’s long‑running practice of junk‑metal abuse, feedback and tape saturation is rechannelled through the seemingly modest frame of a computer. Across six discs, this edition amplifies the original’s premise into a deep survey of his fully digital soundworld: long‑form works where full‑spectrum distortion, high‑frequency shrapnel and seething low‑end swarm are carved into towering blocks, then eroded into swarms of microscopic detai…
Tepepa
On Tepepa, Ennio Morricone turns the Mexican Revolution into an operatic fever dream, braiding solemn mariachi‑tinted themes, mystical guitar‑and‑orchestra adagios and defiant song into a score where personal vengeance and collective uprising share the same melodic bloodline.
Ourang-Outang
In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural showcase of independent music hosted by the maverick 3rd Ear Music label. Ourang-Outang (2020) presents rehearsals and jams recorded by 3rd Ear director, producer and engineer David Marks in rural KwaZulu-Natal as this unlikely alliance of musical drui…
Patterns
Hidden in a remote, forgotten corner of German library music, Peter Patzer stands as a unique figure in the landscape of 1980s functional music production. A self-taught artist and musician, Patzer founded his own personal label, Crea Music, operating in complete autonomy from his base in Bremen, northern Germany. Between 1983 and 1989 he produced eight white vinyl LPs, all featuring the same austere tricolor sleeve - red, white and blue - with title and catalog number typewritten. A minimalist …
Dialoghi del Presente
Naples, 1977. Luciano Cilio's sole recorded work is pure magic - four "quadri" where strings, woodwinds, wordless voices and solitary guitar trace the edges of silence. Closer to Arvo Pärt and Morton Feldman than to any Italian prog, yet entirely its own universe. Music that breathes, suspends time, breaks your heart without raising its voice. Decades ahead of its time. First ever remaster from the original tapes.
Compass Rises
On Compass Rises, Compass condense the grit and openness of early‑’70s upstate jazz into one privately pressed statement, an acoustic‑electric set that threads post‑Coltrane toughness, modal burn and soulful swing into a clear, straight‑ahead identity.
Horizonte
On Horizonte, PSI channel the late‑’70s German fusion boom into a lean, high‑octane set where Matthias Frey’s electric keys and Volkmar Zimmermann’s manic guitar ride a phenomenal rhythm section, delivering melodically rich jazz‑rock that punches as hard as it dazzles.
Four Seasons
Four Season finds Virgo - the German fusion group that first came together as Lava in 1974 - stepping away from major‑label orbit into a more autonomous, exploratory phase, stretching their jazz‑rock language into a calmly expansive, four‑part suite tracked at Tonstudio Bauer in late 1976.
Park Of Reason
On Park of Reason, Paul Chain loosens doom metal’s grip just enough to let in air, colour and delirium, fusing obsidian riffs, reverb‑soaked keys and his unmistakable glossolalic vocals into a wandering, lysergic meditation on faith, doubt and psychic drift.
Ash (35 Anniversary Edition)
On Ash, Paul Chain strips his sound down to its smouldering core, turning slow‑burn riffs, funereal keys and desolate vocal invocations into a stark ritual of aftermath, where every chord feels like a fragment left behind by some unnamed catastrophe.
Master of All Times
On Master of all Times, Paul Chain sinks deep into his singular doom‑psych continuum, braiding monolithic riffs, church‑organ atmospheres and glossolalic vocals into a slow, occult spiral where time feels stretched, fractured and finally irrelevant.
Exterminating Angel
On Exterminating Angel, Dark Day turns their minimalist electronics toward something more sinister and cinematic, fusing icy synth patterns and ritualistic rhythm into a claustrophobic séance on desire, control and self‑erasure.
Darkest Before Dawn
On Darkest Before Dawn, Dark Day strips post‑punk down to a skeletal, nocturnal pulse, turning minimal synths, deadpan melody and spectral atmosphere into a stark hymn for the final hours before collapse.
Everything Is Space
The legacy of Afro-Futurist jazz pioneer Sun Ra continues with a first ever vinyl issue of fan favourite "Everything Is Space," on limited 7” vinyl.
Aesthesis
Tip! *2026 much needed repress!!* Thorn Wych is a musical instrument maker and musician based in the Lancashire town of Bacup, specialising in work made from tree branches. Particular to her interest are UK native trees; so far Wych Elm, Lime, Wild Cherry, Oak, and Yew. With these unique instruments, crafted in her backyard workshop, she creates music that evokes memories of an unknown world—out of sync with time and place and beyond the boundaries of the material realm.
Her pieces consist main…
Zauberberg
"Few years ago, an idea germinated while reading The Magic Mountain by Thomas Mann. An idea not driven by the narrativity of the book, but by the traces and the aura invoked in it. That was it: an audible auratic journey trough the memories of a place lost in the heights of the swiss mountains. A century after the events depicted in the book, we went where the story took place, trying to capture the remaining sounds that could have been heard at the time, and the ghosts who might have still wand…
Black Suite
Belonging to an incredible, audiophile reissue initiative dedicated to the seminal Jazz Actuel series - one of the greatest depositories of 1960s free jazz - at long last we're gifted one of the greatest of them all: the first ever fully authorized reissue of Jacques Coursil's towering 1971 LP, Black Suite, fully remastered from the original 1969 analog master tapes. Featuring an all-star line-up of Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin, and Claude Delcloo, it has long remaine…