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Rare original UK edition on EG of the experimental / new age zither player's debut album produced by Brian Eno released as the third volume in the Ambient series in 1980.
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
*Edition of 100* On Quiet Panic, Mark Schaub sculpts a slow‑burn tension where stillness never quite settles, his compositions hovering between ambience and unease, finely honed and given extra dimensional depth by Andrea Marutti’s mastering.
On Vulcanalia, AX - the solo vehicle of Anthony Di Franco - returns after nearly three decades to his original mandate: vast, beatless torrents of guitar, feedback and electronics, now scaled up into a molten, myth‑drunk monument to Roman fire and st…
1978 re-issue on Tapioca of one of the masterpieces originally on Pôle Records (Besombes/Rizet, Henri Roger, Pataphonie, Mahogany Brain, Verto... all on the NWW list), a beautiful otherworldly album of cosmic electronic folk and pulsing synthesizer s…
Very rare original edition on Celluloid of the third album from 1984 by of the most original and unclassifiable musicians of French experimental music, an unsettling masterpiece of musique concrète, sound poetry and experimental folk. NWW list.
1998 EP on Syntactic released in an edition of 100 numbered copies in silk-screened black PVC sleeve with edited versions of tracks from the CD re-issue of the 1980 LP.
Rare 2015 one-sided LP on Holidays Records with a single long 1996 piece by of the most original and unclassifiable musicians of French experimental music, released in an edition of 200 hand-numbered and personalised copies not-for-sale.
Tyondai Braxton’s Splayed Werks (his first full-length since the 2022 Telekinesis sessions) opens a new chapter: over 70 minutes of electronics and detailed sound design spread across 15 tracks, most under five minutes, favoring shorter forms over hi…
Metal Machine Music: Power To Consume Vol. 2 pushes Lou Reed’s feedback inferno into a new era, unleashing Merzbow, Masonna, Lydia Lunch, Blixa Bargeld, Martin Rev and more in a maximalist, Record Store Day 2026 hallucination of infinite noise.
On Metal Machine Music: Power To Consume Vol. 1, a coalition of noise heavyweights channels Lou Reed’s most infamous album into a new crucible of feedback, tape rot and industrial grind, where extremity becomes form and chaos is sculpted into brutal,…
Rare original edition on Lovely Music of the first installment of the 1978 revolutionary and extraordinarily beautiful electronic opera for television Private Parts, released in 1978, an essential masterpiece. Yellow cover version.
Rare original edition on Lovely Music of the 1979 unsurpassed psychedelic electronic avant-garde masterpiece, one of the greatest experimental records ever made and absolutely essential.
Original edition on Lovely Music of the third installment of the 1978 revolutionary and extraordinarily beautiful electronic opera for television Private Parts, released in 1981, an essential masterpiece.
condition (record/cover): VG (some surface noise) / VG (general wear)
Released October 1968. Ten Bach pieces, each recorded note-by-note on an eight-track machine because the Moog modular was monophonic. Roughly 1,100 working hours of overdubbing. …
1972 Italian edition on CBS of the complete beautiful and ground-breaking electronic soundtrack (different from the original soundtrack including the orchestral pieces) to one of the greatest films ever made, A Clockwork Orange.
Great 1972 double album on Columbia of expermental electronic ambient music fusing field recordings and Moog by the composer previously know for the landmark switched-on renditions of classical masterworks.
Rare first edition of 500 copies with bonus disc of the experimental genius' 1995 collaboration with Jim O'Rourke and David Grubbs' band, released by Table Of The Elements in folded poster sleeve.