This Is A Mans Mans Mans World / Jailhouse Rock (7")
1986 Australian single on AIM with studio versions of the arrangements performed during the 13th Anniversary Show tour.
Live In Vienna (7")
1986 unofficial single on Smack with live 1983 recordings of the Mole Show in Vienna.
Scream With A View (12"EP)
1982 Italian re-issue of the beautiful and outstanding 1979 EP by the truly avant-garde electronic new wave band from San Francisco. Black labels edition.
Divine (LP)
Original Dutch edition on Philips of the 1982 album with music for a ballet by Maurice Béjart, a milestone of experimental chamber music.
Suite En Sous-Sol (2x12"EP)
Original edition on Italian Records of the 1982 album of beautiful exotic experimental chamber music released in Italy as a double EP with gatefold sleeve.
Time To Lose / Blind (12"EP)
Original edition on Les Disques Du Crépuscule of the 1982 EP with three pieces of beautiful electronic chamber music.
Subterranean Modern (LP)
1980 repress of Ralph Records' brilliant and ground-breaking 1979 compilation featuring San Francisco's avant-garde new wave's finest: The Residents, Chrome, Tuxedomoon and MX-80 Sound. With original innersleeve.
Subterranean Modern (LP)
1983 re-issue of Ralph Records' brilliant and ground-breaking 1979 compilation featuring San Francisco's avant-garde new wave's finest: The Residents, Chrome, Tuxedomoon and MX-80 Sound.
Monstersol
The first American release by this wonderfully strange Norwegian musician, whose previous releases have been with labels such as Kjetil Brandsdal's Drid Machine and Dennis Tyfus's Ultra Eczema. This is enough to tell you that Gaute is a highly regarded twirler of unusual sonic inventions, but not much else. The music on Monstersol is a bit more focused on Granli's own voice work than some of his earlier releases, but it shares certain elements with them. Instrumentally it's as hard to fathom as …
iji
iji (pronounced "ee-hee") is songwriter Zach Burba's tenured, pop coalition. Bred in Phoenix and fully flowered in Seattle, iji has been touring the American underground for 14 years, releasing a countless number of beloved LPs and tapes and pressing pause only for Zach to join the roving swarms of friends like Mega Bog, Dear Nora, and Clyde Peterson, whose Torrey Pines film (2016) featured a live touring soundtrack by Zach and others. iji, their self-titled 11th release, is a crucial wander thr…
Lunchtime for Birdy
First graspable release by Leaf Peepers, a Massachusetts duo comprised of Turner Falls' Omeed Goodzari and Worcester's Nick Bisceglia. Omeed is well-known hereabouts as member of Donkey No No, and also for his solo recordings, which include the superb Zoltar Hid All the Locks / Minnows LP (FTR 349LP, 2018). Nick has recorded with his band Husks, and has also participated on sessions by Wendy Eisenberg and Chris Weisman among others. In fact, the both of them helped out on Chris's last album, Rom…
Make It Fun Again
Here is the first Lazy Magnet LP since 2019's Mahogany. And it's a beautiful instrumental album which has known many iterations since it was first conceived. Lazy Magnet has long been the home recording project of Jeremy Harris. Over the course of its long arc the actual music has taken many forms -- this time he has chosen to dedicate an entire body of work on a single instrument: the acoustic piano. The initial idea for Make It Fun Again dates to 2007, when Harris and his buddy Robert Parker (…
The Incandescent Switch
First LP, after several fine cassettes & CDRs, by this psych project helmed by Brian Lucas. Lucas is best known these days for his bass work with Dire Wolves Just Exactly Perfect Sisters Band, but he has a hand in many other California psych outfits. The Wolves have been quiet vis-a-vis new recordings lately, but Old Million Eye has been pretty busy. Often the OME moniker represents solo work, but this time Brian has recruited Dena Goldsmith-Stanley (3 Moons) and Steven R Smith (an old band mate…
What Do You See Everyday?
Another fantastic slab by Virginia-based guitarist Jordan Perry, whose style fuses disparate threads from the American Primitive and avant-garde songbooks into a unique alloy. For this album Primitivism has largely been eclipsed by avant urges. Still, there is one track, 'Days Have Gone By Volume' where Jordan is joined by guitarist Ned Oldham for a piece evoking Fahey in more than its title. But that is the exception. Most of What Do You See Every Day? is filled with abstractions for acoustic g…
All Summer Long is Gone
Finally, a vinyl edition of this amazing instrumental pandemic album recorded by a somewhat unlikely duo. There was a cassette version released a while back as a stop gap, but here now is the REAL THING! PG Six (aka Pat Gubler) is based in the New England and is known for his mastery of many stringed objects. He has appeared on six earlier Feeding Tube LPs, the most recent of which is the great PG Six Live at the Tavern (FTR 556LP). Louise Bock (aka Taralie Peterson) is a multi-instrumentalist l…
Le Pont Suspendu
Le Pont Suspendu is a four-part album by David Sani and Pierre Gerard, released by Ftarri in October 2025. Crafted from individual studio sessions in Siena and Liège, it unfolds as a restrained, minimalist exploration of sound, silence, and the liminal space between discrete gestures and environmental resonance.
To(r)ri Infranta
To(r)ri Infranta by Mitsuhisa Sakaguchi and Yoshiki Ichihara is a radical two-track improvisational work. Combining live electronic manipulation, extended percussion, and fractured sonic spaces, it evokes the eerie tactility of improvised performance while maintaining the meditative spaciousness typical of the Tokyo experimental scene.
Pièces Monophoniques
Pièces Monophoniques by Marc Melià transforms reduction into revelation. Composed using a single analog monophonic synthesizer, it unfolds nine meditative studies on tone, silence, and resonance. The result is a luminous work where simplicity becomes substance, and constraint opens a portal to emotion and timeless stillness.
Live at Epsilon Spires
Feeding Tube Records is excited to present the first North American release by this amazing Japanese sound artist. Yosuke Fujita goes by the name FUJI|||||||||||TA, perhaps so he won't be mistaken for the guitarist of the same name who plays with Better Days, or perhaps because he just likes to hear people try to figure out how to say, 'FUJI|||||||||||TA,' properly. Either way, FUJI|||||||||||TA is a wonderful avant-garde project that has been active for almost two decades. In its current iterat…
Circuits Of Omission - Sonaten Für Synthetisierten Klang (Opus 60)
Herewith is an extraordinary 45 RPM album of solo electronic music by NZ's great contrarian, Bruce Russell. The pieces were all created using machines built by Clinton Williams, whose musical work under the OMIT moniker has long been championed by Bruce. Unlike many of Williams's own recordings, which contain kosmiche extensions recalling the '70s work of Klaus Schulze, the 15 improvised Sonatas presented here mix a few of those sorts of sonorities with a variety of more harshly-edged tones. The…