Alt i Stykker
Danish composer and sound artist Peter Jørgensen’s new album Alt I Stykker continues a trajectory into an expansive and highly personal sound-world. A remarkable series of compositions hewn from a multi-faceted mirroring of musical elements and life events. Alt I Stykker (All in Pieces) resonates perfectly as a title of his three new works. It hints at the emotional turbulence of their genesis and their passage into being through a rich complement of approaches and collaborators. This album furt…
Instrumental
Swiss electro-acoustic artist Israel Quellet's fifth opus, Instrumental, is a new work focused on the Church organ. Complex and mysterious, secular and modern - it makes for another challenging listen. Born in Neuchâtel, Switzerland, 1972, Israel Quellet worked in the psychiatric field for several years. At 16, he discovers on his own some different soundworlds, such as Miles Davis's electric era, Sun Ra, Dub, German cosmic music, Magma, Zappa and many more. In 1997, he stepped into the action a…
Neptune
The wondrous, expansive and meditative music of Luis Paniagua is now available again with the reissue of his 1987 album, 'Neptuno'. Originally released on the cult El Cometa de Madrid label - itself a sub label of Grabaciones Accidentales (Finas Africae / Suso Saiz / Javier Bergia) - the album is another is the canon of exploratory new age, world and ambient recordings that came out of Spain during the formative period as the country returned to democracy. Born in Madrid, in 1957, his first asso…
Chords
With ‘Chords’, the Stockholm-based musician and composer Ellen Arkbro returns to Subtext, following her acclaimed debut album ‘For Organ and Brass’. This new longplayer sees Arkbro adopt a more minimalist approach, focusing on the immediate qualities of sound and elegantly expanding the tonal capacities of acoustic instruments using precise, subtle synthesis. Composed of a carefully selected combination of tones, ‘Chords’ stretches, extends and obscures the timbral character of the instruments i…
EEEOOOSSS
**300 copies in special packaging** EEEOOOSSS is the encounter between three instruments, each one tuned according to a different tuning system. This meeting was conceived and designed over a period of years but only once took place in the Church of S. Giusto, Volterra, Italy, during the night of the 12th of August, 2018, in the nave, the transepts and the choir. Each of the three temperaments embodies specific characteristics, amplified by the instrument assigned to play it. The dark (almost pu…
At The Still Point Of The Turning World
Joana Gama and Luís Fernandes's new offering At The Still Point Of The Turning World, borrows its title from T. S. Eliot's poem "Burnt Norton". It is a record of restless motion, lilting and pulsing with a sense of gentle determination. Born out of a period of mutual loss, the works carry a bittersweet sentiment. Bitter in the sense of loss; sweet in the sense of lingering memory and influences recognized of those departed. It is also a record that, like the poem from which it takes its title, m…
Semper Liber
2025 stock ** "Semper Liber consists of a series of duets featuring Marcus Davidson, Hildur Gudnadottir, Mike Harding, Charles Matthews, Clare M Singer, Maia Urstad, and Anna von Hausswolff and are drawn from recordings made at Spire events since 2009. Mixed by its curator, Mike Harding, at the Völlhaus, and mastered by Mark Van Hoen, this powerful four track collection -- to be played as one piece -- explores the sonics of the mighty organ in all its thundering glory. Warning!: Extremely low fr…
Walser
**260 copies** Walser, the new album by Robert Piotrowicz, is a reiteration of the artist’s composition for the namesake film by Zbigniew Libera where a fictitious Concheli tribe enacts its ritual gestures through music and performance. Rather than following a traditional soundtrack format where music is written after the film is cut to illustrate the cinematic form, Piotrowicz treats the film music as a point of departure to create an autonomous sound work altogether. While its aesthetic narrat…
Descending Moonshine Dervishes
Terry Riley's Descending Moonshine Dervishes was originally released in 1982. Recorded live in Berlin in 1975, and largely improvised, Riley plays a modified Yamaha organ with variable resistors to facilitate tuning in just intonation. This is a 50+ minute recording divided into two halves for vinyl. Terry Riley turned the music world upside down with his 1964 work In C, a revolutionary concept based on 53 modules that can be improvised upon by any number of musicians for an indeterminate amount…
Tautologos III / Havresac
Tautologos III' (1969) from Luc Ferrari performed by GOL (Jean-Marcel Busson : electronics (Metacrackle, Luxonic), charango. Frédéric Rebotier : voice, clarinet, objects. Ravi Shardja : bass, electric mandoline, flute, sanza) and Brunhild Meyer-Ferrari, voice, cardboard. 'Havresac' (2012) by Gol & Brunhild Meyer-Ferrari.
Echoes
*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack of the sound of each instrument was eliminated, and the work was taped through repeated overdubbing. This produced a variety of beautiful harmonics that otherwise could not be produced from a single instrument's sound, and the interference of harmonic…
Funakakushi (1963)
**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…
Lincoln Sea
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
When Snakeboy Is Dying
**370 copies, white vinyl** Originally intended as a part of an audio book, When Snakeboy Is Dying shines of its own (dim) lights, marking the first time for Robert Piotrowicz to augment the compositional palette with instruments beyond synthesizers and computers. His decision of tackling them without external aid is not the fruit of bullheadedness, but a conscious attempt to rigorously focus on the properties of those sounds that he deemed necessary for the music’s constitutional narrative to u…
Kamakala / Etude III / Fluctuante Immuable
One of the Jean Claude Eloy' most essential release 'Kâmakalâ. The Energy Triangle' (1971) for three orchestra ensembles, five chorus ensembles, with three conductors. Orchestra and chorus of the WDR, Schola Cantorum, Stuttgart. Conductors : Michel Tabachnik, Bernhard Kontarsky, Jacques Mercier. Kâmakalâ - a Sankrit term meaning energy triangle - refers to India's philosophy (Tantric Shivaïsm) and is expresses here as the appearance of energy, which is the erotic and cosmic energy (Kama), that w…
Swedish Contemporary Music
Swedish Contemporary Music on Fylkingen Records captures a snapshot of Sweden’s postwar avant‑garde: electroacoustic experiments, new chamber works and text‑sound pieces shaped at the nexus of Fylkingen, EMS and the ISCM, where technology and radical composition meet.
Electronic Music
** 2026 Stock. Original 1978 Copies that may show some signs of long storage wear. ** Electronic Music captures Sven-Erik Bäck at a crucial threshold, stepping from the world of string quartets and church motets into the charged, unforgiving arena of the tape studio. A central figure of 20th-century Swedish art music, Bäck was steeped in chamber playing and sacred repertoire, yet closely aligned with the Monday Group’s push toward a modernist idiom that embraced serial thinking and new technolog…
Event '73
"From 1972 to 1973, I was based in New York for my creative activities and live performances. New York at this time was in its golden age of experimental music. Towards the end of my stay, I held a live performance entitled Event '73 to sum up my creative works in New York. The venue for the performance was The Kitchen of the Mercer Arts Center that provided spaces for innovative and emerging artists. This CD consists of a mixture of sounds that were created at a studio prior to the live …
KDGhZ2SA, A Six-Letter Sufi Word
Belgian composer and pianist Jean-Luc Fafchamps initially devoted himself to writing for small groups in which the piano plays a central role (Dynamiques, for two pianos; Melancholia Si..., for two pianos and two percussionists; Neurosuite, for a keyboard trio), before his interest in non-tempered harmonies and polyphonies of timbres led him towards other sound combinations (a garden, for wind quintet; Bryce, for clarinet quintet, etc.). He is currently moving towards working for larger formatio…
Druids and questions
2011 release **
"One work, an hour long, consisting of "electro-acoustic music with organ sounds". Had only the latter been indicated, I wouldn't have raised an eyebrow as almost all of what one hears sounds as though it could have been generated by adapted organ pipes. The passages, full but soft, embedded in a quieter hiss, are airy and breathy with a tracery of organ-tone within, the kind of sound I imagine could be conjured up by allowing more air to escape a pipe than normal. What other sou…