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Compositional /

Alina
It's unlikely that many will have missed the fact that ECM - an unparalleled home for groundbreaking music, whose catalog has predominantly been restricted to the CD format since the 1980s - has begun releasing stunning, beautifully produced audiophile vinyl pressings of a select number of their most in-demand releases. Among the most requested to receive this treatment, Arvo Pärt's 1999 full-length, Alina, has long topped their list. Finally, such a dream has come to be with its multiple render…
Clock In, Clock Out
"Musica Mosaica undertakes an experimental exploration of sounds, viewed not merely as simple acoustic phenomena, but as truly living realities. From this perspective, experimentation is by no means a convenient metaphor used to illustrate an intuitive or informal approach. On the contrary, it is meant literally — deliberate, almost scientific: each musical piece becomes a small laboratory where sounds are observed as animated entities, with their own morphology, with impulses that bring them cl…
Ghosts Beneath The Brine
Amsterdam-based collective Wanderwelle concludes their trilogy on Important Records with an album that confronts the climate crisis and its devastating impact on coastal ecosystems. From overfishing to warming and acidifying seas, the group documents the decline of fish, seabirds, crustaceans and other marine life. Following 2024's All Hands Bury The Cliffs At Sea and 2022 Black Clouds Above The Bows, Ghosts Beneath The Brine is another mournful take on the woes of the natural world. There's ris…
The Shunned Path
A work in six parts for contrabassoon + electronics, timpani + syncussion, and activated snare drum. The genesis of The Shunned Path began with a simple question: if one orchestral instrument could be freed from its traditional context and presented through the bespoke electronic array developed for Thomas Stone’s solo performances — projected at full scale through a massive sound system — which would it be? The answer was immediate: timpani. Returning to formative influences such as the Jerusal…
Kammerkonzert
Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes and handbrake turns through varieties of progressive, ambient, electronic and experimental music.
Into The Groove / Into The Grind
Recuperation and reinventing from Elements 2021/22 took quite a long time. Sustainability in writing long pieces became fully questionable. In the meantime, finding joy in creating small forms; powerful and groovy pieces became an obsession which created two fundamentally different cycle of pieces -"Into The Groove" and "Into The Grind". This release represents dualistic concept: could be seen as double EP over two side of vinyl  and it also has double cover as well as two editions: normal black…
Sonates Et Interludes Pour Piano Préparé (LP)
1980 re-issue as a single LP on Harmonia Mundi's distinctively packaged "Musique d'abord" series of the seminal first album of music by Cage with his landmark 1946-48 compositions performed by Maro Ajemian, originally released in 1951 as a double LP set on Dial. French text.
Sonatas And Interludes For Prepared Piano (LP)
Original 1976 LP on Denon with Cage's landmark 1946-48 compositions for prepared piano superbly performed by Yuji Takahashi in 1975. With insert.
Sonatas And Interludes (CD)
1997 CD re-issue on Fylkingen of Yuji Takahashi's landmark performance of Cage's prepared piano masterwork recorded in 1965 and originally released on the same label as two separate LP's in 1966.
Cheap Imitation (LP)
17th album on Cramps' superlative "Nova musicha" experimental music series released in 1977, with piano pieces performed by the composer himself recorded live in 1976.
Cheap Imitation (CD)
2000 CD re-issue on Ambersand of the 17th album on Cramps' superlative "Nova musicha" experimental music series released in 1977, with piano pieces performed by the composer himself recorded live in 1976.
Seasons (LP)
1977 LP on ALM with three piano pieces spanning from 1938 to 1969, plus a toccata by Johann Sebastian Bach, superbly performed by Yuji Takahashi.
Cage / Canino (2LP)
1978 double LP set on the obscure Italian label I Dischi Dell'Ippopotamo with a landmark performance of Cage's composition by pianist extraordinnaire Bruno Canino, never re-issued on either CD or LP.
John Cage (LP)
Very Pieces for (prepared) piano, percussion and voice in various combinations from the 1940's and 50's, performed by Joshua Pierce and the Paul Price Percussion Ensemble, released by Tomato in 1978.compositions from the 1940's for (prepared) piano, piano and violin, percussion, performed by pianist Reinbert de Leeuw and released by Philips in 1980, never re-issued on either LP or CD.
Chorals / Cheap Imitation (LP)
1981 LP on CP² Recordings with two compositions respectively from 1978 and 1969 performed on the violin Paul Zukofsky.
Freeman Etudes I-VIII (LP)
1983 LP on CP² Recordings with the demanding late 1970's studies for solo violin performed by by their dedicatee Paul Zukofsky.
Sixteen Dances (LP)
1984 LP on CP² Recordings with the 1951 composition for Merce Cunningham performed by Toronto's New Music Concerts conducted by Paul Zukofsky.
Nocturne / Six Melodies / Amores / A Valentine Out Of Season / Music For Marcel Duchamp (LP)
Very early compositions from the 1940's for (prepared) piano, piano and violin, percussion, performed by pianist Reinbert de Leeuw and released by Philips in 1980, never re-issued on either LP or CD.
Atlas Eclipticalis With Winter Music (4LP box)
Volume 2 of Mode's Complete John Cage Edition released in 1986, a monumental 4LP box set with the simultaneous performance of 1961's Atlas Eclipticalis (version for chamber orchestra) with 1957's Winter Music (version for 3 pianos) sparsely performed by The New Performance Group conducted by the composer himself.
Thirty Pieces For Five Orchestras / Music For Piano (LP)
1987 LP on Hungaroton matching a 1981 compositions for five orchestras performed by Savaria Symphony Orchestra led by Peter Eötvös with a set of indeterminate solo piano pices from the 1950's performed by several Hungarian composers including László Sáry and Zoltán Jeney.
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