Vending Machine
Joakim Forsgren and Andreas Hiroui Larsson come from diametrically different perspectives on music. Hiroui Larsson has a background in acoustic jazz and non-idiomatic improvisation, while Forsgren has played electric bass in punk and rock groups since his early teenage years. The two being friends since several years, making music gradually became a way of spending more time together. Their way of collaborating began after several years of talking about doing so and sharing and discussing music …
Miscellany
*4 CD box, includes a 24-page booklet and four gatefold cardboard sleeves * Chris Carter from Throbbing Gristle releases a new box set of his early work, collating remastered (and mastered for the first time) solo albums alongside a disc of unreleased archival recordings from 1973-1977. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter ‘Sleazy’ Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music - …
Continuing A Worn Out Tradition
All proceeds from this compilation will go towards Sistah Space, a non-profit community-based organisation bridging the gap in domestic abuse services for African heritage women and girls.
Teyas
*100 copies limited edition* Archaic Vaults presents Teyas. Recorded live at Cafe Oto, London September 27, 2018 Performed by Christoph de Babalon & WIDT Recorded by Shaun Crook Mixed and mastered by Owen Pratt Image by Mila Nowacka / WIDT Design by Severin Black
Pro-dubbed, unmarked clear cassette.
I N T E R C O N E X I O N
Aurora Central presents I N T E R C O N E X I O N, a collaboration between Concepción Huerta and Milena Pafundi. First edition in blue cassette tapes, with handmade book of photography. QR codes for downloading video documentation of a live performance are also included.
Planos para Construir
*50 copies limited edition, white cover version* 'During the second half of 2019 I contacted some people that write or create with the use of words and sent them music in order for them to create or add a text. There were opportunities in which some of us could create in the same physical space, but also much part of the process happend remotely. The music gave the writers a space, and in it, each of them added the text and recorded their voices in the tracks. After some mutual feedback, a piece…
Continuous Forms
... Cyclic sequences, shapes that change and return to themselves in an endless loop, flashing lights that envelop the perpetual motion of machines in a soft embrace, cascades of notes that change color without our senses knowing, the eternal beating of artificial hearts in metal chests ... Kubusschnitt, born in 1999, is a real electronic-music band in the Berlin School style which, over time, has involved several musicians from the UK, Belgium, Germany and Holland. A Kosmische-musik all-stars b…
Hunt On The Nazi-necromancer
The year is 1943. Deep in the forests of the Balkans, a lone company of Yugoslav partisans received a radio message: "Based on intelligence, we suspect that a special detachment led by Count Klaus Krämer, better known as the Nazi Necromancer, arrived in the capital by train three days ago. We also know that the convoy, which we assume is under the Count's command, left Belgrade yesterday and that he set out through the Morava valley to the south. We do not know the further intentions or the dest…
Dreamtides
Using analogue synths & field recordings, Field Lines Cartographer creates often dark, occasionally bucolic soundscapes, described in The Wire magazine as “shimmering and unsettling” and “The sound of big, strange worlds” - Electronic Sound magazine
M
Alicia Carrera and Donato Dozzy's Maga Circe Musica imprint follows last year's ace Dozzy and Daniele di Gregorio album with a hallucinogenic slush of Tangerine Dream-esque electronics, dubbed soundscapes and grim, low-light ambience from Yves Jates. His discrete consolidations of electronic and classical forms hit the spot if you’re into anything from Emeralds through to Ora Clementi, Madalyn Merkey and Topdown Dialectic.Better known as a motion designer who's produced high profile work under t…
Hapticality
Cult ambient trio Pataphysical finally make their exceptional ‘Hapticality’ set available on vinyl with a typically handsome Good Morning Tapes edition, a follow-up of sorts to that killer/prized 12th Isle side, landing somewhere inside/around the CV & JAB x 0PN x BoC dream-interzone.
Máscaras
The double meaning of Brandon Valdivia's pseudonym Mas Aya neatly encapsulates his musical outlook. Over the past fifteen years, the Toronto composer, percussionist and producer has established himself as an integral part of the city's vibrant and varied music community through his membership in groups such as Not The Wind, Not The Flag, Picastro, The Cosmic Range, I Have Eaten The City and Lido Pimienta.Máscaras is anchored by Valdivia's deft and atmospheric production style that folds together…
Accordion & Voice
*2022 repress* Pauline Oliveros (b. 1930) is an accordionist and composer who currently resides in Kingston, New York. Her instrument is tuned in just intonation and she often includes it in her meditative improvisational music. Her music is not meditative in the sense that it is intended for listening to while meditating, rather each piece is a form of meditation, such as her aptly-titled "Sonic Meditations." "Accordion & Voice was the first of my recordings as a soloist. I was living in an A-f…
Black Clouds Above The Bows
The Amsterdam-based collective Wanderwelle presents the first entry of their trilogy for Imprec, dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe.....
Finger Pointing To The Moon
*In process of stocking* This is not your typical noise album. Harsher palette familiar from previous Mogao releases has been put momentarily aside. Approach now is more intimate with two lingering tracks painting the picture of abandoned landscape, where the flock of electronic birds are swimming amongst the analog warmth of broken piano ambience, echoing the names of Brian Eno and David Tudor in mind. And this is the painting you can touch, feeling all the rough textures and cracks in the canv…
Bain D'Etoiles
*200 copies limited edition* ' t Geruis is a discreet musician from Belgium, working in the field of ambient, with a grainy texture from some lo-fi recordings. This is his third solo release on a label but coming from his first works (recorded between august 2020 and march 2021). His words on Bain D’Étoiles below: "This album is about searching for wonder. Stories that give a sense of adventure. A vague memory of a discovery, something that lurks in the forest. The night falls over you like a wa…
Inshallahlaland
*In process of stocking* A note from Saint Abdullah: 'In the 22 minute piece 'glamour factory', we start things off by sampling the voice of one of Iran's pre-eminent film voiceover artists, whose career lasted decades in Iranian cinema. Here he was, receiving a lifetime achievement award for his services to the film industry. And in his speech, he started off by saying that society does not accept us for having multiple identities. They want us to keep as one. Understandable. Measurable. And w…
Diptych
*150 copies limited edition* It’s not easy to summarize any band whose career has stretched over two decades. In the case of The Growing Concern, though, it’s all in the name: since 2001, the core duo of Kevin Doria and Joe DeNardo have been making vibrating, explorative experimental music that is in a forever state of evolution. In that time, Growing have amassed a hard-to-define and influential body of work, and “Diptych,” out April 30th on Ethan Miller’s Silver Current Records, sees the band …
Commotus
Tip! 'Today, we seem to have two branches in the school of experimental pop. One branch privileges object-hood, richness of surface, and mass-hallucinatory quotation. The other (much less celebrated) branch seeks to recapture authenticity in the form of a highly personal hallucination of music history.
With her sophomore full-length, Lucrecia Dalt follows the latter branch as far as it seems to go. She leaps into a surrealist landscape with stunning abandon, eschewing the comparatively safe trop…
Syzygy
Tip! Upon introducing her Guest Mix, “en medio,” Lucrecia Dalt left a number of clues concerning the role of film in her music. Through describing its placement in the mix and the impact certain classics had on her third album, Syzygy, she explained that “these movies became the external shifter elements, the vectors of disorientation, guides to other moods.” As opposed to subjective depictions of scenes or images that the Colombian musician may have found affecting, their association had more t…