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Heiner Goebbels' Walden (1998) for expanded orchestra and speaker, after Thoreau. Ensemble Modern Orchestra conducted by Peter Eötvös, with Bob Rutman as speaker, singer and on steel cello and bow chimes. Recorded live in November 1998 in Cologne and Frankfurt.
Works for solo double bass, two basses and eight basses by Stefano Scodanibbio, played by Daniele Roccato, Giacomo Piermatti and the Ludus Gravis ensemble under Tonino Battista; recorded February-March 2014 in Perugia and Rome.
Trifold glossy slipcase includes two CDs, label catalogue and 16-page booklet of liner notes and images. For new initiates and avant-garde fiends alike, this Iannis Xenakis collection renders a breathtaking survey of works by the radical composer, theorist, architect and engineer, spanning the period 1956-1974 and featuring some of the greatest works of the 20th century, including the awe-inspiring sonic architecture of ‘Persepolis’.Inarguably one of the most important composers to blend electro…
Five Xenakis works for ensemble recorded in New York in 1996 with the composer's participation: Akrata, Echange, Xas, Okho and the first recording of A la Mémoire de Witold Lutoslawski, by the ST-X Ensemble.
Xenakis's works for ensemble and voice recorded in concert by New York's ST-X Ensemble under Charles Zachary Bornstein: Plektó (first recording), Eonta, Akanthos, Rebonds and N'Shima.
First complete set of Iannis Xenakis's percussion works on three CDs: sextets, duos and solos, including Persephassa, Pléïades, Psappha, Kassandra and Rebonds, played by Steven Schick and the ensemble red fish blue fish.
All of Xenakis's chamber music for strings except the quartets, from Syrmos (1959) to the first recording of Ittidra (1996), played by Ensemble Resonanz under Johannes Kalitzke, with John Eckhardt on solo contrabass in Theraps.
Morton Feldman's Rothko Chapel with music by Satie and Cage, played by Kim Kashkashian (viola), Sarah Rothenberg (piano, celesta), Steven Schick (percussion) and the Houston Chamber Choir under Robert Simpson, recorded in Houston in May 2012 and February 2013.
Galina Ustvolskaya's Trio (1949), Violin Sonata (1952) and Duet (1964), played by violinist Patricia Kopatchinskaja, pianist Markus Hinterhäuser and clarinettist Reto Bieri, recorded in March 2013 at the RSI Auditorio in Lugano.
Audio edition of Heiner Goebbels' music-theatre installation for five mechanised pianos, archival voices and texts after Adalbert Stifter, recorded 20-21 October 2007 at the Grand Théâtre de la Ville de Luxembourg.
The Keller Quartett plays György Ligeti's String Quartets Nos. 1 and 2 with the Molto adagio from Samuel Barber's String Quartet op. 11 between them. Recorded June 2007 and October 2011 at Radio Studio DRS, Zürich.
Elliott Carter's one-act opera What Next? (libretto by Paul Griffiths), recorded live at the Concertgebouw, Amsterdam, in September 2000, and his Asko Concerto (Hilversum, 2001), with the Netherlands Radio Chamber Orchestra conducted by Peter Eötvös.
Aki Takahashi plays Giacinto Scelsi's piano works in 2005 recordings, mostly pieces she prepared with the composer, including the Quattro Illustrazioni depicting the incarnations of Vishnu.
Two Scelsi piano works played by Stephen Clarke: the first recording of the 1930 Suite No. 2 and Action Music (1955), in the second volume of Mode's Scelsi Edition devoted to the piano.
Giacinto Scelsi's music for woodwinds, mostly from the 1950s, for solo clarinet, flute and duos with oboe and piccolo, played by Carol Robinson, who worked with the composer, with Clara Novakova and Cathy Milliken.
Four pieces for cello and pipe organ by Thomas Demenga (cello) and Heinz Reber (organ), recorded digitally in October 1980 at the Pauluskirche in Bern and produced by Manfred Eicher; first released by ECM in 1981.
Two George Crumb works of the 1970s: Black Angels in an arrangement for string quartet and string orchestra, with Cuarteto Latinoamericano, and Makrokosmos III for two amplified pianos and percussion, conducted by Juan Pablo Izquierdo.
First CD collection of George Cacioppo's music: six chamber works from 1960-66 including Time on Time in Miracles, Advance of the Fungi and Holy Ghost Vacuum or America Faints, played by French ensembles, with Cacioppo himself on electric organ.
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
The first CD release of works by Franco Evangelisti (1926-1980), the founder of Nuova Consonanza (infamous early '60s Italian avant garde ensemble that included Mario Bertoncini, Roland Kayn, Ennio Morricone, Frederic Rzewski and others). This two disc retrospective features studio audio-footage and lab-experiments, featuring performers Aloys Kontarsky, David Tudor, Eberhard Blüm and the LaSalle Quartet. Spanning the last 40 years, virtually all forms of post-1950 invention are represented here …