Vanishing Points / A Cappella
CD digipack. In his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology tha…
New American Music, Vol. 4
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…
Dots Kinematics For Electronics & Chamber Orchestra Version II
The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…
(Amsterdam) Memory Space
*2024 stock* The openness of Lucier's instructions belie the difficulty in dealing with the idea of how one can translate a sound from one medium into another and what kind of transformation of information takes place in that exchange. While interpreting this work, a musician becomes intensely aware of the processes by which one listens, both consciously and subconsciously; how one is constantly decoding sounds in one’s environment, filtering out essential and non-essential information, discerni…
50 Years
In 2012, the Wergo label celebrates its 50th anniversary. For half a century, Wergo has been synonymous with contemporary music. The label's catalog reads like a virtual who's-who of modern music, both in terms of composers and performers. From the beginning, the intent of founder Werner Goldschmidt (from whom the label derives its name) was to provide listeners with a snapshot of current musical activity and innovation. Goldschmidt's label and mission, now managed by the publisher Schott, is ma…
-> Sonic Patterns
For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works.
Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
Music for Save Rooms 1 & 2 (2CD)
* Double CD set containing both albums - Music for Save Rooms 1 & Music for Save Rooms 2. First edition of 150 copies * John Also Bennett’s Music for Save Rooms 1 & 2 compiles two volumes of minimal music conceived as infinitely looping and morphing compositions for “save rooms” - temporary safe spaces within video game maps. The compositions primarily stem from a week spent at work in a former military barn in the Marin Headlands just north of San Francisco, spurred on by multimedia artist and …
No Longer Human
*200 copies limited edition* 'No Longer Human' is dedicated to the life and work of Osamu Dazai and his novel No Longer Human
First notebook:Antonio Tonietti: chitarra battente preparata, duduktavola armonica, synthClaudio Milano: voceMassimo Amato: piano
Second notebook:Antonio Tonietti: basso preparato, basso, synthClaudio Milano: voce
Third notebook:Antonio Tonietti: basso, synth, field recordingGiorgio Pinardi: voce
Epilogue:Antonio Tonietti: Electric Koto, field recordingSilvia Pegah Scagli…
On A Dark Night
*2024 stock* Berlin Strings is a string quartet consisting of Lisa Marie Vogel, Johanna Wundling, Tabea Haarmann-Thiemann and Luisa Babarro Fernández. Since meeting in the National Youth Orchestra and founding Berlin Strings 13 years ago, they have developed into explorers of their own sound. A sound that has always been imbued with the discipline of classical music, pure craftsmanship, the sublime rules of composition that make communication wordless. But also experimentation, flirting with dis…
Ovidono
*2024 stock* Ovidono is an auditory art project by Markus Popp (aka Oval) and Vlatka Alec, a fascinating scenario for a new kind of musical storytelling. Sensual, dazzling and multi-layered, the project - originally codenamed "ASMR 2.0" - combines a new interpretation of the epic, timeless poetry of Ovid and Ono No Komachi (performed in Japanese by Eriko Toyoda aka SO) with Oval's electro-acoustic compositions, post-digital soundscapes and ambitious vocal processing. The complex, whispered vocal…
The Possibility of A New Work for Electric Guitar
Other Minds is proud to present The Possibility of a New Work for Electric Guitar, a new limited-edition 12” 45 RPM vinyl disc of music by Morton Feldman and Christian Wolff, performed by Wolff and Wendy Eisenberg. Side A features two performances of Morton Feldman’s The Possibility of a New Work for Electric Guitar, written for Wolff (who professes to be “not really a guitar player”) in 1966 as an experiment on the instrument. On his way to perform The Possibility of a New Work for Electric Gui…
Collected Works 2018-22
'Collected Works 2018-22' coalesces three deeply personal works that were created by Elms for three of the UK's most innovative ensembles and supporters of contemporary music. The three works explore misremembrance and the degradation of memory over time (Consolations in Travel), cyclical patterns of thought and resultant behaviour (The Age of Spiritual Machines), and the perception of reality orchestrated through expectation and misconstrued senses (100 Demons).
Colliding Bubbles
Colliding Bubbles (surface tension and release) is a composition for string quartet and harmonica quartet, meaning that Quatuor Bozzini is playing string instruments while playing harmonicas. "The title refers to different kinds of bubbly matter which are set to collide within the composition, leading to different ruptures and possible release of surface tension. The collision of bubbles unfolds partly in relation to sound, where small fluctuations appear in the encounters between harmonicas and…
Hereafter
Sofa is proud to mark its 100th release with the stunningly beautiful double album Hereafter, a new major work from guitarist/composer Kim Myhr, written for the 15-piece Stavanger-based ensemble Kitchen Orchestra. “Hereafter can be seen as a meditation on mortality and transience”, Myhr explains. “It was written at a time where the prime minister of Norway told the country’s population that ‘you have to be prepared to lose someone dear to you’. It was like taken out of Tarkovsky’s “Sacrifice”. T…
Computer Music
*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…
Propagation of Uncertainty
"Olivier Messiaen once said that all you need to make music is a note and silence. For the composer Arash Yazdani, born in 1985 and raised in Isfahan, Iran (and now based in Tallinn, Estonia), a slightly adapted adage applies: All you need to make music is two frequencies – though Yazdani has a clear preference for notes extremely close in pitch. His music is full of tightly coiled beatings, both stationary and set in motion. These beatings function like black holes in his works, drawing other s…
Musica Automata
From the composer, Leonardo Barbadoro, comes “Musica Automata”, an engrossing foray into the expressive possibilities of electronics and robotics implemented by an acoustic instrumentation, culminating as a genre-blurring excursion into the outer reaches of experimentalism. Created with entirely digital source material, rendered by the Gent based Logos association's orchestra of automated, robotic instruments - percussion, woodwind, brass, organ, and numerous unconventional instruments - this st…
Yarrow Canon
*150 copies limited edition* "Most of the music I am attracted to represents some kind of undoing. Sun Ra's undoing of the big band, or of the jazz solo. Schoenberg, Berg, and Webern's undoing of the classical music concert. The A.A.C.M.'s undoing of the jazz combo and the club date. Pauline Oliveros' undoing of the musical score. Alice Coltrane, Don Cherry, and Cornelius Cardew's various undoings of the profession. What's more, none of these undoings are antagonistic or destructive. The thing u…
The Water Has Found its Crack
"Other Minds is happy to present The Water Has Found its Crack, the debut album by composer Joseph Bohigian. Consisting of four new works written since 2018, the collection finds the composer expertly handling a variety of performing forces, from laptop ensemble to string quartet. Each piece engages with a different aspect of the California-born composer’s position as a member of the Armenian diaspora. These include the legacy of displacement since the 1915 genocide, maintaining culture in exile…
Difference Engines
*2023 stock* "This, the first CD dedicated entirely to work by composer Dario Palermo, features three substantial electroacoustic works written between 2009 and 2012. Palermo (b. 1970) has been involved with the use of new technologies in music since the early 1990s. His background includes studies with Giorgio Colombo Taccani and Giovanni Verrando and others, including Gerard Grisey, as well as in orchestral and chamber performance. His work, as typified in the three pieces presented here, is b…