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*2025 repress* Spittle Records presents a reissue of Chinese Restaurant by Italian new wave duo Chrisma, originally released in 1977. The album was recorded between London and Milano during the second half of 1977, and the results were something like post-punk. More in the direction of bands such as Ultravox, The Stranglers, and Suicide than the Sex Pistols and the Ramones, due to the use of electronic keyboards, obsessive rhythms, tense harmonies, and scratching vocals emerging from generally d…
Material Object is the main production alias of veteran Australian producer Andre Ruello. His focus is on the most psychedelic forms of techno and ambient. As well as his own productions he has collaborated extensively with Uwe Schmidt (Atom™) and the late Pete Namlook, including releasing on Namlook's Fax label. Ruello has performed and DJed live all over the world, including a number of appearances at Japan's Labyrinth festival. The summer of 2024 sees him give his debut live performance in th…
Andrew Ostler’s fifth album for the Expert Sleepers label continues his trajectory away from a sound largely based on synthesizers towards orchestral textures and heavily processed saxophone. Building on the string arrangements of his previous LP “Dots on a Disk of Snow”, and taking a heavy dose of sax drone from the earlier “Four Drones for Saxophone and Modular Synthesizer”, this record also adds a full choir, taking the music to another level of spiritual intensity.
The first side of the LP p…
2005 release ** "The man behind the album is the keyboard player and composer Lars Boutrup. After years in the business with rock, silent movie music and classical music. Performance as well as composing, in all sorts of different constellelations. Lars Boutrup is now releasing his first solo album. Music for Keyboards is an album with both beautiful numbers to reflect on and sense the universe to. There are also moments where you can have a laugh and freak out to funny synthesizer sounds and me…
Tip! “In May 2024, the Brazilian state of Rio Grande do Sul, where I was born and have lived all my life, faced the worst climate catastrophe in its history. After weeks of relentless, torrential rain, its rivers overflowed, flooding much of the region. Entire cities were submerged. More than 170 people lost their lives, and hundreds of thousands of animals perished. Amid this dystopian and desperate situation, flux was composed and recorded in about a week. Initially, the album was created sole…
*300 copies limited edition* ‘Low Fidelity’ brings us up to speed with Mats Lindström’s actions of the past dozen years in a range of seven works spanning live recordings and studio commissions, all sharing a certain bloody-minded, uncompromising focus on atonality and arrhythmic structures. Definitely one for harder-nosed noise and avant garde fiends, the set fits very neatly within iDEAL’s roster of brutalists, with whom Lindström shares a taste for sounds, spaces, and rationales that test the…
The legendary 1975 Fairfield Hall Croydon broadcast now available as a high quality vinyl pressing. Broadcast as part of a short UK tour following the release in 1974 of Autobahn.
AIR 's Jean-Benoît Dunckel & Jonathan Fitoussi have joined forces to release Mirages II, a sonic exploration of analogue synthesis, moving from the minimal to the cinematic. "After their first album as a duo, released in 2019, JB & Jonathan have gone back together to build another work, in which their two personalities unfold even more surreptitiously, always very attentive to each other. At their heart, an electronic spirit, anchored to a very mineral rhythm. There are glimpses and echoes of th…
1995 release ** European CD re-issue with 2-panel cover. "The Man-Machine is closer to the sound and style that would define early new wave electro-pop - less minimalistic in its arrangements and more complex and danceable in its underlying rhythms. Like its predecessor, Trans-Europe Express, there is the feel of a divided concept album, with some songs devoted to science fiction-esque links between humans and technology, often with electronically processed vocals (The Robots, Spacelab, and the …
Second volume of Conrad Schnitzler's previously unheard wild early synthesizer experiments recorded live in London in 1972 and released in a limited edition LP by Qbico in 2004.
First volume of Conrad Schnitzler's previously unheard wild early synthesizer experiments recorded live in London in 1972 and released as a limited edition LP by Qbico in 2002.
First LP re-issue from 1980 Schwann AMS Studio of the extremely rare 1971 second Kluster LP of adventurous electroacoustic music by Schnitzler, Moebius and Roedelius.