Reissues
Sowiesoso
2021 repress; LP version. The fourth full-length album by legendary German electronic music duo Cluster, originally released on Sky Records in 1976. Sowiesoso follows on from their most highly-acclaimed album, Zuckerzeit (1974). Michael Rother's influence was clearly audible on the latter, Cluster already having recorded two albums with him under the name of Harmonia. 1976 saw the duo looking for new musical forms. More than any other Cluster album, Sowiesoso represents the utopian vision of Han…
Lebenserinnerungen Eines Lepidopterologen
2010 expanded reissue of the 1999 compilation Lebenserinnerungen Eines Lepidopterologen ("Memoirs of a Lepidopterist"), collecting the collaborative and early solo works of Andreas Martin and Christoph Heemann as an extensive two-CD retrospective. Moving between minimalist guitar compositions, tape-music narratives, and an array of cascading electronics, each of Martin and Heemann's solo recordings blends seamlessly within the milieu of their collaborative work. While one can hear how this forge…
Only The Dancers
* Red 180 gram vinyl. Edition of 500 * This is the first officially reissue of the 3rd album of legendary German Krautrockband Nine Days Wonder. Originally released in 1974 Nine Days Wonder with their 3rd album took the opportunity to do a recording session at Londons Chipping Norton Studios in September 1974. With guest musicians Dave Jackson on flute and saxes (of Van der Graaf Generator-fame) and keyboarder Steve Robinson (2066 and Then and early-AERA) the album show the band on its musical p…
Nine Days' Wonder
* Green 180 gram vinyl * Originally released in 1971 the first and self-titled album by Nine Days Wonder was one of the very first recordings for the newly found label Bacillus of producer Peter Hauke. Nine Days Wonder with their international line-up consisting of bandfounder and singer Walter Seyffer, Rolf Henning (guitar, piano), Karl Mutschlechner (bass) from Austria, John Earle (vocals saxophone, flute, guitar) from Ireland and drummer Martin Roscoe from England, taking inspiration from Fra…
Untitled
Tom Carter and Loren Connors are a pairing so obvious, it’s a mystery how it took this long to happen. Each has traversed the American underground on their own unique path. Carter co-founded acid-folk improvisers Charalambides in 1991 and Connors has been redefining his singular vision of the blues since the late 1970s. On this debut non-titled LP, these guitar masters conjure a stunning, and at times labyrinthine, six-string tableau. Carter’s high-contrast spiral melodies sear through Connors’…
On Time Out of Time
** 2021 Stock ** On Time Out of Time is a suite of works originally commissioned for the 2017 installations ‘ER=EPR’ and 'Orbihedron' by artists Evelina Domnitch and Dmitry Gelfand (in collaboration with Jean-Marc Chomaz and LIGO) for the exhibition, ‘Limits of Knowing’ at Martin-Gropius-Bau, Berlin by curator, Isabel de Sena.
These works utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the s…
Alarm
* 2021 restock * CD reissue of Alarm by the Peter Brötzmann Group, originally released on FMP in 1983. Harry Miller: bass; Louis Moholo: drums; Alexander von Schlippenbach: piano; Peter Brötzmann: saxophone; Frank Wright: saxophone; Willem Breuker: saxophone; Toshinori Kondo: trumpet; Alan Tomlinson: trombone; Hannes Bauer: trombone. Recorded during the 164th NDR Jazzworkshop, November 12, 1981, at the Funkhaus Hamburg. Produced by Peter Brötzmann and Jost Gebers. Cover design by Peter Brötzmann…
Mosaics: The Albums 1969-1972
* New Re-mastered 3CD box of the classic albums by Third Ear Band released between 1969 & 1972* Third Ear Band emerged in 1967 from the Ladbroke Grove/Notting Hill counterculture scene. Saxophonist/flautist Dave Tomlin teamed up with jazz drummer Glen Sweeney and bassist Roger Bunn to form an ensemble with the unlikely moniker Giant Sun Trolley to participate in the free improvisation sessions that took place at the end of the Thursday club nights at the famed UFO club. Even in these early da…
Galactic Supermarket
1974 the Cosmic Jokers were basically Klaus Schulze, Manuel Göttsching, various Ash Ra Tempel and Wallenstein members doing late night jamming. Galactic Supermarket is one of them, and is more rock-oriented than many others. It's no surprise the music bears more than a passing resemblance to Ash Ra Tempel, because of Manuel Göttsching and his guitar playing. Also Jürgen Dollase gives some nice keyboard work, particularly the piano, Farfisa electric piano, synths, and even a little Mellotron. Kla…
Step by Step
Reissue of 'Step By Step' by trombonist John Gordon - a deep jazz classic on the legendary Strata-East label! Features the likes of Charles Tolliver on trumpet and Stanley Cowell on piano! John Gordon, a trombone master, brings us another gem from that most renowned of 70’s record labels, Strata-East. The trombone is a difficult instrument. In the hands of an artist like John Gordon, however, it can create vivid images and conjure up beautiful music.
Limited Stops Only
* 180g reissue. One of the rarest to find on the tiny Nimbus Label. The Music is Wonderful and colorful * This superb-sounding Pure Pleasure reissue (remastered by, yes you guessed it. Kevin Grey) brims with propulsive, almost manic energy, exemplified by the opening ‘Distant Vibes’ (a Kelly original). Sometimes, Kelly and his splendidly simpatico quartet let up the pace a little, but things never flag. There are covers of Strayhorn’s ‘Lush Life’, Herbie’s ‘Dolphin Dance’, Kern’s ‘Yesterday’ and…
Vivid Underscores
They say: "Contemporary scores for visual effect" We say: Synth-heavy, low-slung space-funk masterpiece. This is it. This is THE ONE for us: Keith “The Man” Mansfield’s Vivid Underscores from 1977. A sample freak’s wet dream and one of Be With Rob’s favourite ever KPM records. A must for fans of Brian Bennett’s Voyage (yes, THAT good). And no, we’ve no idea either why it took us this long to get round to tackling this monster of a record. But then again some things are worth waiting for. With …
Hdk Dungeon-synth Magazine # 3
* Limited to 200 copies Pro-dubbed solid yellow cassette + 28 pages booklet * We have happily reached the third episode of this bizarre adventure! We are receiving great feedbacks from the dungeon synth scene and we thank you for your endless passion and support: as long as there is this enthusiasm we will not stop clogging the ether with weird music and unpredictable projects! Since HDK DS Magazine was born, we have been very impressed by one thing: many of the musicians of the dungeon synth sc…
Wappinschaw
* Black vinyl edition of Dais Records reissue. Repackaged with restored artwork, expanded liner notes and lyrics, and sturdy matte jackets with foil lettering. * Cindytalk is the mercurial, expressionist outlet of Scottish artist Cinder. An evolution of her early 1980's Edinburgh-based punk band The Freeze, she launched the project upon moving to London, inspired by the crossroads of exploratory UK post-punk and early European industrial. Her work thrives on chance and transformation, collaging…
The Wind is Strong...
Cindytalk is the mercurial, expressionist outlet of Scottish artist Cinder. An evolution of her early 1980's Edinburgh-based punk band The Freeze, she launched the project upon moving to London, inspired by the crossroads of exploratory UK post-punk and early European industrial. Her work thrives on chance and transformation, collaging elements of noise, balladry, soundtrack, catharsis, and improvisation. After a series of celebrated albums for the Midnight Music label as well as collaborations …
Wendy Carlos: A Biography
This book is the first full-length biography to be written about the American composer and electronic musician Wendy Carlos (b. 1939). With her debut album, Switched-On Bach, Carlos brought the sound of the Moog synthesizer to a generation of listeners. She not only blazed new trails in electronic music for decades but also intersected with many aspects of American culture during the second half of the twentieth century and well into the twenty-first. Her story features an eclectic cast of chara…
El Nutto
Before joining vibraphonist Terry Gibbs’ quartet in 1962, Detroit-born pianist Alice McLeod played intermissions at the Paris Blue Note and appeared on French TV with saxophonist Lucky Thompson, reaching Gibbs’ attention in a duo with vibraphonist Terry Pollard; in the quartet, she became the perfect foil for Gibbs, her understated piano making room for his intense improvisation, stepping up with her own expression when needed. El Nutto, their third LP, captures Alice at her best in this setting…
Stries
Bernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape. Until recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA/GRM label. “Stries” was written for the three synthesizer players of the Paris- based electro…
The Works for Piano 11: Cheap Imitation
All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album. The major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman …
Memory in Motion: Percussion in Surround
“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote Sorites to compliment Iannis Xenakis’ Persephassa and Alcides Lanza wrote mnais mnemes to compliment his own earlier composition sensor VI. In both cases, the composers were asked to use the identical setup and notational…