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Entering Elysium, the third collaborative release from ambient pioneer Steve Roach and multi-instrumentalist Serena Gabriel, blends deep analog synth textures with acoustic and archaic instruments to create a living, breathing sonic paradise. The album unfolds as a doorway into a visionary, liminal realm of tranquility and inspiration where flute, lyre, harmonium, and voice convene within vast atmospheric currents. Warm, contemplative, and deeply evocative, the music reveals a hidden garden of s…
On Silmät sulaa, Pietu Arvola sets out to make a “summer album” and instead lands on a heat‑sick mirage: strings, tape‑scarred electronics and unstable textures steeped in memories of sunburn, burning houses and hospital fevers, where warmth tips constantly toward delirium.
Tip! Noton releases the Limited Edition CD Box Set of Alva Noto’s Xerrox series. Pioneering in his approach to digital sound and its materiality, Alva Noto (Carsten Nicolai) began his ongoing exploration of sampling, degradation and recontextualisation with the Xerrox series in 2007. Over the years, the project has evolved into one of the most distinctive bodies of work in contemporary electronic music, situated between minimalism, experimental sound art and digital abstraction.
Across five albu…
Tip! **Premium gatefold sleeve with die-cut window and special finishing. Scratch-resistant matte lamination + spot UV gloss details. Includes an insert booklet (multiple panels/pages) presented in a cover sleeve with a satin ribbon detail ((This site pictures a selection of examples).**
Alva Noto - Wave Weave – Sono Obi is the original soundtrack by Alva Noto, composed for a film by Carsten Nicolai. The project emerged from a collaboration with an 12th-generation kimono textile manufacturer in …
Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009).Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series.
In line…
On Morte Lilás, Força Maior (Pedro Alves Sousa & Pedro Tavares) turn a decaying 400‑year‑old farm into an instrument, spinning sax‑sourced, electronics‑blurred meditations that move like slow weather between trance and lucid, lilac‑tinted reverie.
*2026 repress* In February 2026, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turns 25. An anniversary repress with two bonus tracks (B-sides from the "Tendency" EP, 2000). What the press said about "Loop-Finding-Jazz-Records":
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Al…
Caterina Barbieri & Bendik Giske's At Source resounds music as wellspring, that which is essential and unknowable, and yet utterly primary. It finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the ex…
Live at Obliquo, recorded in october 2025. This performance by nara is neus has been taking listeners to their different but indeed so close intimate worlds. The tracks in this album are not so straight anti climax textures evolving into some kind of emotional noise that stays well beyond your spleen and ideal.
Vic Bang's "Oda" arrives quietly - it was waiting for the right moment. The eight tracks are shaped by listening, by circling around sound instead of chasing it... you can definitely hear patience in the pacing, a willingness to let ideas linger, to let all the small motifs breathe.
The album moves with a softer and more deliberate rhythm than much of Vic's earlier work, as the sound world here feels concentrated and cohesive, built from a limited set of elements that gradually reveal themselves…
Sunset and Forever finds Cindytalk once again stepping into the faultline between collapse and renewal, extending a project that has always treated the band itself as sculptural material to be broken apart and reformed. From the earliest days of Camouflage Heart and In This World, Cinder’s vision fused post‑punk dissonance, industrial dirge, and abject rock deconstruction with a strangely luminous vocal presence – the same voice that threaded through early This Mortal Coil and Cocteau Twins reco…
Convex is one of a series of LPs that Schnitzler released himself in the 1980s. It is one of his LPs that convey virtually no visible information. Only the title is printed in large letters on the cover of Convex, and in tiny letters that are easy to overlook, it says: "Cover Conrad und Richard." The labels on the original LP indicate that one side is called "Convex" and the other "Concav." That's all the information there is."On Convex, as on many of his other albums, Schnitzler definitely used…
"Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control.
The album seems to be a kind of compilation of different musical approaches. Tracks 5…
2006 release ** A CDr-mp3 compilation in an edition of 150 copies.. Featuring: Longmo, Kenneth Kirschner, Yuzo Kako, Zimoun, Autobam, Asher, Mahmoud Refat, Pe Lang. "Serie03.mp3” (the unusually calculated follow-up to “Serie01”) offers nine leerraum originals by a wide roster of artists, some of whom are regular guests on these pages. Kenneth Kirschner’s study on silence “november 18, 2004 et al.” has even be discussed on tokafi before and it is a true gift that its magical play with single, sus…
2011 release ** No concessions made by the three brooding magicians here to variations in tempo, register, or pitch, and XYZ soon succeeds in wearing down your resistance. Succumb freely to these splendid close-knit wafers of electro-acoustic intensity. It's the 15th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
2010 release ** Musically, the trio succeed in conveying a true “Heart Of Darkness” soundscape with their playing, painting a dark green hell where we can feel the moss and fungus dripping down our backs, and Werner Herzog is never more than five feet away in his questing canoe. The music also suggests the grandeur, the solitary and unknowable nature of these grand old men of the forest who probably keep the secrets of the ancients locked up in their thick bark. Truly atmospheric! It's the 14th …
2002 release ** Edition of 160 in a 6.75" round three panel cardboard cover. Recorded 1997-1998 in Cambridge, MA and Nijmegen, NL. All sounds taken from the spoken voice of KS, recorded in Gainesville, Florida, in different acoustic environments.
Suite II in the series expands upon their established pallet, integrating more field recordings and studio processing to their dulcet keyboard melodies. As a storm approaches from the distance - keyboards saturated by tape into distortion, bursts of noise from idiosyncratic electronics, aleatoric stuttering - MARV grants us an album’s worth of sonic sublimation.
*2025 stock. 50 copies limited edition* 'Wash Away' written and produced by zakè, feat. Lucy Gooch and Black Brunswicker. Additional vocal arrangement and synthesizers by Alistair Lax. 'On A Sunny Shore' written and produced by Black Brunswicker. 'Wash Away (quietly)' written and produced by zakè. Photography by Benoît Pioulard on Polaroid SX-70 film. 'Wash Away (quietly)' mixed at Kaleidoscope Tone Studio by zakè. Mastered at Ambient Mountain House by James Bernard. 'Wash Away' and 'On A Sunny …