Mermaids
** Edition of 250 copies ** Mermaids includes four tracks composed and recorded in early 2013. The concepts of the work are built around freedom - expressed by the use of the audio glitch - and unity framed in metaphors of water and transformation. All sound sources are mostly from the human voice. Jo Thomas is a London-based composer teaching sound design, composition and music technology at the University of East London. Her compositional work is primarily focused on the use of human voice, mi…
Fuzz_Galopp
During the work for Voice Crack duo Norbert Möslang was one of the pioneers in the field of sound installation techniques usage in live improvised music. His instruments are cracked everyday-electronics, but sounds themselves are delivered from the mechanical properties of these devices. This kind of approach seems to be similar to Peter Fischli and David Weiss practices in the visual arts’ fields. The comparison of the film documentaries - "The Way Things Go" (1987) about Fischli/Weiss activiti…
Musique Electronique (1975-1983)
"This lovingly produced and gorgeously packaged LP contains seven previously unreleased electronic pieces that Gagnon realized at McGill University’s Electronic Music Studio. Leading off the proceedings is “Gwendoline Descendue!,” an electronics/tape piece crafted from snippets of Moog modular tones and a variety of instruments created by Hugh Le Caine. It’s a dramatic sample of sci-fi movie elements and jarring bursts of sound that heighten the tension. “Sea Lunch” was created with the not-quit…
Omniphony 1
In the early 1960's Tod Dockstader was a young maverick composer of electronic 'organised sound', and James Reichert a film composer and music supervisor. They met in New York in 1963, and launched one of the most extraordinary collaborations in modern music, a unique attempt to integrate electronic sounds and the classical orchestra. Unlike Varese's Deserts, and Stockhausen's Kontakte, it does not merely have the orchestra play along with a tape, or even process orchestral sounds live. What mak…
Untitled Phenomenas In Concrete
Composed between 2008 and 2011, 'Untitled Phenomenas In Concrete' is a piece made out of 85 HighC/UPIC* sessions and 18 external sounds (recordings of snow falling, bones cracking, magnetic fields and insects). *UPIC is a computerised musical composition tool, devised by the composer Iannis Xenakis. It consists of a digitising tablet linked to a computer, which has a vector display. Interested by Xenakis' approach and wanting to draw the sound before hearing it, Francisco Meirino spent nearly fo…
I Saw The Outer Limits
Mind-stretching analog synth wizardry from the legendary Matsuo Ohno, sound designer for Astro Boy and many other Japanese films and TV programs. His first non-soundtrack release, from 1978, is a massive, undulating galaxy re-released here on CD with a bonus mini-CD reissue of a rare 1970 flexi-disc Play On Animals, rated as one of 2011's top releases by Byron Coley of The Wire. This reissue of his stellar 1978 LP I Saw The Outer Limits presents him at the peak of his powers, combining his maste…
Electronics Without Tears
The excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woodford, East London in 1914, Frederick Charles Judd served in the RAF coastal command during WWII working with highly secret radar equipment. After being demobbed he applied this knowledge and skilled engineering background to his musical interests, and with the ad…
Paper Fault Line
James Rushford and Joe Talia are two of the most exciting musicians active in the Australian experimental scene, engaged in major collaborative projects with figures such as Jon Rose and Oren Ambarchi. On Paper Fault Line, they use strategies from contemporary composition, improvisation and electro-acoustics to create a sensuous and approachable, yet subtly disturbing, 30-minute suite. Eschewing the homogenized sound palette and dynamic conventions of post-GRM musique concrete, the record is str…
El tren fantasma
"Take the ghost train from Los Mochis to Veracruz and travel cross country, coast to coast, Pacific to Atlantic. Ride the rhythm of the rails on board the Ferrocarriles Nacionales de México (FNM) and the music of a journey that has now passed into history." El Tren Fantasma, (The Ghost Train), is Chris Watson's 4th solo album for Touch, and his first since Weather Report in 2003, which was named as one of the albums you should hear before you die in The Guardian. A Radio programme was br…
Bouteilles de Klein
“Bouteilles de Klein contains two types of compositions: works composed for a traditional concert or listening situation (disc 1) and works originally designed as installations (disc 2), where the public is free to approach the work from which ever temporal, spatial or listening strategy they wish. The works may be grouped into four categories. Sub Terra Cycle, The Barely Project, and Microclimates III-VI are each multi-part projects containing both concert and installation works. In the fourth …
Ephemere I & II
Alga Marghen presents Éphémère I & II (for tape, or to be played with various instruments) -- two previously-unpublished masterpieces which represent for several reasons a very specific moment in the creative life and catalog of Luc Ferrari. Even if Ferrari's perfect skill in creating some of the most beautiful sonic works ever is now well known to the large audience appreciating his music, the undetermined character marking the two works presented here is quite surprising. Luc Ferrari was tempt…
The world of electro-acoustic sound and music 3
The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). 'Memory in The Beginning' (2004). This work is Matsuo Ohno's brand new album recorded in July 2004. Ohno's vision is a torrential flow of vi…
The world of electro-acoustic sound and music 2
The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). I Saw the Outer Limits (1978) was originally released by Toho Music Co. in 1978. Ohno's giving full play to his exceptional talent. This 41 …
The world of electro-acoustic sound and music 1
Back in stock and last copies. The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). New Sound of Astro Boy (1963-66). Electronic Sound - Astro Boy's B.G.M. Yamatoji A (1982). Sea Dream (1980). …
Music Drama 'Akai. Obscure Tape Music of Japan vol. 3
This is volume 3 in Omega Point's newly-reissued Obscure Tape Music of Japan series. Akai Mayu is a short work of fiction by Japanese writer Koubou Abe (aka Kobo Abe pseudonym of Kimifusa Abe, 1924-1993). This musical drama version was broadcast by the Japan Broadcasting System NHK in 1960 and composed by Makoto Moroi, a pioneer of Japanese electronic music. He composed the music with a chamber ensemble, mixed chorus and electronic sound. This piece was performed at Sogetsu Art Center as a p…
Perspectives Musicales
Well ... Mr. P.C. C.P. has clearly taken a peek at my “Holy Grail” list - in it, nestled amongst such unattainable classics as Karel Appel’s “Musique Barbare”, Paul Boisselet’s “Le Robot”, and Il Gruppo Nuova Consonanza’s ill-fated Cinevox-label album is the LP in question; a split release featuring a pair of pieces made at the tail-end of the 1960s at the GRM by Jacques Lejeune and Christian Clozier, respectively.Released as part of EMI / Pathe Marconi’s mythical “Perspectives Musicales” …
We (Nosotros) Electronic Music
1969 plunderphonic / Musique Concrète epic from Luis De Pablo, a Madrid-based Composer working out of his own home-studio - referred to in the Hugh Davies catalogue as simply “Madrid (Luis De Pablo.)” I’ve seen a few different versions of this record - various European pressings; this Creel Pone replicates the Spanish Clave and German Polydor editions - it’s even rumored that each pressing contains a different version of the piece (!?) along with their different Psychedelic artworks.Music…
„Hör!-spiel” / Necrologlog 1961 / Fantasmata 1960
i have a stipulation in my concert-rider that reads thusly: ‘If the promoters of the show take me to a record store wherein I find one of my personal “Holy Grail” LPs for a reasonable price, I will perform that evening for free. Because of this, people are always asking me about my “Holy Grail” records and offering advice (“French & German electronic music from the 50s through 70s? You mean J.M. Jarre & Tangerine Dream?”, or “Pierre Henry? have you heard this really obscure one; ‘Messe Po…
Dialogue Ordinaire Avec La Machine
Few copies back in stock, long out of print. After the publication of Danses organiques, Elica is pleased to present two previously unreleased compositions by Luc Ferrari from the early 80's: the stereo magnetic tape piece Dialogue ordinaire avec la machine coupled with Sexolidad, a composition for fifteen instruments. Both pieces share with the Danses a deep sense of sexual curiosity, a penetrating matter for the composer's musical explorations. This album is yet another fine testament to the F…
Source: Music Of The Avant Garde - Source Records 1-6, 1968-1971
Astoundingly great collection of some of the classic pieces from the 60s avant-garde / live electronic music wave presented here as originally issued (in chronological order) by larry austin & stanley lunetta via their “source: music of the avant garde” magazine & 10” record series between 1967 and 1973 .... Source Records 1 and 2 with Robert Ashley: The Wolfman (1964). David Behrman: Wave Train (1966). Larry Austin: Accidents (1967). Allan Bryant: Pitch Out (1967). Source Records 3 and 4 with A…