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It's unlikely that many will have missed the fact that ECM - an unparalleled home for groundbreaking music, whose catalog has predominantly been restricted to the CD format since the 1980s - has begun releasing stunning, beautifully produced audiophile vinyl pressings of a select number of their most in-demand releases. Among the most requested to receive this treatment, Arvo Pärt's 1999 full-length, Alina, has long topped their list. Finally, such a dream has come to be with its multiple render…
Warm Winters Ltd. welcomes Argentinian, Berlin-based composer Ángeles Rojas with her new piece ‘Open the windows and let the spirits in and out’. Originally commissioned by the Buenos Aires festival Ruido, the work documents Rojas’s closing performance of its 2023 edition.
Performed on a Klais Opus 1912 organ with an ensemble of violin, cello, soprano flute, piccolo, baritone saxophone, trombone and bass clarinet distributed throughout the space, the piece unfolds over 30 minutes. Sustained tone…
Amsterdam-based collective Wanderwelle concludes their trilogy on Important Records with an album that confronts the climate crisis and its devastating impact on coastal ecosystems. From overfishing to warming and acidifying seas, the group documents the decline of fish, seabirds, crustaceans and other marine life. Following 2024's All Hands Bury The Cliffs At Sea and 2022 Black Clouds Above The Bows, Ghosts Beneath The Brine is another mournful take on the woes of the natural world. There's ris…
Australian composer-performers Judith Hamann and James Rushford have worked together in countless projects for two decades, perhaps most notably in Golden Fur, their trio with Sam Dunscombe. Black Truffle is pleased to announce Midmeste, their first work as a duo. Its title is Middle English for ‘the middlemost point’, alluding to how the piece builds on the points of overlap between the highly personalised musical languages Hamann and Rushford have developed in recent years.
Performed on cello …
A work in six parts for contrabassoon + electronics, timpani + syncussion, and activated snare drum. The genesis of The Shunned Path began with a simple question: if one orchestral instrument could be freed from its traditional context and presented through the bespoke electronic array developed for Thomas Stone’s solo performances — projected at full scale through a massive sound system — which would it be? The answer was immediate: timpani. Returning to formative influences such as the Jerusal…
* First-time vinyl reissue, gatefold sleeve * Philip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971. At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the meldi…
Great 1983 LP by Szemző's ensemble with highly-acclaimed (especially by Steve Reich) performances of two American classic minimalist compositions as well as two by Hungarian minimalists, released by Hungaroton.
Excellent second LP by Szemző's ensemble with highly-acclaimed (especially by Steve Reich) performances of one American classic minimalist composition as well as two by Hungarian minimalists, released by Hungaroton in 1986.
'Flute' is an album of six pieces written by Slovak composer Adrián Demoč and performed by Italian flutist and multi-instrumentalist Manuel Zurria. Of the six pieces, "Zamat" is performed in two different versions. This is Demoč's second release on elsewhere music, following the 2024 release 'Piano', as well as Zurria's second appearance as the flutist, following the 2024 release Giuliano d’Angiolini - ')))((('. Demoč's compositions are often intended for open instrumentation or a "monochromatic…
Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue.
Aus dem Zeltbuch (2022/23), based on a text-collage by Marianne Schuppe, reveals a surface of a word-sound texture on the edge of acoustic intelligibility. Aus dem Zeltbuch questions our perception of language in a musical context by creating bilingual area…
‘Monochromes II’ is a collection of thirteen solo piano pieces written and performed by Berlin-based composer/pianist Quentin Tolimieri between 2023 and 2025. This is Tolimieri’s second release on elsewhere music, following the 2022 triple album ‘Monochromes’ (elsewhere 022-3). In this new triple album, Tolimieri delves even deeper than in his earlier Monochrome pieces to explore the countless sonic possibilities and resonances that the piano can produce. Aiming to allow the inherently interesti…
Akira Kosemura’s Polaroid Piano is a record that is very close to my heart. In fact, it is Akira’s work that was one of the drivers for Someone Good, one of the Room40 sibling labels, to be founded. Polaroid Piano marks the beginning of what would later become known as felt piano music, an approach to the piano which was picked up by numerous artists across subsequent years. It captures an essential and intimate rendering of the piano at close proximity, but it does more than that, it allows the…
With Figures of Glass (Piano Etudes – Edits), Vanessa Wagner offers a new listening perspective on Philip Glass’s Piano Études, shaping a curated selection of edited versions drawn from her acclaimed recording of the complete cycle. These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity.
Conceived in parallel with Figures of Glass, a hybrid project developed with visual arts collective Scale, the release…
1986 double album on Composers' Voice that is a sort of manifesto of the Dutch brand of radical minimalism by its most representative composers, with pieces spanning from 1977 to 1984.
*2026 much needed repress!* Akusmi is the new project moniker of French-born, London based composer, multi-instrumentalist and producer Pascal Bideau, who signs to the new Tonal Union imprint for the release of his album ‘Fleeting Future.’ With its hallucinatory, genre-defying blend of minimalism, cosmic jazz and Fourth World influences, and in its quest for optimism in the face of unknown and limitless possibility. ‘Fleeting Future’ stands apart as an inventive and inspirational debut. The crea…
*200 copies limited edition* "Paper Braids came out of a long collaboration between me and the wonderful musicians of the Kali Ensemble. Through a series of workshops, residencies, and performances over the course of four years, we built up a collective practice focused on three topics: listening as the basis of musical interaction, awareness of how sound interacts with the performance space, and using that spatial awareness as a basis for both the duration of individual sounds and the temporal …
Composed especially for the main hall of the Orgelpark in Amsterdam, with its historical organs, Descendants was realized in the just-intonation “Dreyblatt” tuning system, derived from the first eleven harmonic overtones and their extensions based on the fundamental C (A = 415 Hz). The following intervals, identified on the four organs and corresponding to my tuning system, were used in the composition: 1/1, 9/4, 3/2, 7/4, 11/16, 21/16, 25/16, 35/32, 63/32, 77/64, and 81/64. These pitches and th…
The John Cage Trilogy – Inspired by Hidekazu Yoshida’s interpretations of Japanese Haiku poetry, John Cage formed a trilogy of his existing works honoring the essence of the poetry. Atlas Eclipticalis (1961), the first piece in the trilogy, represents nirvana. Variations IV (1963), the second work, represents samsara—the turmoil of everyday life. 0’00” (1962), the third piece, represents individual action. Simple Harmonic Motion Records is proud to be the first to present a realization of Cage's…
Venice, 1984. Teatro Carlo Goldoni. Jan Fabre's legendary play The Power of Theatrical Madness premieres - and with it, a defining document of Pop Minimalism. This primarily European phenomenon - rooted in first-generation British minimalists Gavin Bryars and Michael Nyman - took the tunefulness of Reich and Glass and gave it a pop base rather than jazz/African or western classical foundations. Mertens wrote the first full-length study of the genre, American Minimal Music (1983), before becoming…
Naples, 1977. Luciano Cilio's sole recorded work is pure magic - four "quadri" where strings, woodwinds, wordless voices and solitary guitar trace the edges of silence. Closer to Arvo Pärt and Morton Feldman than to any Italian prog, yet entirely its own universe. Music that breathes, suspends time, breaks your heart without raising its voice. Decades ahead of its time. First ever remaster from the original tapes.