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Voin Oruwu is a project driven by Ukrainian artist Dmitriy Avksentiev. Etudes From a Starship is his second album and has been inspired by astral themes. The album invites the listener to join a fantasy universe created by the simple power of music. This music is clearly ambient - and cinematic - but also dark and mysterious. The tracks are diversified and sometimes feature surprising passages such as Decay Instability for its furious bass line sequence and Acid Clavi 2110, which sounds as being…
**Limited Edition of 150 copies on black vinyl** "A Single Point of Light is Ben Shemie’s second solo LP and the follow up to A Skeleton, which was released with Hands in the Dark in early 2019. While the frontman of Canadian band Suuns gave us a cold, experimental sort of pop with his first album, centered around the idea of a genderless, raceless character, this record focuses on the perception of light, both figuratively and literally. The way it is created, moves and breaks apart, how we can…
"The Telematic Concert brought together American electronic music pioneer Pauline Oliveros with Argentinian experimental musician Alan Courtis of Reynols, improvising across continents for the Deep Listening Institute’s Dream Festival in October, 2009 — Oliveros in person in Kingston, NY, Courtis piped in digitally from Buenos Aires.The resulting exchange of Oliveros’ accordion drones and expanded instrument system with Courtis’ unstringed guitar feedback, objects, and processing sounds as fres…
**300 copies** "Experimentation and Italian library music are the coordinates in which Didactic Music is written, the second work of the solo project Mouse and Sequencers by Nicola Giunta (The Lay Llamas), published by Backwards. The Sicilian multi-instrumentalist makes a 'catalog' of genres that range among a melancholic bucolic-folk, documentary field recordings, fleeting expeditions in Space and small experiments in 'Sala Macchine', to quote Amedeo Tommasi.From the sidereal ambient music of A…
2025 stock ** Limited edition of 200 copies. "Simon Balestrazzi is one of the leading names in the European post-industrial scene. Starting from the unforgettable T.A.C. to the most recent projects, such as Dream Weapon Ritual and A Sphere Of Simple Green, he has built a personal and recognizable sound paradigm over time. In recent years he has also explored more purely electroacoustic dynamics, producing the excellent Redshift and the equally interesting Licheni, a collaboration shared with Nic…
**100 numbered copies in gatefold sleeve, to be released in June 2020** Chimeratorium is based on an audio dream that Deison had. He dreamt about making a new piece together with John Duncan: they were in a large room, in an old church, sculpting frequencies repeatedly for hours. Sounds and frequencies have been then recreated in the studio according to that particular event, becoming the long beautiful suites Theta Waves and Portal, the latter being a collaboration track by both artists.John Du…
"Patrick Cowley (1950–82) was one of the most revolutionary and influential figures in electronic dance music. Born in Buffalo, Cowley moved to San Francisco in 1971 to study music at the City College of San Francisco. By the mid '70s, his synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including hits such as "You Make Me Feel (Mighty Real)." Cowley created his own brand of peak-time party music known as Hi-NRG, dubbed "the San Francisco Sound." Hi…
**New vinyl reissue remastered from the original 1979 master tapes, packaged in classic Folkways-style tip-on jackets with liner notes.** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the…
**100 copies** Tropical Syndroms is the second album by Thé Déluge, a.k.a. Vincent Caylet, also known as Cankun (Not Not Fun / Hands in the Dark). Like his debut album Forest Structures (Umor Rex, 2017), this new installment is an amalgam of sounds generated through multiple devices and analog synthesizers, loops and layers creating an incredible mix of textures, sounds that can almost be touched.In Caylet’s work, there is always a certain familiarity in the tones, there is an implicit nature pr…
**100 copies** In just a few years and with a handful of releases, the Canadian producer better known as Yves Malone has earned himself a reputation. In The Beginning of Nothing he continues working with many layers of analog synths and a keen sense of drum machines to create atmospheres and textures extracted from late twentieth-century collective fears of a dystopian future. Created as a sort of score to an internal elegy, Yves Malone creates soundtracks of the daily fear, regret, and resignat…
Plexi-glass special cover. Edition of 100. This CD was released at the publishing event of "0g_02", "0g Night: Do Bloom in the Silence". It contains tracks by Incredible Plexi-Glass coverMadegg, Yui Onodera, Isolate Line, Akihiko Matsumoto, and Arms selected by Agi Yuzuru.Tracklist:01. Madegg "Eyes (premastering)"02. Yui Onodera "Mon"03. Isolate Line "Astral"04. Isolate Line "Mantra"05. Akihiko Matsumoto "ReModel06. Arms "Saints #1"07. Arms "Saints #2"08. Arms "Saints #3"
Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip.Before an artistic and com…
The playful confidence that exudes Finlay Shakespeare's practice is flagrantly laid out on Domestic Economy, his extraordinary debut full-length. Domestic Economy displays two eventful sides evidencing the unique musical approach Shakespeare has developed in such a short period of time. Let's get some facts straight, Finlay is young. And talented. His programming skills belie his years and one can detect a sharp appreciation of historical electronic pop whilst simultaneously developing a canny u…
Oscillatorial Binnage's "Agitations: Post-Electronic Sounds" is an 11-track album of post-digital, post-electronic music. The recordings are deeply acoustic - no electronic processing features anywhere. The sounds are produced by the experimental manipulation of repurposed recycled objects subjected to electromagnetic force fields. The 'infinite world of the real' offers up richly unpredictable effects, with fields of vibration producing psychoacoustic flourishes, along with spontaneous, arbitra…
Finlay Shakespeare is a freak. With this, his second album for Mego Editions, he confirms this. As a one man band it often strikes the listener as bewildering that he can do all this; the programming sits firmly in the realms of genius, the constant punch of melody upon melody leaves a pleasant sting of surprise and as a lyric writer there’s a part of his moniker that seems apt.
Chris Korda’s new album Polymeter is unique as entirely composed in complex polymeter sequences, a unique way to compose music with a new generation of algorithm, inside which Chris injects DNA of neo classical, ambient and jazz music. This refreshing album will please both those who are into complex musical composition, conceptual music and who are just seeking for a beautiful, emotional and accessible, unique, musical moment. This is a “In your hearts not the charts” album, as Irdial Discs onc…
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
**200 copies** "The second volume the Drone Island series, Drone Islands - The Lost Maps, continues Eighth Tower Records' deep explorations into the realm of "droning music". Alongside drone ambient music masters like Troum, Rapoon, Schloss Tegal, Autopsia, and well known dark ambient projects like Alphaxone, Taphephobia, the volume presents experimentalists such Simon Balestrazzi, Trauma Terrestrial, as well extremely interesting young musicians like Gaspar Peralta. Solid realities and new prom…
Italian sound artist Giulio Aldinucci returns with his third album on Karlrecords: "Shards of Distant Times" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders and Ruins" (2017) and "Disappearing in a Mirror" (2018) which both made it onto several year's best lists.
Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna's killer catalog.