A static place
“A Static Place is about the journey of sound. Between 1928 and 1932 the earliest recordings of historically informed performances of music from the late Gothic, Renaissance and Baroque era were etched into 78RPM records. I used some of these records from my collection, playing them back with two mechanical acoustic HMV Model 102 gramophones. The initial soundwaves produced back then by period instruments like the clavichord, viols, lute, hurdy-gurdy are read from the grooves by a cactus needle …
N° 1
“Bilinguage (english-french). First issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history.Featuring: analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's …
The Weinberg method of non-synthetic electronic rock
Reissue of an obscure electronic music album, originally released in 1968, with bonus tracks. another historic event for fans of experimental exotica: Martin Denny, Bruce Haack, Pierre Henry, Dick Hyman, Perrey & Kingsley, etc., described as "a synthetic sound revolution with great songs, like bruce haack with a psychedelic touch." from the lp's original liner notes: "the weinberg method of non-synthetic electronic rock (or the electronic rock method of non-synthetic weinberg) is a revolution in…
Orange
It has been quiet for Flim, also known as Enrico Wuttke, since his last release 'Pola Music' and 'Ohne Titel, 1916' (the latter being his second release on Plinkity Plonk). However he still works as a designer, and creates music for dance companies and short films, as well as enjoying family life. His new release is a 28 minute EP with four pieces he created for a dance piece 'Refugium', based on the novel 'The Wall' by Marlen Haushofer. Originally published in German in 1962 and touted more rec…
Nobody's Ugly
Original, long out of print, few available: Whitehouse's Philip Best goes it alone on this outing as Consumer Electronics (although since William Bennett takes the production credit for the album, you pretty much take this as a standalone Whitehouse release in its own right). This time around Best's verbal abominations are left at home, and there's really nothing to indicate an explicit vocal presence over the course of the LP. Instead, you're treated to a symphonic tirade of distortion an…
On fire
Norway's Smalltown Supersound label is just one of those imprints that you have to keep an eye on, because if not you're sure to miss out on some nugget of psyched avant-metal or North European disco that you'll be kicking yourself over neglecting in 10 years time. 'Smalltown Supersound On Fire' is a very handy and rather essential compendium of forthcoming releases on the label, including tracks from Arp, Meanderthals, Diskjokke and Tussle alongside remixes from the likes of Prins Thomas and Bj…
Somnambulance to Dream General
"Somnambulance" is a reworking of an album of odd and obscure tracks that was released in a microscopic edition on CD-R before. For this CD, Mr. Liles has provided his funniest and possibly most controversial artwork as of yet. You get an hour of music of many different styles: Andrew Liles' trademark of eerie and spooky sounds is there; also electronics and a whole range of instruments are placed in between sketches and longer tracks. And if all this weren't enough, you get three bonus tracks t…
A
A is Sunburned's second album with producer Kieran Hebden, a.k.a. Four Tet. Directed by Kieran like actors in a film, Sunburned is taken off the bandana smokestage of their previous collaboration -- Fire Escape -- and put onto a sweat-soaked 4am lysergic dance floor. Kieran uses the band like his live instrument laptop and sampler. The results are truly stunning which makes this record into one of the best moments of each artist's respective musical careers. With artwork by California vis…
Brighter summer day
CS Yeh: violin, electronics (side A), computer (side B). Chris Rosing: additional climax electronics (side A). Full color heavy cover, LP. Edition of 500. Released February 2002. Burning Star Core's first vinyl full-length and first widely available recording after numerous private releases that began surfacing in 1993. Massive layers of sustained sound driven thru violins and electronics direct to climax -- backed by broken organs dropped into shifting darkness and cracked computer hypn…
The Very Heart Of The World
On the very heart of the world, Burning Star Core (BXC) has created an incredibly heavy record, built on dense, layered drones, pulses, splintered vocals, and deep rhythms that euphorically build to total overload. With a line-up including the Hair Police front line and other luminaries from across the exploding Midwestern psych-noise-folk underground, BXC's C. Spencer Yeh has assembled a group that seamlessly shifts through epic movements and pushes pure electronic-concrete-physical-ock energy…
Aurona Arona
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
The Buried Stream
For the better part of the past decade, Loren Chasse has been refining his compelling sonic approach, which generally involves "activating" the latent sound-making qualities of natural / commonplace objects, such as pine cones, leaves, stones, or paper. This approach will seem immediately familiar to fans of John Cage, although Chasse's work has always felt more humanist to me than Cage's—driven less by theory and more by a romanticism that isn't afraid to get muddy or wet. You could also align…
Darmstadt 2004
The "devil's organist" in action: if you really want to know what the "Queen of Instruments" is all about, make sure to experience Wolfang Mitterer play it live.Mitterer's organ event at Darmstadt in 2004 included not only works for organ solo but also synthetic sounds. In the piece mixture V (1995) he adheres to the principle indicated in the title, the mixture, in various respects – on the one hand in terms of organ technique and sound, on the other hand by his way of combining organ and elect…
Capricorn Born Again
Amanda from Pocahaunted joins Robedoor for this first full-length as Topaz Rags, and the album's a real winner, kicking off with 'Darker Sooner' sounding like a Portishead album recorded over the phone. Elsewhere, twisted blues and moaning, haunted house vocals convene for 'Sightings', and 'Wear You Thin' is like a chill-wave night terror. An uneasy listen, but Capricorn Born Again is a druggy, beautiful raincloud of a record that's got appeal beyond the more conventional parameters of the Not N…
Invisible Landscape
Kraut-driven psyche-rock heaviness from Portland's Eternal Tapestry delivering their second album for Not Not Fun after 2007's 'Vibrations New Dawn'. These guys sound like an amalgam of Parson Sound, Can, Neu and Wooden Shjips, but you could imagine that they're not even aware of it, as they sound so damn into their groove that's it's just what they do naturally do, like they just picked up instruments, started hitting/strumming/picking at them and this is what came out. Of course, that's not th…
Ol’ man rebop ensemble
Henrik Walsdorff (saxophone). Matthias Bauer (bass). Axel Dörner (trumpet). Uli Gumpert (piano). Sven-Ake johansson (drums). Recorded on June 1998 in Berlin.
Das Platinzeitalter
Bianchi began to produce music in 1979, at the peak of the industrial scene since 1980 using electronic equipment with the avowed goal 'to produce technological sounds and in such a way to work on complete realizing of the modern decadence,' but his works harked back to the musique concrete of the 1950s. This LP is a return to his early work. Maurizio Bianchi/M.B.: archaic waves, ancient loops, primitive electronics.
Electrostatic Deflection
"Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming in the future from the historic Italian composer. Amazing impact, immense slabs of industrial sound in motion. Sweeping vistas of intense static energy, storm-fronts moving across the stereo field, an acoustic tidal wave approaching landfall, breathtaking deep and da…
Kotschleuder 1-3 (Hate™ Operation News Bulletin)
Fullcolour print-set of private studio-action photography by Rudolf Eb.er / Runzelstirn & Gurgelstock including 3 seperate volumes of 10 pages each (20x14cm), professionally printed on 300g glossy cardboard with accompanying Audio-CD. Packed & sealed in black latex sleeve with fullcolour-sticker. Edition of 100 copies. Published by Tochnit Aleph for Schimpfluch Commune International.
Organic Skyscrapers & Occult Wastelands
'I really don't know what to say... I have just released a 10' by my favorite band! Released to coincide with the first Sigillum S concert in the US, which we hosted in Chicago on June 7th, 'Organic Skyscrapers & Occult Wastelands' features three brand-new tracks. With unusual electronics, processed and treated guitars, piano, etc., and a host of other elements, rhythms and loops, it takes the listener on a bizarre and beautiful journey.The music and imagery of Sigillum S has intrigued and capti…