Tête-à-tête
Over the course of a nearly 50 year romantic and creative partnership sound artist Annea Lockwood and the late pioneering electronic composer Ruth Anderson have shared space on a number of significant releases of early electronic and tape music, including Charles Amirkhanian’s trailblazing 1977 anthology of women electronic composers New Music for Electronic and Recorded Media, a 1981 split LP on Opus One, a 1997 CD for Phill Niblock’s XI imprint, and 1998’s Lesbian American Composers compilatio…
26 Lives
Stunning document of a one-off performance by Powell and London Contemporary Orchestra at Barbican Centre, London. Captured from a three-hour multi-channel recording of unheard music. Unique acoustic rendering of a unique moment in time.Performed in January 2022 alongside works by Jon Cage, Alvin Lucier, Micah Levi.First music on Diagonal after a brief pause for growing up and babies.
Spiralis Aurea
Venturing into untapped realms of creative exploration, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, returns to Die Schachtel with “Spiralis Aurea”, a double LP of material that intertwines traces of sacred geometry, collective experience and elusive connections between nature and human kind.
Amiandos
Yannis Kyriakides evokes memories of a site and of the workers of the mines of Amiandos, reflecting on a past not that far gone. In 7 pieces he tells profound stories of loss, and of the fascination for a magnificent and malignant stone. Amiandos is Kyriakides 8th album on Unsounds records.
11 Dec 80
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
Diamorphoses / Concret Ph / Orient Occident / Bohor
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
Taurhiphanie / Voyage Absolu Des Unari Vers Andromède / Gendy 3 / S.709
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle to simple loudspeaker music. The sound does not move anymore, there are no synchronized visuals: nothing remains but structured noise. Xenakis used two inventions he had already presented in the context of the Polytopes: sounds created by stochastic…
An Index of Metals
hortly before his death (ten years ago), Fausto Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner a…
Transmutation of Things
There is a venerable history of popular songs used as the starting point for elaborate classical compositions, but 500 years ago Josquin and Dufay never imagined using a gargantuan digital orchestra with up to 300 layered tracks pushing architectural proportion and human perception to the max. And yet, that is exactly what composer, MC Maguire, does in his Toronto studio. It’s daunting, it’s overwhelming, and it has to be heard (preferably loud) to be believed. Dubbed “the most irritating and sp…
Spiral - Pole
Karlheinz Stockhausen – Spiral was composed in 1968 while Stockhausen was living in Connecticut (United States). It was developed through his association with a guitarist student, Michael Lorimer, and originally dedicated to him (tho never performed by him). Spiral had it's greatest success when it was premiered by the oboist Heinz Holliger (and subsequently performed more than 1300 times!) at the Osaka 1970 World's Fair Expo in Stockhausen's own performance pavilion, a speaker-lined spheric…
La Legende D'Eer
Tip! Individual LP from the Electroacoustic Works boxset. The second release in the Perihel series is one of the most famous electroacoustic compositions by Iannis Xenakis. When Iannis Xenakis (1922-2001), who had fought against the occupation as part of the communist resistance, moved to Paris in 1947 it was the start of a highly creative and impressive career. Xenakis not only studied composition with Olivier Messiaen and became one of the most innovative composers of the 20th century, he also…
Tissues
Pan Daijing’s exhibition-performance Tissues premiered in the Tanks at the Tate Modern in autumn 2019. A five-part immersion in performance, sound, movement, space, and most of all emotion in its most distilled and conflicted states, Tissues engaged with the conventions of opera and tragedy to present a searing representation of the embattled human psyche in space and time. While the ambitious multi-sensory artwork made use of the range of Daijing’s artistic capabilities, music, particularly the…
Classical Works
*In process of stocking. 2022 stock.* David Shea's sampling technique manages to be both one of the most innovative experiments in classical music and, at the same time, one of the most conservative uses of pre-recorded music. As the first piece on his Classical Works collection, "Chamber Symphony #1" highlights his unique process. The recording is the result of an original performance by the Brussels-based Ictus Ensemble, a 16-member chamber orchestra. The ensemble contributed to the recording …
BFHC
Limited edition of 100 copies. On her second album (first one on Umor Rex), the Minsk born / Paris based artist Lina Filipovich continues her experiments on deconstruction and re-appropriation of classical pieces. BFHC includes seven electronic interpretations of the works of Baroque composers such as Bach, Handel, Frescobaldi, Carleton and Couperin. Inspired by memories of her experience of interpreting Bach's pieces in early childhood, Filipovich explores the desire to push the limits of perfo…
Michaels-Ruf / Bassetsu / Synthi-Fou / Quitt / Komet / Trumpetent
*2022 Stock.* Chamber Works from Licht, for Brass, Reeds, Percussion & Electronics.
Momente
*2022 Stock.* This is a 2 CD presentation of a new recording of Momente from 1998. Momente has a "mobile-form", which means that the individual segments can be rearranged from performance to performance (typically pre-arranged at the conductor's discretion). Therefore this version is again unique from the 1965 and 1972 versions of Momente found on The Stockhausen Edition no. 7. Like the 1965 version, it does start with the "clapping" sequence, but in this performance the transition from "audienc…
Mittwochs-Gruss
*2022 Stock.* Mittwochs-Gruss (Wednesday Greeting) - Electronic Music from Mittwoch Aus Licht/Wednesday from Licht (developed during Michaelion's 1998 production, this final tape version was created in 2003). Mittwochs-Gruss is an 8-channel electronic music work realized with synth patches programmed by Antonio Pérez Abellán. It is featured as the entrance music for the opera, and is rendered live during Michaelion as a background element. Like the electronic music of Dienstag aus Licht (Oktopho…
Bassetsu-Trio / Mittwochs-Abschied
*2022 Stock. Includes a 32-page booklet in German and English.* Bassetsu-Trio / Mittwochs-Abschied, the Stockhausen Edition no. 55 contains additional works from Mittwochs Aus Licht (Wednesday from Light). Bassetsu-Trio (1997) für Bassetthorn, Trompete und Posaune is a version of the last section of the 4th scene ("Michaelion") of Mittwoch Aus Licht. It was recorded and mixed at the Sound Studio "N" (for Nedeltschev), December 1999 (Cologne, Germany). Mittwochs-Abschied (1996) für elektronische …
Sternklang
*2022 Stock.* Sternklang features a roaming studio recording, documenting the five spacially-separated electro-acoustic chamber groups of Sternklang, a harmonically-modulating piece structurally similar to the all-vocal Stimmung. Some soloists are also highlighted in the mix as they migrate from one group to another. This 2 CD recording features members of the English new music groups Intermodulation and Gentle Fire, as well as Annette Meriweather (vox), Harald Bojé (synth), Michael Vetter (vox,…
Für Kommende Zeiten
*2022 Stock.* Für kommende Zeiten is a relatively contemporary recording of some intuitive music pieces from Stockhausen's second collection of text scores, recorded by the Ensemble for Intuitive Music Weimar (Michael von Hintzenstern (piano/harmonium), Matthias von Hintzenstern (cello), Hans Tutschku (synthesizer), Daniel Hoffmann (trumpet)) on May 28, 2005. During a period of personal upheaval and crisis, Stockhausen wrote a set of texts, Aus Den Sieben Tagen, which are essentially verbal inst…