We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"Sealed, original copies of this wonderful 1986 private-press home-studio Electronic Music outing, direct from the artist. While reissues and contemporary efforts unquestionably dominate the the current landscape of recorded music, among its more fascinating and rarely mentioned objects, are warehouse finds. These records, due to lack of demand upon their initial release, have lingered for decades on shelves and pallets, in closets and under beds, waiting for a new generation of sonic explorers…
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
Double LP version. The artists on Invenciones: La Otra Vanguardia Musical En Latinoamerica 1976-1988 come from an intermediate period between the high-point of diverse artistic currents influenced by the hippie movement and the advent of punk -- a watershed between the expansion of the industry and the emergence of a new DIY distribution system. Features: Manongo Mujica, Banda Dispersa De La Madre Selva, Miguel Flores, Amauta, Autoperro, Malalche, Decibel, Jorge Reyes, Grupo Um, Carlos Da Silvei…
2025 stock ** Born in 1956, Dunkerque France, Frédéric Le Junter began in 1984 to construct instruments (strings, winds, percussions), with found objects, and then mechanical machines. He did also played with Pierre Berthet, Dominique Répécaud (Les Massifs de Fleurs), Silent Block, Marc Pichelin, Jean-Léon Pallandre. He also write songs. In Bateau Feu through the use of microphones we are completly inside the world of his sound machines. Powerfull, beautifull and unique !Highly recommended.
Lovely. Here’s a Creelpro of Jonas Palm’s 1980 Piglet-label outing “Ze Wörmnest,” widely considered as one of the canonic crater-dwellings of early 80s “Minimal Synth” pedagogy. To wit, here’s a perfectly zenzible stammer by John “Inzane” Olson, re: this particular media-carrier: "Man.....super whacked out mumble synth homemade jammer by Jonas Palm. on the rare Piglet records circa 1980. Super mystery sounds from a oozing liquid stranger place inside your slowly vibrating skull. Intense!!! Act…
Last C.P. of 2010, finally available after countless delays, mostly involving the tricky /expert-level remastering job needed to resuscitate this incredible, historically-important music from sub-par vinyl pressings - a high-spec issue of Cuban composer Juan Blanco’s first two Egrem / Areito label LPs, covering his earliest electronic music dating back to 1963. Opening with the token non-electronic “Musica Para un Joven Martir” - or "Music for a Young Martyr" - rife with swelling, Penderecki-ia…
1982 compilation of late 70s & early 80s "Konkret - Instrumental - Vokal" work composed at the Studio für Elektronische Musik der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart. Includes pieces by Jürgen Bäuninger (incredible transformations of “Tam Tam”, or gong smash / grabbings,) Klaus Fessman (re-pitched string grabs, Partch-like prepared piano & deep ominous bass cloudings, cut with random bleep,) Ulrich Süsse (tongue-in-cheek narrations jump-cut at a rapid pace analog za…
One of the, in retrospect, better constructs of the Creel Pone cabal is that, despite many beliefs to the contrary, it is in fact a committee of semi-like-minded souls, all interested in portraying some aspect of the "Unheralded Electronic Music" canon. Case in point; while I personally wouldn't have included this particular collection of gossamer isolation-tank filigree & majority psychedelic-disco, it was strongly nominated by a number of the Cognoscenti along the way - partly due to its scarc…
Gorgeous, three-part Musique Concrète suite, composed at McGill's Electronic Music studio during 1977 & 78 by Quebecois composer Michel Longtin, timbrally presaging much of the FM synthesis-laden work of the early 80s & onwards, acting a bridge between the two sensibilities.
Creel Pone replication of this wonderful 1979 Chicagoland "Paste-on" Private Press LP offering a single "Electronic Composition" in two parts, "Kriegspiel" & "Eropoc," intended at the soundtrack "for the first 2 sections of 'OMNICIRCUS', a theatre piece for electronic music, computer graphics, video synthesis, dance, sculpture, architecture, and drama" by one Frank Garvey. Garvey is an intriguing character; born & raised in Urbana in an artistic family - his father was a close collaborator of Ha…
Creel Pone treatment of two issues of Chilean Composer Edgardo N. Canton’s Early Electro-Acoustic music, entirely composed & executed during a residency at the GRM that started in 1959 & ended in 1965 - although he stayed on as an adjunct composer until 1973 - inlcuding a hen’s-teeth rare 1984 Moshe-Naim label collection, then two variants of his score to Serge Roullet's film of Sartre's "Le Mur" on Disques Ades.As the central & southern-american territories have been fairly under-documented - a…
Issued by the mythical “Musikalische Jugend Österreichs” (the same who bestowed Anestis Logothetis’ “Hör!-Spiel / Nekrologlog 1961 / Fantasmata 1960” LP onto a confused, irradiated public a few years later) in 1972, this, frankly, batshit outing of Sound-Poetry lineage vocal gymnastics (courtesy of the composer’s wife - noted actress Gunda König) & analogue blat ℅ Dieter Kaufmann hits an ardent stride during the A-side’s Rilke adaptation before launching into the stratosphere via the B-side’s ex…
CD edition. Bamboo present a reissue of the debut album by Annette Peacock & Paul Bley, Dual Unity, originally released in 1972. Annette Peacock's legacy may only just be courting recognition proper with the recent retrospective release of her solo debut I'm The One (1972). Hailed as a pioneer and artistic genius by many, her debut album and predecessor to I'm The One captures Peacock in her element alongside husband; Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision c…
Sì is the first release by Routine. Recorded between 2000 and 2013 and composed by 2009, this work sprout by love for organic, raw, electroacoustic sounds and the merging of the typical song structure with musique concrète.
Kåre Kolberg (b.1936) is one of Norway’s foremost contemporary composers and is regarded as one of the pioneers of early electronic music and multi-disciplinarity art in Scandinavia. He has composed music for film, theatre and chamber orchestras to jazz acts such as Svein Finnerud Trio and Jan Garbarek. Kolberg’s Omgivelser (Surroundings) was a commissioned piece made for the Norwegian Broadcasting Corporation (NRK) in 1970. It was made as a soundtrack for a short TV-film of the same name that w…
** Deluxe Ed. Attached onto handmade sleeves using thick card stock with textured debossing/rounded tabs outside sleeve construction. Limited to 300 copies **The glowing momentum captured in a suite of five movements for speechless voice rooted in a flair of earthly instrumental strokes. A sensual twilight where ashes become seeds. An original hand printed edition etching by Timo van Luijk is featured with each copy.
"Elodie is Andrew Chalk and Timo van Luijk. Grisailles is certainly a sea chan…
Temporary Super Offer! Reissue of 1960 BAM label release. Musique Concrète represents an important milestone in the development and progression of the genre of the same name. It marks a crossroad for the genre and its originator, Pierre Schaeffer and another of the genre's most important protagonists, Pierre Henry. In 1942, Schaeffer and Jacques Copeau founded the Studio d'Essai (renamed Club d'Essai in 1946) as part of Radiodiffusion Française studios in order to experiment with radiophonic tec…
1998 release. The first of two CD anthologies of the Organum/David Jackman back catalog, preceding Volume Two. The series is not exclusively limited to reissuing early vinyl releases in their entirety, but is rather a "collection" series that also includes alternate mixes as well as previously unreleased material. Remastered for truly maximum fidelity.Volume One includes material culled from the Tower of Silence and In Extremis 12"s (both originally released on L.A.Y.L.A.H. Antirecords in 1985).…
The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually broadcasted on the radio with the title Kuu after a producer renamed it. Here, the original title is used, following Ichiyanagi's initial intention. This work has no relation to the short experimental film Shikisokuzekuu (1974), produced by filmmaker T…
Composed in the studios of the INA-GRM and recorded live on stage. Composed 1979, and originally released on LP in 1983. This is a recording of a performance of the piece by the famous trio of electroacoustics. This trio was formed in 1977 with the sole purpose of giving concert performances of electroacoustic music. The members of the TM+ trio are well-known personalities in the electroacoustic community: Laurent Cuniot, Denis Dufour & Yann Geslin). As per Jean Schwarz words:
A chord in E major…