Archiv 2005-2006
MTDM (acronym from the Chinese name mei tui de ma, “horse without legs”) is the duet of Jun-Y Ciao and Tao Yi, both born in 1978, Year of the Horse. Tao Yi plays drums and trumpet, and Jun-Y Ciao, woodwinds, including different sizes of saxophone and clarinet. Around 2008, MTDM returned to Shanghai from Europe, and straight away got involved in the local experimental music scene, giving entirely improvised performances using only acoustic instruments. From their overall musical style, to their a…
The Telescopic Aulos of Atlas
Lukas de Clerck brings the telescopic aulos, which his new interpretation of long-form expression coaxed forth on this tremendous recording. Lukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the…
Midnite Blues
*300 copies limited edition. Screenprinted artwork on old re-used cover jackets + insert.* Another transatlantic collaborative project on Förlag För Fri Musik, this time Blod teams up with Shadow Pattern from Canada. A seemingly impossible match that somehow works like a charm, the lo-fi folk of Gustaf Dicksson beautifully tangled up with the brutish concrete music of Nathan Ivanco. Recorded in the the winter of 2024 in Gothenburg, Sweden and Hamilton, Ontario, Canada. Mixed and arranged by Nath…
Asteroid
*2024 stock* "I have always been fascinated by the improvising combos that give prominence to the classical guitar, but it is usually easier to find such productions on the contemporary side. So having caught this little gem with strong freeform accents, where it makes its worthy appearance was a sign of amazement. We specify that the Graculus do not give exclusive space to the six strings but that in reality they are a duo formed by the English Phil Hargeraves (flute, soprano sax) and Richard H…
Fall Through the Infinite
*2021 stock* Phil Hargreaves is a Liverpool saxophonist and bold improviser whose music evokes the voices and echoes of his home city. In his new album, Fall Through the Infinite, he duets with the drummer of Spaceheads, Richard Harrison, and they create an urban soundscape, sometimes forlorn, sometimes bursting with hope, which is constantly inventive and multifaceted in its sonic patterns. Hargreaves’s tenor horn rampages through Reach for the Tar in ardent conversation with Harrison’s scuttli…
The Wandering One
"A live recording of freely improvised improv captured at All Hallows Church in High Laver, Essex in 2023 from the trio of AMM drummer and Matchless label-leader Eddie Prévost, Zürich and Maastricht trumpeter Silvan Shmid, and London double bassist Tom Wheatley of the group Widdershins, heard in three investigative conversations of great creative drive." * squidco.com
Unearthed
"Long-time collaborators and iconoclastic improvisers, drummer Eddie Prévost and saxophonist John Butcher, met at All Hallows Church, in High Laver, Essex in 2023, using the natural ambience of the space to capture these three improvisations, Prévost playing primarily on a drum kit and both in a more jazz-oriented sax and drum duo, extended by both players' exceptional technique." - squidco.com
The Cry Of A Dove Announcing Rain
"In 2022, Eddie Prévost celebrated his 80 th birthday with the series Towards a Bright Nowhere, a series of July concerts at Café Oto that appeared as both a series of four CDs and a documentary. These two CDs document later duo performances from October 2022 to June 2023 with French pianist Marjolaine Charbin, apparently a recent association, and saxophonist John Butcher, a longtime creative partner. Each emphasizes a different dimension of Prévost’s creativity. He’s credited with percussion on…
Pushed Streets
Big tip! Deluxe LP housed in tip-on jacket with gloss film laminated cover and printed inner sleeve featuring photograph and painting by Michael Morley. Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980’s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley’s love of song form has never been far fr…
Aeolian Tendency
Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets. On a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string. I designed the two recent aeolian instruments heard on this al…
Essential Tremors
Mohammad Syfkhan is a Kurdish/Syrian Singer and Bouzouki player. He began playing music in 1980 while he was in college studying nursing. When he got his degree in 1983, Mohammad moved to the city of Raqqa, Syria where hebegan working as a professional singer and started his own band, The Al-Rabie Band which played concerts, parties, weddings and festivals all over Syria. The Al-Rabie Band were a much sought-after group. Their live sets included Kurdish, Arabic, Turkish and some Western songs as…
Convolutions
In 2022 Lori Goldston went on a small 4 date tour of Ireland playing in Cork, Limerick, Leitirm and Drogheda. Willie Stewart of Nyahh Records drove her on the tour and recorded each performance. With Lori’s permission, Willie edited and mixed each performance and put them together to make this album. The end result is a collection of improvisations and spontaneous moments. Every performance is drastically different to one another in mood, energy and technique. In these recordings you can hear ho…
This Summer...
*200 copies limited edition* Tokyo-born recorder player/improviser Eiko Yamada has lived in Germany since 1984 and currently resides in Heidelberg. Yamada performs in formations ranging from solo to large ensemble, as well as with a variety of artists including dancers and poets. She returns to Japan once or twice a year and appears in a small number of concerts in Tokyo.During her stay in Japan in summer 2023, Yamada performed with pianist Fumi Endo at Ftarri on August 13. In addition to their …
Born Of The Sun
Tongues slap and flutes trill! The wild spirit of Dawn the Faun has returned, raising the young in the light of each new day and playing around the fire to welcome back the spirits at night. The bounty and exuberance of NOW, under the eternal skies of yesterday and tomorrow
Solo Piano - Edge Of Chaos
Tip! Just when you think you’ve heard everything you want to hear from a solo piano record, something comes along that challenges your preconceptions all over again. Efstathiou has been developing a unique language with the instrument for some time, building up a reputation for idiosyncratic preparations and extended technique. All that’s illuminated in flickering candlelight on ‘Edge of Chaos’; moody and deliciously ambiguous, it’s based on mathematical systems, specifically the transition stat…
What Is What
There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury…. It is, every bit of it, composed the same moment you hear it.
VOSTOK: Remote Islands
*2024 stock* This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.
Reid/Edwards/Coudoux
We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.
Filament
This recording documents the first ever meeting between Susan Alcorn and Catherine Sikora. When musicians improvise with each other, a space is created that is unique and specific to the musicians who are playing. With Susan and Catherine, the space that presented itself was enormous, with great freedom and tonal flexibility, opening up endless possibilities for expression.