Experimental / Folk

Gregorio Paniagua's early, baroque and self-built instruments meet Lucia Bosé's spoken and sung verses in Italian and Spanish: playful, psychedelic medieval music from 1981. First reissue, licensed from Sony.

On Le Carnaval Perdu, Elizabeth Vogler turns voice, shruti-box drones and electroacoustic transformations into a personal folklore. Invented languages meet Béarnais lyrics; echoes of celebration flicker through dense sonic layers. Drawing on pop, bal folk and Bulgarian polyphony, the album makes carnival a threshold between communal ecstasy and loss.

Ten arrangements, dialogues, compositions. Direct, diverse, dating you quietly, never naming the act. They arrive on tape, twisted sided. Shaped by Belgian drummer and sonic wanderer Karen Willems. A mover between scenes. Breaker of frames. Restless in sound. She likes to step into that space, where you can push, strike, remain in motion. Where curiosity earns its name by never staying the same. “Fancy cannot cheat” is title for her latest beat. There is ambient breath. There is classic stretche…

*Coming in a hand made & screen printed box* Hey, did I ever tell you about that time when things are going ok. When the music is never over, and stars are crushing down on you. Since I was little, I come to this music store every chance I got. I sneak in through the alley. I still make this trip a lot. Some weeks ago, during a trip, they played this “A Mistake by Mistakes” cassette tape compilation, out on that enigmatic Berlin, Neukölln based label Kashual Plastik. Sick folk-not-folk-modern-fo…

Devra Hoff alone with her acoustic double basses, sometimes layered: original pieces and arrangements of traditional songs, a meditative companion to her Anne Briggs album, with Tara Jane O'Neil and Julia Holter on two tracks. Edition of 500 CDs.

Outsider Portuguese artist Filipe Felizardo delivers a singular album of 21stcentury loner folk from the confines of his apartment. Performed, recorded and mixed at home over the course of two days during the Summer of 2019, the music captured on this record resonates now more than ever to our current housebound times. Construction site noises, leaking sinks, random conversations, cat meows and guitar strums all interact with each other in this origami field recording from the interiors of one’s…

Elizabeth Vogler sings in Occitan and other South-West dialects to harmonium alone in the church of Lescun, in the Pyrénées: six songs between ancient folk and experimental music, first time on vinyl, 100 copies.

Constructed like an invented tarot deck, De Mòrt Viva explores the idea of a contemporary paganism in ten jubilant, humorous and spiritual odes. The Auvergne Occitan imposes itself at the spittoon, deploying its metaphorical and polysemic network, with the particular candor of a newly acquired language. The melody is born from the word, the poem gives birth to the song, in a form that could recall from afar and without erudition, the trobar, the art of the troubadours. In this game-album each pi…

*50 copies limited edition* Even for a prolific artist such as Delphine Dora, 2026 is a very busy year with the release of three albums already before the end of April; the harmonium and vocal improvisations of ‘D’une nostalgie inconnue’ on Akti, the impressionistic piano and keyboard instrumentals of ‘L’ineluctable du temps’ on Marionette and the church organ explorations of ‘Vents d’aether’ made in collaboration with Jérôme Bouve for Hallow Ground. ‘La lune’ is another impressive addition to D…

On D'une nostalgie inconnue, Delphine Dora turns a three‑week Portuguese sojourn into an intimate cartography of feeling: piano, harmonium and field recordings tracing a dream‑folk geography where Atlantic waves, stray voices and solitary improvisations blur into one interior tide.

The final recordings of Antonio Infantino, made months before his death in 2018. Twenty-one tracks captured live, with no overdubs or post-production: voice, drum and the circling pulse of Lucanian tarantism, from the Beat poet who rebuilt the trance music of Basilicata into a songbook of his own.

Isik Kural’s Motorcycles and Cherry Wind is a sonic travelogue of stories waiting and wanting to be told, of seekers passing through a loop of time as they become witnesses to the glories of the ancient ruins. The album holds sounds of timeless quality—like inherited folklore, draped with secondhand nostalgia—taking the shape of whoever is eager enough to claim it as their own. Rich and full of character like the dusty mystery of an archeological site, Kural whispers to the living and the long g…

It’s past being a commonplace—it’s probably in The Simpsons, etc. —there’s the one dancer at a show who doesn’t care. They aren’t necessarily older than everyone else, but that’s what comes to mind. Whether they are high or not is made irrelevant by their dancing, which is both highly personal and in Haight tradition. The kind of eye contact that’s made about the dancer changes, with the age of the showgoers, from an entertained not quite derision that helps build a faith in the non-dancing ways…

"Flam" kicks off with a cinematic drone, followed by what sounds like water torture droplets, and a cacophony of clocks, and music boxes from childhood, and maybe something underwater. Something like a title arrives on the aural screen as GTD get down to the kind of business we love them for: that querying conversation between Steve Gunn’s guitar and John Truscinski’s drums and percussion, though here they venture into new territory, as Steve explains— “This 'Flam' session was open and experimen…

Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.

What might appear to be the most unlikely collaboration of 2024 proves also to be one of the most invigorating listens of the year! Shackleton & Six Organs of Admittance are in full aural/metaphysical alignment in their mutual effort to become Jinxed by Being. On first listen, it becomes immediately clear that this fusion of Shackleton's bass-heavy cosmic dread and Six Organs' ritual folksong makes total sense. Longtime listeners know that both Shackleton and Six Organs of Admittance have been u…

Master of myriad styles, Sir Rick Bishop takes in baroque, flamenco, surf, and harder to place fusions of phantasmagoric sound design, Gaelic folk and Indian Raga, and more lysergic expression in this bounty of a new album. Five years after Tangier Sessions, Sir Richard Bishop, we presume, is back from his travels around the world. With Oneiric Formulary, he’s dug deeper into his bag of extra-musical gestures from the eternal and unknowable, along with a few sounds we might recognize, all transm…

Minutiae is the first full-length release form Stockholm’s Ināra Quartet, made up of brothers Kasper (guitar, banjo, mandolin) and Mauritz Agnas (bass, cello), Johan Graden (piano, harmonium, synths) and Mischa Grind (percussion). Drawing on wide performance and composition experience in free improvisation, jazz, and composed new music, the quartet have carved out a unique niche where radical approaches to rhythmic organisation and group interaction are wedded to immediately accessible, folkish …

It seems like it was only a few months ago that Jim O’Rourke changed everything with the release of the incredible Eureka. And if you actually think that, then by George, you’re the Rip van Winkle of 90s rock! It hasn’t even been a few months since Jim’s twin comebacks The Visitor and Simple Songs, his most recent albums in the mold of his classic “pop music” trilogy of Bad Timing, Eureka, and Insignificance. Those two are thirteen and seven years behind us already! O’Rourke freak or not, if you…

Wistful meta-folk from the American Midwest, self-published by US musician and occasional ANF customer Erik Kramer - totally floored by this.

A solo acoustic guitar record by Atsushi Tsuyama, of Acid Mothers Temple and Omoide Hatoba, who has also spent fifty years as a mountain keeper in the Ina valley. Vinyl only, 200 copies, in a silver screen printed sleeve.

On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.

Three Lobed and Sunburned Hand of the Man have a long history. The label has been releasing the group’s output for nearly two of its three decades of making music. As Sunburned has picked up momentum again in recent years, the label’s been right there, releasing the highly acclaimed "Pick a Day to Die" in 2020, and in late 2022 reissuing a 20th anniversary edition of "Headdress", the classic and confounding first Sunburned LP. Label head Cory Rayborn acted as the catalyst for storyteller Kelly D…

'I’ll set the scene – we’re all passed out face-down in the lawn of the first Bush term, scratching our heads after 9/11 and wondering how much more dystopian it’s about to get. Ash hangs in the air as we march toward endless war, and the activities of the post-hippie, post-beat, post-punk, post-jazz, post-industrial, post-experimental bohemian underground flail against the avalanche with a mystic fire you can’t get your arms around, let alone bottle up for consumption. Jars of tears, rockets fr…

On his 2023 release “Arc Of Day” Danny Paul Grody gathered an ensemble of musicians and gave us compositions that conjured not just bird-like flights but the supportive skeleton of a bird itself - intricate, delicate, but able to carry a body (or a listener) through bright, airy spaces. That same ensemble, since renamed the Danny Paul Grody Duo, now bring us "Arc Of Night" - a sister collection to "Arc Of Day", shaped from core collaborations between Grody and percussionist/drummer Rich Douthit …

Following her foundational role in the early years of The Fall, and then the searing post punk of The Blue Orchids, as well as several tours serving as a backing group for Velvet Underground chanteuse Nico, Una Baines found herself starting 1985 without a band. Drafting together members of the all-female Beyond The Glass, and compatriots associated with her past projects, she entered the studio with a clutch of songs and a willingness to experiment. Separating the sides into “waxing”, for the mo…

CD reissue of Volcano The Bear's 2006 LP, the first release on their own Volucan label: theatrical improvisation, musique concrète and ethno-folk. Four-panel gatefold sleeve, limited to 444 copies.

CD reissue of Volcano The Bear's first mini-album, issued by Pickled Egg in 1999, with two bonus tracks from a 2006 lathe-cut 8" on Alt.Vinyl. Oversized gatefold cover, limited to 444 copies.

*200 copies limited edition. 5 different cover designs—all outer and inner sleeves are unique // Two 30x30 cm inserts + 4-page lyric sheet + A4 "History of Ashburn County"* Ashburn County is a French-American project that emerged in Louisiana in 2011. Coming out of the mind of Leroy Delbert Quebedeaux, these songs and soundscapes have been telling the stories of the inhabitants of this imaginary county set in the remote rural parts of the Deep South. Inspired by literature and cinema, this music…

An introspective journey into darkness through an oblique and fascinating song form. This, and much more, in Enten Hitti's beautiful new album. There is something particularly transcendental about 'A Tutti gli Uragani che ci Passarono Accanto', the new Enten Hitti album released on 25 May 2020 by Lizard and ADN Records. It is a work that welcomes the song form, but dished out with the classic researched and experimental approach that has distinguished the band's work in recent years. An album of…

*300 copies limited edition* For the past 30 years, Toronto's Picastro has been evolving an intense and idiosyncratic variant of indie rock songcraft, embracing unique instrumentation, unsettling dissonance, and an ultra-personal approach to form and dynamics. The vision of vocalist, composer, and multi-instrumentalist Liz Hysen has anchored the project's sound throughout these three decades, even amidst a diverse cast of collaborators that have come, gone, and sometimes returned. Among these co…

A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…

Vocalized electronics & intellectual kicks. Cervicals are shaking, neurons are chatting. Hello and thank you experimental France. The Americans envy us for having them. Decadent improvisations & raw virtuosity since 2006. 1803 concerts to their credit. 732,715 kilometers of road covered. A buttock forever and ever in the underground charts. Another one shamelessly coveting the MTV Music Award 2037. That's all, yeah.France Sauvage was banned from playing even before starting in the basement of th…

Krope is a six-part conceptual album by Belarusian sound artist and producer Anton Anishchanka. Rooted in archival folk songs recorded between the 1960s and 2000s, it transforms fragile voices of the past into living, cinematic sound worlds. Created in collaboration with ethnographer Iryna Vasilyeva, the album weaves Belarusian traditional music with field recordings, acoustic instruments, and analog synthesizers — an immersive journey where memory, landscape, and resilience converge. Flowing as…

*200 copies limited edition* Wolfe's debut solo LP documents the personal and distinct sound and approach equally to both her abstract sonic instrumental meditations and her understated and haunting song craft and guitar playing. The release, to be experienced as a whole, melds the deeply personal and the cosmically timeless in a complete and holistic way. Amber Wolfe is best known as one half of Zizia (w/ Jarrod Fowler) including their collaboration Pisaura with Michael Pisaro-Liu released on S…

Tip! *2026 much needed repress!!* Thorn Wych is a musical instrument maker and musician based in the Lancashire town of Bacup, specialising in work made from tree branches. Particular to her interest are UK native trees; so far Wych Elm, Lime, Wild Cherry, Oak, and Yew. With these unique instruments, crafted in her backyard workshop, she creates music that evokes memories of an unknown world—out of sync with time and place and beyond the boundaries of the material realm.  Her pieces consist main…

Last copies! ** Edition of 250 copies in incredible diorama-style hand-made sleeve. **One more top mysterious trace from the Little Skull legacy: Dean Brown's album Ubique (i.e. "everywhere" in Latin) marks the passing of time and people. This sense of loss is very present though the whole record; not getting around to saying the things we meant to say and making sense of the leftovers. Screaming calmly, Dean Brown's Little Skull has shrunk, even more, until his head is almost just sore meat - t…

Canadian bowed guitarist and multi-instrumentalist C. Diab announces his fifth album Imerro, out February 16th, and presents the trip-infused lead single 'Lunar Barge'.

Whitney K and band are back with an electric live album that captures the best from their classics ‘Two Years’ and ‘Hard To Be A God’, including a few nuggets from the back catalog and the unreleased tune aptly titled ‘Dire Straits’. If ‘Two Years’ was the thunder, the rawness and the spirit, a combination of outsider folk, modern psych, grit, humor and everything in between, ‘Hard To Be A God’ was the sophistication, the dedication, the mind traveling far and beyond… ‘Vivi!’ is the hot sauce mi…

On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.