Drekka <--> Remst8
* 2020 Stock * Remst8 is an experimental computer musician whose on-again/off-again affair with sound began in the early '90s, using tracker programs on his Amiga 500 and later a PC to create soundtracks for his friends' creations (computer games and an independent film). Following a 7 year hiatus to focus on his software engineering career, remst8 has returned to tracking music for creative exploration focusing on deep drone and dark ambient tracks with a smattering of noise and experimentation…
There Is No Silence Left
* 2020 Stock * 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
Sleep Patterns of The Discontent
* 2020 Stock * One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Guild, Bloomington, Indiana by Michael …
Beings of ImberIndus
"Beings of ImberIndus" was commissioned as a hexaphonic sound installation to accompany the "Beings of ImberIndus" solo soft sculpture show by Carrie Weaver; presented at the I Fell Gallery, Bloomington, IN throughout December 2018 and culminating in a winter solstice ritual of cleansing. The piece began an intensive six month period of heavy deep listening and drone work for Mkl Anderson's ritual ambient industrial project, Drekka (Dais Records, Auris Apothecary, Bluesanct).
The initial session…
Smirne
Inspired by the philosophy of George Gurdjieff, whose mystic meditations surely linger in the magick of their work, Smirne was born as a open minded experimental project. Generated by the fusion of different realities, the line-up at the time of the debut is composed of Andrea Reali and Tiziano Doria, members of Lavorazioni Carni Rosse, together with Anna Vezzosi and Cesare Lopopolo, from the electro-acoustic duo Rosso Polare. A thin line between improvisation, electronic exploration and Aegean …
Plays Ewe-Neuro Wastelands
* Edition of 70 * Ikuisuus presents Plays Ewe-Neuro Wastelands by Innercity, the last release of the Belgian electronic producer Hans Dens.
Vent
In a rain forest of moments. the eye hears what the ear sees. through each moment of Karin Johansson’s and Finn Loxbo’s music runs the firm conviction that all points and layers of sound – in true democratic spirit, carry the same weight. Or lightness. as precise as scattered bird calls may be crucial to the totality and the outcome of the drama as a whole, as cautiously do they take care of the phrased line by being extremely exact with the gaps and the charged rest, where that very thing appea…
Drummophone
* Edition of 300. Lacquer cut at SST. Featuring cover artwork by Natália Trejbalová. * Riccardo La Foresta is a percussionist, composer and improviser based in Modena (Italy) whose interests range from improvisation and composition, sound performance and sound art. His research led him to use the drum as a wind instrument, drastically moving away from traditional drumming.
Recorded by Lorenzo Abattoir’s microphone in a former industrial hangar now base to the OvestLab cultural center in Modena (…
Agua Viva
* Edition of 100 * Tsss Tapes presents Agua Viva, a new Daphne X cassette release. The album is composed of experiments and interactions performed with water on various materials: polyester, metal, skins. Sounds have been captured with Blazej's LOM's (mikro)Uši binaural microphones.
Recorded in Montseny, 2019 and released on September 4, 2020. Mastered by Francesco Covarino.
ENIAC Girls
Seventy years ago, computers were as big as swimming pools and were programmed by country girls. ENIAC, the world’s first fully electronic, vacuum-tube-based universal computing machine, sported a weight of 27 tonnes and used 18,000 vacuum tubes for calculating. And, each day, at least two of those vacuum tubes gave out. When this machine was presented to the world public in 1946, six young women, most of them maths students from the rural Midwest of the USA, had spent three years inventing a me…
We Share a Shadow
Murmer is the pseudonym for Patrick McGinley, a man with several passports which have taken him to many a foreign land in search of found sounds of the unsettled, the forgotten, the mysterious, and the beautiful. His field recordings of activated environments (e.g. resonant industrial spaces, windswept telephone lines, bowed branches, gasping ventilator systems, etc.) originate from all of the locations where he has traveled; yet, the documentation of these sounds is not the terminus of McGinley…
Not Fire
Not Fire is the first album from Berlin-based songwriter Dean Roberts in 12 years, and his comeback arrives during apocalyptic times. It’s not an album about someone who’s found hope or love despite everything; Roberts sounds exhausted, and his album is as ugly and as bleak as life often is. For those who’ve been in the pits and succumbed to self-destructive nihilism, Not Fire is a reminder of how hellish it all can be.
Sonically, Not Fire is murky and battered and melancholy. Guitars clang ince…
The Consummation of Right and Wrong
David First likes to use the phrase "the virtuosity of slowness" to describe his musical philosophy. In The Consummation of Right and Wrong, he and his eight-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while creating music that is simply ravishing to listen to. This is "drone music" as dynamic organism, moving from compac…
Some Days It Rains All Night
**Edition of 350 copies on transparent vinyl** La Scie Dorée presents a new album by Mirror (Christoph Heemann and Andrew Chalk) recorded at the Loft, Cologne. Christoph Heemann, with co-founder Achim P. Li Khan, was active in the celebrated group Hirsche Nicht Aufs Sofa in the 80's. In the mid-90's, Christoph concentrated on his solo career while collaborating with artists such as Jim O'Rourke and Edward Ka-Spel (Legendary Pink Dots) in the Mimir project. He also worked with Masami Akita (Merzb…
Partial Infinite Sequence
**250 copies** The sound of the violin is a product of tension and release; the hair of the bow pulls back the violin’s string over and over again and, when the tension gets too great, it releases. The resulting vibration disturbs the air around it which travels in waves, exciting our ear drums and becoming sound. This confrontation of energy with air—the alternation of potential and kinetic energy—occurs over and over again in microcosm: catching, holding, tensing, and releasing. As listeners, …
Spirits
**Edition of 100 copies on heavy weight 180 gram vinyl, comes in hand-painted cover on thick grey cardboard. In process of stocking.** "Spirits marks the second release of my duo with Christian Wolfarth, though in 2010 recordings of a trio with Christian, Günter Müller and myself (then on electronics) came out as the CD “Limmat” on the Mikroton Recordings label in Moscow. Following this trio CD, Christian and I didn’t play together again until 2016, when we had a series of concerts in Switzerlan…
Asteraceae
**200 copies** Sedimental proudly brings you a remarkable new document from Pisaura, released for the Summer Solstice the 3rd week of June. Pisaura is Michael Pisaro-Liu and Zizia (Amber Wolfe+Jarrod Fowler). Asteraceae presents a hermetic world of shifting densities, dynamics, and spatialities that rewards endless listening as sequenced or on shuffle play.
The 72-minutes of Asteraceae were composed from field recordings of performances around Los Angeles during winter 2018-2019. Pisaura used as…
Squenun
“We somehow tried to use sounds as idioms. Turning them upside down and back again, make them collide with each other’s distorted mirror image, let them mean everything one would usually not think them to mean. “Careta” meaning someone who acts like someone they are not. A sound, in music, usually one would say doesn’t mean anything, but the sound of the word “word” does (if you have learned English). But, a collaboration allows to pretend it would mean something else and language is but a colla…
Milk Thistle
"During the period I worked the most on these, summer 2018, I was reading the Daoist Zhuangzi and some Stoics. That material is likely why this CD has to do with detachment and inaction, as well as unspecifiable emotions. The synthetic/concrete sound relationship seems post facto to engage with the above. Inside and outside interpenetrate and relate in tension – openness, suffering, trouvailles and surprises of sound and feeling. The composition involved many layers of mixes, seemingly to do wit…
Intuitive Mathematics
“Intuitive Mathematics” is illustrative improvisation registered with the use of percussion instruments amplified by piezoelectric sensors and an instrument I constructed myself called the Soundboard. I mounted metal springs, screws and tongues onto a pine board. Highly enhanced piezo amplification brings all sounds closer to the audience’s ears and allows them to hear rich harmonies of the percussion set as well as “non-musical” elements such as friction, shrieking or vibrations that occur insi…