Format
* Opaque Purple vinyl. 2020 Stock * Format draws from its Latin origin: “formatus”, meaning “to be formed”. Over two years, Germany’s Max Würden produced a variety of tracks using completely different approaches. It wasn’t until they were placed together in unison that the strengths from the variety of productions came together. Max’s studio recordings lined up alongside live performances; field recordings of foot-steps and sounds from deep forests amongst broken leaves and custom synthesizers; …
Relax and Implode
* White-marbled Vinyl * Retro future past explorer. Ultraromance, hazy desire, a whiff of nostalgia. Excitement, confusion, and disenchantment. Internalization leads to alienation. And the cognition that everything can turn into a straight up joke after a while. So relax and implode… The second full-length album of Berlin musician and futurologist André Uhl invites the listener to a sonic adventure with high emotional impact. Eleven songs are carefully crafted like sculptures in a swampy landsca…
Notes From The Forest Floor / Line Of Parts
* Edition of 250 on clear vinyl * A split sided album with Chris Watson and Georgia Rodgers, pairing two artists whose works here show different but complimentary new forms in the use of field recording in composition. Both were originally multi-channel installations before the release of these stereo versions.
Banco
After his debut album for Discrepant (Papillon, 2013) and a couple of tapes for Dinzu Artefacts (Aqueducts, 2017) and Sucata tapes (Cercueill Flottant, 2019) Papillon aka Gonçalo F. Cardoso returns to the wax treatment for one last hurrah into the depths of tropical disquiet. Taking liberties from Henri Charriere’s book sequel of the same name, Banco, the audio reader here dives straight up/down into a world of random dream logic. The same themes of nightmare vs paradisiac dreams are present yet…
Vol. 9 After the Circle
Outsider Portuguese artist Filipe Felizardo delivers a singular album of 21stcentury loner folk from the confines of his apartment. Performed, recorded and mixed at home over the course of two days during the Summer of 2019, the music captured on this record resonates now more than ever to our current housebound times. Construction site noises, leaking sinks, random conversations, cat meows and guitar strums all interact with each other in this origami field recording from the interiors of one’s…
Arkhaios
Jeremie Mathes is a French field recording artist (known for some excellent CDs on Unfathomless) living in Cambodia since some years. For "Arkhaios" he combined cavernous object drones (recorded at an abandoned factory site) with various instrumental sounds from ancient Khmer instruments (Tro u, Khim), all highly processed. You get the impression as being under the earth in a place populated by metallic amoeba or other smallest creatures, inside sewerage ducts or an deserted mine, exposed to the…
Agua Viva
* Edition of 100 * Tsss Tapes presents Agua Viva, a new Daphne X cassette release. The album is composed of experiments and interactions performed with water on various materials: polyester, metal, skins. Sounds have been captured with Blazej's LOM's (mikro)Uši binaural microphones.
Recorded in Montseny, 2019 and released on September 4, 2020. Mastered by Francesco Covarino.
Infinity Suite
In common parlance the term Infinity Suite refers to a luxury hotel apartment comprised of several adjoining rooms. But my usage of the term here invokes the notion of infinite realities as resonating through dream and memory. An interconnected suite of spaces populated with vivid sounds and images spanning across periods of one’s life. My experience here focuses on the Indian city of Varanasi, but this sense of reality drifting I found there could’ve taken place anywhere. I focused on Varanasi …
Fielding
**Edition of 300, 2020 Vinyl Reissue.** Desastre and Worstward Recordings present the first vinyl issue of Hala Strana's second full-length album "Fielding". Originally released in 2003 on the Jewelled Antler label, "Fielding" is the sprawling, epic leap forward from Hala Strana’s self-titled debut full-length—a psychedelic collage of traditional music, field recordings, and sonic landscapes. Started in 2002, Hala Strana was the summation of Steven R. Smith's interest in the traditional folk mus…
ENIAC Girls
Seventy years ago, computers were as big as swimming pools and were programmed by country girls. ENIAC, the world’s first fully electronic, vacuum-tube-based universal computing machine, sported a weight of 27 tonnes and used 18,000 vacuum tubes for calculating. And, each day, at least two of those vacuum tubes gave out. When this machine was presented to the world public in 1946, six young women, most of them maths students from the rural Midwest of the USA, had spent three years inventing a me…
Take All the Ships...
The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
I’m Lost
A schizoid-concrete opus of environmental sounds heightened, stimulated, decontextualized, and teased into a psychic puzzle of industrialized and post-industrialized detritus, I'm Lost marks another milestone in the ever impressive catalogue from Australian sound-artist Eamon Sprod, who adopts the moniker Tarab for his endeavors. The title is one that explodes with a multitude of meaning. There's the geographical frustration in losing one's way as the surrounding landmarks fail to match with wha…
We Share a Shadow
Murmer is the pseudonym for Patrick McGinley, a man with several passports which have taken him to many a foreign land in search of found sounds of the unsettled, the forgotten, the mysterious, and the beautiful. His field recordings of activated environments (e.g. resonant industrial spaces, windswept telephone lines, bowed branches, gasping ventilator systems, etc.) originate from all of the locations where he has traveled; yet, the documentation of these sounds is not the terminus of McGinley…
Kreiselwelle
irr. app. (ext.) is the sound-engineering project of Californian M.S. Waldron, whose liminal slippages and detourned croons have been spotted recently on stage in Nurse With Wound. Yet for all of the antics that are required for the NWW spectacle, Mr. Waldron still dedicates himself in the parallel pursuits of irr. app. (ext.) with a discography that reads more like a wunderkammer of uncanny investigations into futility declared as its reverse.
Kreiselwelle is the third and final installment to …
Field Recording and Fox Spirits
What are field recordings? “My memory is not what it used to be, David,” my grandfather, Syd Senior, said to me as we huddled round a fireplace in 1979. Thanks to a cassette tape I have the memory of his gradual loss of memory, hearing him speak of Queen Victoria’s funeral and the severity of patriotism back in those old days, 1901. Syd Senior is long dead, no longer part of the field of living relations but still within the field of memories that can be revived by technology, albeit an old one …
Undercurrent
Black Truffle announce Undercurrent, the new LP from the long-running Milanese duo of Giuseppe Ielasi and Nicola Ratti. Following on from high-profile releases on Boomkat Editions and Shelter Press in the last few years, the eight untitled pieces making up Undercurrent continue the pair's hypnotic and disorientating practice of improvisation based on tape loops. Often sitting halfway between electro-acoustic technique and beat-based production, the music of Bellows obliquely recalls aspects of h…
Introspection / Migration
From an ocean of black, sometimes there is a slim chance you might emerge clean and translucent, with another life chapter under your belt and a renewed story to tell. J.H. Guraj, our favourite wandering bird, is back with his first proper opus on Maple Death: Introspection / Migration.
Sometimes records lead off into an unknown path that never considers release schedules or the outside world, inhabiting the abysses of the artists’ mind and dropping a hefty anchor in the murky waters. Dominique …
Italian Airs
When Simon Van Honacker (°1994, living in Ghent BE) approached me to do an intern with ECN he caught my intention with his plan to study Flemish Folklore, yet from a Deep Listening perspective. Imagine the sound of fanfares, people getting drunk during braderies (tr. street fairs), cover bands, the general buzzing atmosphere during reenactments, … All aligned as parts of an Organic Symphony for deep listening. I don’t consider pioneering, or the striving for the freshest new idea, as purely nece…
Insular Monographs
Two albums, slightly touched...
'Ke Ala Ke Kua': a flashback to july 2010, when I created this afterimage in the timespan of more or less one week. An afterimage of paying a visit to Joan Ocean’s hotspot, the Kealakekua Bay, and to islands of Hawai’i and Oahu. Miss Ocean wrote a few books about her hanging and having conversations with dolphins at Kealakekua, thus i couldn’t resist going over there and seeing what it’s all about.
'Canto Arquipélago': recorded under a volcano on a portable fourtr…
De Overkant
**Edition of 50 copies in original recycled, silk screened sleeve, signed and numbered.** A suite of spellbinding ambient folk meditations from Timo Van Luijk, the boss of Belgium's exquisite Metaphon label. A regular collaborator with the likes of Andrew Chalk, Raymond Dijkstra, and Christoph Heeman, among others, Timo operates at the core of Belgium's current avant-garde and experimental circles. Produced and released under his Af Ursin alias on the La Scrie Dorée label set up for such purpose…