Reissues

Bureau B reissues the first Deutsch-Amerikanische Freundschaft album, originally released in 1979. True D.A.F. connoisseurs will, of course, be aware of the early phase of the Düsseldorf-Wuppertal combo. But most fans of the subsequently world-famous duo may well be taken aback when confronted with their debut album: forceful synth bass sounds, snappy rhythms, Gabi Delgado and leather all conspicuously absent. In their place, pure instrumental, unstructured noise-rock, played by long-haire…

Repressed. After having released records on labels such as Locust, Drag City and John Fahey's Revenant, Richard Bishop's The Unrock Tapes contains eight complete tracks, six of which are highlights taken from earlier tour CD-Rs that were released on micro-editions years ago. They have never been available on vinyl. Two completely new and unreleased songs make this album even more special. Bishop's guitar-playing skills contain a variety of influences. They could arouse the absurd impression…

"This lovingly produced and gorgeously packaged LP contains seven previously unreleased electronic pieces that Gagnon realized at McGill University’s Electronic Music Studio. Leading off the proceedings is “Gwendoline Descendue!,” an electronics/tape piece crafted from snippets of Moog modular tones and a variety of instruments created by Hugh Le Caine. It’s a dramatic sample of sci-fi movie elements and jarring bursts of sound that heighten the tension. “Sea Lunch” was created with the not-quit…

Tres Cabeças Loucuras is the third album by Sao Paulo Underground. It's a very catchy, jazz + electronics album filled with sunny melodies, beats, noise, sounds and songs. The group formed around Rob Mazurek (cornet and electronics), a key player in the Chicago post rock/modern jazz scene, who has played with everyone from his own Exploding Star Orchestra and Chicago Underground projects to performing and/or recording with Tortoise, Jim O'Rourke, Pharoah Sanders, and many more and whose work ref…

Examples on record of sunny murray's enduring originality and influence as a drummer are many (refer to eremite 14, 45 & 46, among others), but very few recordings demonstrate his strikingly unusual voice as a band leader and composer. none do so more spectacularly than his 1969 album big chief. unfortunately it's been a sick collector's item since long before ebay. so it is with great pride and satisfaction that eremite returns to our friends in the human clan this long unavailable masterpiece.…

Originally produced and issued by charles 'bobo' shaw himself, red, black & green, by the band "solidarity unit, inc." documents what happened at "the bag room" in st. louis, mo, the day jimi hendrix died.   shaw & the ten piece group produce a raw, teeming clattering sound, captured in a gloriously blunt low-res recording as stark as the b&w cover art.  lake & bowie were by this time already powerful soloists, & both declaim fervently and damn near relentlessly over shaw's swaggering themes. de…

A year after the Clean's reunion LP Vehicle (also their first proper album ever) put them back on the international-pop radar in 1990, guitarist David Kilgour retreated with his new Revox tape machine (which he'd been singing about rapturously in his side-project Stephen and elsewhere: "Have you seen my new tape machine?!") and cut his first solo album, Here Come the Cars, issued by Flying Nun in 1991. From the jarring cover image of David through to the last note, Here Come the Cars is a specia…

1973. Alfred Harth, tenor and sopransaxophon, lur. Nicole van den Plas, piano. Sven-ke Johansson, drums.

Eremite continues its documentation of this remarkable duo, who have played together since 1973, with a double c/d set (140+ minutes) featuring two concert recordings from a 2000 tour. on both versions of "new world pygmies," parker's recent interest in double-reed instruments & moondoc's introduction of a soprano saxophone move their music into realms of joyfully non-tempered playing recalling the Master Musicians of Jajouka. elsewhere the bass & alto join for ravishing performances of composit…

Deluxe reissue of this outsider holy grail, cosmic free jazz at the top!!There's not another record on the planet that sounds even remotely like vibraphonist khan jamal's eccentric, one-of-a-kind masterpiece, drumdance to the motherland. in its improbable fusion of free jazz expressionism, black psychedelia, & full-on dub-like production techniques, drumdance remains a bracingly powerful outsider statement thirty-four years after it was recorded live at the catacombs club in philadelphia…

** Limited edition of 305 copies, each with a hand-cut facsimile brass gong, silkscreened with Corner's calligraphy and mounted onto the jacket!!** A major figure in 20th century arts and music (and beyond), Philip Corner studied with Henry Cowell and Olivier Messiaen, and was one of the original Fluxus conspirators, among other highlights of his long and storied career. As part of the body of his 'Metal Meditations' work, Gong/Ear is a decades-long series of improvisations with dancers. Utilizi…

David Rosenboom (b. 1947) is a composer/performer known as a pioneer in American experimental music. This series of eight works, created between 1978 and 1981 and presented on these discs in chronological order of their composition, demonstrates a remarkable extension of Rosenboom’s techniques from his …Plymouth Rock… series of 1969–71 using the harmonic and sub-harmonic series. The In the Beginning series exemplifies the idea of model-building as a compositional process. A simple process is def…

In 1972 Guru Guru played the Wiesbaden Concert Hall where Neumeier, guitarist Ax Genrich and bassist Bruno Schaab (who had recently replaced Uli Trepte) let loose on one of their most classic tracks, the a 37-minute freakout “Ooga Booga”. In 1973 the discerning folks of Wiesbaden again invited Guru Guru to play, and this time the band—now featuring the formidable Hans Hartmann (arguably Guru Guru’s best in a long line of bass players)—regaled fans with tracks from their recently released …

Restocked: Sub Rosa presents a real sensation: 159 minutes of minimal electronic music, readings, and soundtracks from the archives of composer, poet, occultist, calligrapher, and original Velvet Underground drummer Angus Maclise from 1963-1976, featuring Tony Conrad, John Cale, Piero Heliczer, Beverly Grant Conrad and Hetty Maclise. This deluxe 2CD set features rare music, performances, soundtracks, and spoken word by this seminal poet and musician who was active in the New York avant-gar…

CD edition: Outstanding work from bassist/percussionist Juma Sultan – a wealth of wonderful tracks from the loft jazz years of the 70s! Sultan's a player who doesn't always get his due on record – especially during this formative generation. Most of the tunes are quite spiritual, and feature a shifting lineup that really keeps things fresh – players who include Sultan on bass, percussion, and flute – plus Ali Abuwi on drums, flute, and oboe; Kasa Allah and Earl Cross on piano, Art Benne…

CD reissue of this ultra-rare 70s Japanese rock album. Kimo Mizutani was the guitarist in the excellent Japanese Freak-out group, Love Live Life + 1 and this reissue is of his first solo album from 1971. Mizutani plays electric and "folk" guitar and leads a largish ensemble (bass, drums, organ, Moog and vocals) through what is widely regarded as one of the true psychedelic masterpieces of the 70s Japanese scene. Sensitive interludes (accompanied by the Toyama String Quartet and the Etoh Wood Qua…

Number six on the Japrocksampler Top 50, available again for the first time in over a decade! Phoenix Records releases a fully-remastered edition of the 1971 sole album by Love Live Life + One. There were several progressive psychedelic groups in Japan in the early '70s including the short-lived Love Live Life + One. The band played a few live gigs and released this lone album before disbanding. The group consisted of 9 musicians and the "plus one" seems to refer to vocalist Akira Fuse who h…

UK version. First album from the legendary Japanese rockers fronted by Yuya Uchida. Although an album consisting mainly of cover versions, Anywhere still exhibited many of the musical traits that were to come to the fore on the bands next release, the classic Satori, an album of original material delivered with panache by the increasingly confident Uchida. An album made memorable by its risque cover as well as its ground-breaking approach to Western rock music.

2026 stock.  Fylkingen Records in collaboration with the Swedish Radio released a series of LP records with text-sound compositions between the years of 1968-77. All of these were documentations of the international festival Text-Sound Compositions. A Stockholm Festival, which Fylkingen presented in Stockholm several times during these years. Most of the LPs were only pressed in batches of about 400-500 records, and most of the LPs sold out during the festivals. A re-release had long been planne…

Original LP from 1982. "Since 1979, the Swedish Radio Company and the Stockholm Electronic Music Studio (EMS) have arranged an annual 3-day Stockholm Electonic Musik Festival. It's purpose is to present a sample of the electronic music being composed in different parts of the world. This record contains four works from the 1980 festival - two are Swedish and two are international; two are for tape and two combine tape with live performance." Lars-Gunnar Bodin: Epilogue; rhapsodie de la seconde r…

Definitive remastered edition with extensive liner notes* 'In C' is one of Terry Riley's best-known and loved compositions, and essentially the first ever "minimalist" composition. It's a semi-aleatoric work - basically open-ended - written by Riley in 1964, and here performed in 1967 by the composer, and leader on saxophone, with members of the Center of the Creative and Performing Arts in the State University of New York at Buffalo, featuring Jon Hassell and Margaret among other notables in th…

Recorded on 11 May 1974 without interrupting the course of the music. Features two long brooding electronic pieces that reminds early Kluster, with doning voices add some uniqueness on first track, while the 2nd has some nice touch guitar amongst the usual dark electronic moods. Composed by Gregor Cürten & Anselm Rogmans.Initially released in 1974 as a private press LP, this is the first official reissue of Planes, produced in close collaboration with Gregor Cürten. Remastered from the original …

This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …

Norbert Eisbrenner, electric guitar. Conrad Schnitzler, analog synth. Sven-Ake Johansson, percussion. Incredible recording from 1970!

A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.

Limited to 300 copies. All music by Will Long and Danielle Baquet-Long. Recorded in 2005-2006 at home in Huntington Beach, California. Originally self-released as a limited, handmade edition. new master by m.a.tolosa, Madrid 2011.

De Brassers are one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions. The doomed sound they produced tells a lo…

Composed in 1979 and edited on LP in 1984 by Amaryllis. Reissue on cd by Oral, 2008. Contrary to an electronic music delighting itself in soaring above reality in self abstraction, the concrete music of Bernard Bonnier has a down on earth hearing, and a dancing too, altough now and then out of beat. Bernard Bonnier has defined chameleon-music as: '...a mime* trying to beat its parth through the puzzle (casse-tête: literally 'head-breaker') of soliciting madness, sundowns, violence, science, love…

In the landscape of early electronic music, few projects operated with the conceptual rigor and interdisciplinary ambition of Monoton. Founded in 1979 by hypermedia pioneer Konrad Becker, this Vienna-based collective emerged not as a band in any conventional sense but as an ongoing investigation into what they termed "bionic psycho-active automat music"—compositions derived from mathematical structures and natural constants rather than traditional melodic intuition. Eight Lost Tracks documents M…

LP version (initalia copies are coloured). Rare recordings by pioneers of industrial noise music, 1979-1983, never released before on CD or LP. Etat Brut was an industrial/noise band from Brussels that operated from 1979 until 1983. The duo (Phillippe x and Philippe X, today academic scientists) released dozens of cassettes, various flyers and Xeroxed booklets. Some collective concerts were organized at that time with Club Moral and Pseudocode. Cassettes like Emissions 1 (1981) or Géomé…

Hans-Joachim Roedelius and Christopher Chaplin first met in 2010 at the "Gugginger Irritationen 2" festival near Vienna, dedicated to Art Brut. In 2011, Roedelius was invited to play a live piano set for the BBC, which would be recorded and remixed by a musician of his choice, but with whom he had never worked before. Roedelius chose Christopher Chaplin for the task. The result was broadcast on BBC Radio 3's "Late Junction Sessions" program in June 2011. Roedelius then asked Christopher t…

37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010. Recorded 2011 at Piethopraxis Tonstudio, Cologne by Marcus Schmickler. Comes with 24 page booklet with liner notes by Gerhard Rühm in english & german.You can listen here to "Gebet" (Prayer), 1954, is an example of vocal constellation. The succession of vowels "a, e, i, o, u" repeated in this order is wrapped up in consonants to the point of producing syllabic coordinations.…

More than 30 years ago ‘Bizarre Unit’ released their timeless and highly collected classic single ‘Dancing/Away from the Screaming Car’. Now for the first time ever, Bizarre Unit and VOD-Records have uncovered the lost treasure trove of their surviving recordings. These unique recordings have been digitally transferred, edited and carefully restored from the ¼-Reel-Recordings and Cassettes. Embedded crackling and background noise from the original surviving Acetates have been careful…

This 10Lp-Set in a black varnished and silkscreened wooden Box is a comprehensive Anthology of the „Godfather of Noise“ early works, carefully selected and mastered by Merzbow himself.  Is there anything left to say about Mastermind Masami Akita alias Merzbow that hasn’t been told or known. Does he still need any introduction or explanations?  Merzbow has been actively recording 'Noise-Music' since late 1979. You can not talk about the Genre „Noise“ without eventually leading to him as one of th…

Sun Ra was an extremely prolific artist and while hundreds of recordings exist of Sun Ra, there are only a handful where he can be heard playing solo. This amazing and rare solo performance recorded live in 1977 at the world-famous La Fenice opera house in Venice, and featuring Sun Ra playing a mix of standards as well as his own material on piano, is a rewarding journey into the repertoire of one of the most controversial and unorthodox musicians in the history of jazz.

"This novelty album, released in 1966 during the height of the Batman & Robin craze, was initially credited to the 'The Sensational Guitars of Dan and Dale' and featured an album full of tracks based on the popular TV show like 'The Batman Theme Song', 'The Penguin Chase', and 'The Batcave'. The album is entirely instrumental, except for someone singing 'Batmaaaan!' in the theme song. But the interesting thing about this album, and what makes it an absolute cult gem, are the musicians who…

This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members of Can had first encountered the self-defined '20th century nomad,' Kenji 'Damo' Suzuki, a few years earlier on the streets of Cologne. It was shortly after original Can vocalist Malcolm Mooney had left the band and they were left without a singer…

Founded in 1970 in Dusseldorf, Kraftwerk was the only German band to rise from the so-called 'krautrock' scene to true international stardom. Of course, it was partially their distinct look that set them apart. At a time when long hair and scruffy clothing was the norm for musicians, Kraftwerk cut their hair short and wore handmade suits. And at a time when guitar rock reigned supreme, Kraftwerk did not even have a guitar player. In fact they soon did away with instruments altogether, beco…

Rontheo is one of the rarest folk rock LPs to come out of the kraut scene of the seventies. Formed by Canadian RON di Tomaso and German THEO Busch it has become one of the most coveted pieces among collectors and afficionados. Wah Wah records is proud to announce at least an official vinyl reissue, made from the original master tapes and with the help & cooperation from both Ron & Theo themselves!When Theo Busch and Ronnie di Tomaso first met in 1975 it was immediately clear that Theo's violin p…

First ever vinyl reissue of the debut solo album by one of the greatest UK jazz vocalists, featuring the cream of the crop of Britain's brilliant jazz wunderkind here: Kenny Wheeler, Paul Rutherford, Art Themen, Chris Pyne, Chris Laurence, John Taylor... Norma Winstone had began as a jazz vocalist in 1965 and soon entered the New Jazz Orchestra. Se also joined the Michael Garrick Quintet -where she added the wordless vocal improvisations that would become one of theelements she has developed to …