Ama
*In process of stocking. 2022 stock.* Born in Seoul and now a resident of Brooklyn, Ha-Yang Kim is a cellist, composer and improviser who has developed a unique language of extended string techniques and electronics. Drawing upon influences as far ranging as Balinese and Karnatic traditions, jazz, rock, western classical music and downtown experimentation, she has created an original music of imagination and passion. Her first CD features a startling solo piece, two pieces for her long running d…
Threadsuns
*In process of stocking. 2022 stock.* Ha-Yang Kim is a cellist and composer of striking originality whose musical influences draw equally from a range of western classical music, American experimentalism, rock, noise, and improvised music, to non-western musical sources from Bali, Korea and South Indian classical music. For her second CD on Tzadik she presents a major new composition for string quartet, performed here by the world renowned JACK quartet. Dedicated to Jewish poet Paul Celan, “Thre…
Meander Selection
Sublime string quartets, piano works, and a short piece for electronics.
"The music of John Lely has run a continuous thread through the programmes of Apartment House for some 20 years. A subtle, yet sinuous presence, producing music that has a quiet yet significant sounding air about it. Lely’s titles of his works are ambiguous, yet point to hidden constructs and origins, Pale Signal, Meander Section or Karnaugh Quartets for example. Ambiguous perhaps, but revealing music of great clarity and a…
Codex Vivere
A 75-minute piece for septet in nine movements by the young Texas-based composer.
Somatic Refrain
Another Timbre presents four chamber works showing the wide range of music by unique Canadian composer Allison Cameron. Played by Apartment House and The Allison Cameron Band.
An Album
Five typically matter-of-fact (but also very beautiful) chamber works by one of the UK’s most under-rated composers.
In the Asylum
This album collects works for piano through piano quartet by Irish composer Gerald Barry. All, except for In the Asylum are first recordings.
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 105 contains chamber works recorded between 2011-15. In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. teddy bear costume), basset horn, b…
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 102 contains five new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. ted…
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 101 contains four new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. te…
Hoffnung
*2022 Stock.* Hoffnung (Hope, 9th Hour from Klang, for string trio, 2007) and Glanz (Brilliance, 10th Hour from Klang, for septet, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Balance
*2022 Stock.* Balance (7th Hour from Klang, 2007) and Glück (Bliss, Eighth Hour from Klang, 2007) are both wind trios which adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Harmonien
*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related arpeggio figures (or broken chords). These ostinato figures are modulated dynamically so that they subtly approach and recede. In Schönheit (Beauty, 6th Hour from Klang, 2006) the material from the three arrangements of Harmonien are layered and synch…
Michaels-Ruf / Bassetsu / Synthi-Fou / Quitt / Komet / Trumpetent
*2022 Stock.* Chamber Works from Licht, for Brass, Reeds, Percussion & Electronics.
Night Will Fade and Fall Apart
"As I perceive it, in much of Magnus Granberg’ work, going back as far as projects such as Sheriff, there’s an in-drawing nurturing of self. However one may read the beautifully poetic, frequently melancholic nature of the titles of the pieces, this is far from a flattening of the nature of existence but rather a celebration of the interior life of the individual, both of the composer and his growing, attentive, audience, accumulated over time due to a remarkably consistent series of releases. T…
...Of Late
Astral Spirits presents ...of Late by Jessica Pavone String Ensemble.
Jessica Pavone - composer / viola; voice on track 3Aimée Niemann - violin; voice on track 3Abby Swidler - violin on tracks 1,3,4; viola on tracks 2&5; voice on track 3
Music for Woodwinds
Through her novel approaches to texture and melody, German-American composer Johanna Magdalena Beyer (1888–1944) became one of the most distinctive modernist voices of the mid-20th century. Beyer was the first woman known to have composed for electric instruments (Music of the Spheres, 1938). Her compositions anticipate elements of minimalism, a movement that would manifest two decades after her passing. Beyer was long omitted from the written history of ultramodernism, but her activities as a c…
Michael Pisaro-Liu: Radiolarians
*In process of stocking* Radiolorians (2018) finds Pisaro-Liu drawing inspiration from another gifted observer of this world-in-variation, the German zoologist, naturalist, and philosopher Ernst Haeckel (1834–1919), who promoted and popularized evolutionary thought via extensive monographs and artful renderings of insects, animals, sea creatures, and embryos. For Radiolarians, Pisaro-Liu creates what he terms “transcriptions” of individual radiolaria species depicted in Haeckel’s drawings. Radio…
Four Compositions
*2022 stock* "Any resemblance between these pointillistic chamber compositions and Schoenberg is purely coincidental. Delicate as to texture, curiously dispassionate as to mood, these mostly notated woodwind, string, and piano chamber works are motivically atonal, but tend to collapse into tonal cadences just to show you they know where they are. Like Ornette Coleman, Mitchell's playing with the tension between center and periphery, but in a milder, more abstract idiom and from the other directi…
Monteverdi | Pianocloud
"The Coronation of Poppea by Claudio Monteverdi garnered the interest of Gian Francesco Malipiero, who emphasized a second copy of the manuscript found in Naples in the rooms of the Conservatory Library, and showing a series of pages not included in the Venetian manuscript. Among these, a Prologue that constitutes, together with other fragments taken from the work, the main plot of monteverdi | pianocloud.
As is known, the Coronation was performed in Naples in 1651 and is ignored, given that Mon…