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The "Collection" series holds legendary status in Merzbow historiography—a cornerstone of the project's early catalog that established methodologies Akita would refine for decades. Between 1981 and 1982, he released ten volumes on his own Lowest Music & Arts label, each created by mixing multiple tapes into dense sonic collages. Collection 010 represents the culmination of this early methodology.
Originally recorded on October 26, 1981—the same fertile year that produced Yantra Material Action—t…
Another excavation from Merzbow's formative period, Telecom Live preserves the raw energy and experimental spirit that characterized the duo's earliest explorations. The "Telecom" title suggests communication systems—appropriate for recordings that document Akita and Mizutani developing their own sonic language, transmitting signals across the boundaries of conventional music.
The recordings crackle with the excitement of artists discovering a new sonic language in real-time. Unlike later Merzbo…
Cretin Merz emerges from the earliest Merzbow sessions, when the project existed as an improvisational duo exploring the boundaries between music, noise, and performance art. The provocative title—merging "cretin" with "Merz" (the Dadaist concept developed by Kurt Schwitters)—announces the irreverent spirit that has characterized Akita's work from its inception.
These recordings, previously recycled as raw material for other releases, appear here in their original unedited form for the first tim…
The second chapter documents Merzbow's genesis—the formative years when Masami Akita and Kiyoshi Mizutani were developing the sonic language that would reshape global underground music.
The first chapter documents Merzbow's genesis—the formative years when Masami Akita and Kiyoshi Mizutani were developing the sonic language that would reshape global underground music.
The companion volume to Sparrow Color 1 continues Merzbow's exploration of keyboard-driven synthesis, pushing the methodology established in its predecessor into bolder territory. Where the first installment introduced the parameters of this unusual approach, Sparrow Color 2 expands upon them with increased confidence and complexity, demonstrating that Masami Akita's creative restlessness knows no bounds.
The continued use of the EMS SYNTHI 'A', Moog Mother 32, and Behringer Model D creates a so…
The title Kaerutope fuses "kaeru" (frog) with "biotope," creating a neologism meaning "frog habitat"—a characteristically poetic gesture from an artist whose veganism and animal rights advocacy have profoundly shaped his work since 2003. For Masami Akita, sound itself becomes ecosystem, a living environment where listeners immerse themselves in complex, interacting sonic organisms.
This album showcases Merzbow at his most texturally adventurous. Bit-crushed noise collides with sampled instrument…
Sparrow Color 1 marks a significant departure in Merzbow's methodology - a rare instance of Masami Akita returning to keyboard-controlled synthesis after decades of predominantly laptop-based and analog noise production. Here, he employs a carefully curated arsenal of classic instruments: the legendary EMS SYNTHI 'A' (beloved by everyone from Brian Eno to Pink Floyd), the Moog Mother 32, and Behringer Model D, all manipulated via a Korg Monologue keyboard controller.
This configuration yields re…
Celebrating four decades of uncompromising sonic exploration, Merzbow marks the 40th anniversary of his artistic journey with Indigo Dada—released simultaneously with its companion piece Kaerutope in 2019. This twin release strategy itself constitutes a statement: even at this career milestone, Masami Akita refuses to rest on a single achievement, instead offering parallel visions that illuminate different facets of his current practice.
The album pays homage to the centennial of Dadaism with "D…
Masami Akita, the relentless force behind Merzbow, delivers a crystalline distillation of his sonic universe with Kaoscitron. This album represents a remarkable synthesis—a deliberate reset that channels decades of noise experimentation into something startlingly fresh yet unmistakably essential. After more than four decades of relentless sonic exploration, Akita proves that reinvention remains not just possible but inevitable.
The album unfolds as a triptych of sonic approaches. Opening track "…
Soft Items sends out their third release through Sensorisk Verden — An exercise of bringing another being to mind. Translating unconscious material into images or sounds, perhaps a past- or future self. The protozoa. A message abrubts. A door slams. A strange whistle. Personifying these noises as bridging entities between the known and the unknown.
Amazing find! ** Original copies of this wonderful 1985/86 releases. ** Two essential documents from the Mexican underground of the mid-1980s, now available together.
Rolando Chía's Sara Juega Y... (Al Ejandra, 1986) is a ghost-record of rare beauty: nine compositions of minimal folk that approach the tradition of American Primitivism - John Fahey, Robbie Basho - filtered through a deeply personal sensibility. An acoustic guitar that breathes, silences charged with meaning, the same patient atte…
*150 copies limited edition* Zulaqrex, named after a mythical being that only exists in Richard Youngs’ head, is the album sequel to the now practically sold out Zerkelus LP and once again features themed artwork and is limited to 150 copies. Like its predecessor, Zulaqrex consists of two side-long tracks both given the same name as the title and once more charting a course into the beyond via a hypnotic approach that even some fantastically stumbling percussion cannot offset. Also employing shi…
*20 copies limited release* Live performance recorded in July 2023 at Trattoria San Biagio in Orsenigo (CO). Electronic rhythms blend with long guitar improvisations over deep bass lines. The Telamons lead, a forest becomes a mountain, and the faithful move forward through lysergic journeys filled with presences.
*20 copies limited release* Gabriele Ghezzi (Guitarist for Node and Telemons) first solo project. The songs are recorded live, allowing his technique guitar practice to follow the edges of the drum machine and effects taken to the extreme. A fiery project born from the machines. Psy-death-core.
*60 copies limited edition* Euro Herc is a duo formed by Turmeric Acid and Chemiefaserwerk. They were one of the most successful pop acts during the 1980s, selling more than 30 million certified records worldwide from 1982 to 1986. Influenced by funk and soul music and presenting themselves as disaffected youth, Euro Herc's 1983 debut album, Fantastic, addressed the United Kingdom's unemployment problem and teen angst over adulthood. Their second studio album, Make It Big (1984), was a worldwide…
In the 1980s, this controversial collective shook up the Belgian art world with noise concerts, performances, unusual exhibitions and the "cultural battlezine" Force Mental - proposing a quite different view on art as known by the cultural establishment. Club Moral was founded by visual artist Anne-Mie Van Kerckhoven (AMVK) and performance artist Danny Devos (DDV) in Antwerp on January 1st, 1981. For over a decade it functioned simultaneously as venue, noise band, publishing house, and lightning…
Japanese experimental sound artist kent watari debuts on Phantom Limb with new album subtraction in spiral, coding deep sonics to quantum-percussion and collapsing, post-IDM glitchscapes based on a meticulously constructed metaphysical thought experiment. “This work is centred around a very personal philosophical model,” writes kent watari (b. Tokyo, 1993). “I have constructed a metaphysical model of thought, employing concepts from philosophy and science. This thought model centres on a recursi…
* Limited edition of 100 copies, gold etched title on front cover. * Andrea Penso has been active on the Italian experimental scene for the better part of two decades, working within collaborative projects like Surava and We Wait for the Snow, as well as issuing more than a dozen releases under the moniker Selaxon Lutberg - most notably on Denovali Records, where his work drew favorable comparisons to the decayed loops of William Basinski and Philip Jeck, the post-rock atmospherics of Labradford…
*100 copies limited edition* Two pillars of New York's underground converge. Human Hair brings together Pat Murano and Richard Hoffman - both long-running fixtures of the city's most uncompromising experimental scenes - for an album that slithers, coils, and eventually leaves you floating in open space before you realize the lifeline has slipped from your hands.
The pedigree here is formidable. Hoffman's work with Sightings (one of the best bands to ever emerge from NYC, full stop), Insayngel, a…