Nazca Lines
*100 copies limited edition* "This album holds a special meaning for me, as it gave me the opportunity to reconnect with Pier Luigi, with whom I shared so much music in the early '80s. Together, we founded A.T.R.O.X., bonding over the intimacy that two people in love with music and the avant-garde scene can share. We spent countless evenings listening to records and creating music together.
Pier Luigi later pushed the boundaries of his work through incredible collaborations and received widespre…
Stafell Sbâr Sain: Tŷ Gwerin
As the second in the 'Stafell Sbâr Sain' series, a collaborative project launched by Sain last year, this new album features 12 tracks curated by Tŷ Gwerin and features 12 prominent artists on the thriving Welsh folk scene today. Sain is delighted to work with Tŷ Gwerin, one of the most notable stages in terms of supporting and promoting folk music and artists over the past ten years. The album is a celebration of Tŷ Gwerin's success and marks Sain's commitment to invest in supporting our folk …
Minor Gestures
Minor Gestures' ~ 'Mion-phuingean' by Susannah Star & Band an extended folk session in mystical locations around the Govan stones, river Clyde & underground streamlets.
“tha mise gad fhaicinn,tha mise gad fhaicinn”arsa an caochan
“I see you,I see you”said the blind one
My Hair Is Everywhere
Rooted in improvisation and guided by openness, the Klinck Trio—Adia Vanheerentals (saxophone, voice), Maya Dhondt (piano, voice), and Elisabeth Klinck (violin, voice)—crafts music where sound and silence are equally vital. Their debut album is an exploration of fragility, unfolding like a delicate conversation in which each note is chosen with intention and every pause carries presence. Recorded in the summer of 2024 at Studio Ledeberg, 'My Hair Is Everywhere' captures a moment in time: three m…
Sùrtum
Massimo Silverio is one of the most distinctive names in the new Italian music scene, carving out a niche within the independent landscape with his unconventional idea of songwriting — influenced by the folklore of Carnia, electronic textures, and a highly personal approach to songwriting.
Surtùm arrives two years after Hrudja (2023), the album that established Silverio as one of the most intriguing emerging artists in Italy, blending the metalinguistic folklore of Sigur Rós, the gothic arrangem…
Le Città di Pianura
After ‘Requiescat In Plavem’ and ‘Lentius Profundius Suavius’, Krano returns with another curveball in his discography, a kolossal double-album and his first original soundtrack for the movie ‘Le Città di Pianura’ (The Last One For The Road), directed by Francesco Sossai and presented at the Cannes Film Festival (Un Certain Regard), a rollicking, bittersweet journey through the Venetian countryside, where memory and mischief ride shotgun, a road-movie through a territory undergoing great transfo…
Melle-Aan-Zee
Melle-Aan-Zee is the latest lo-fi recorded collection of improvised pieces by Ghent-based occasional psych folk, kraut infused jam collective De Regering Van Treffelijke Zaken, which seems to continue to give birth to compositions that defy convention and exceed expectations. Just as their sporadic meet-ups seemingly cannot be planned, their enigmatic worlds of sound unfold through pure improvisation, sense of experimentation, a confluence of coincidences and reasoned skits. There's a special ki…
Orphic Resonance
Near the end of his days, John Fahey told me he was sick and tired of solo guitar records. This statement was partly designed to take me aback (as was often his tact), but it was also true. He seemed genuinely bored by most guitar players, especially those who were traveling in the shoes he'd first worn on his own early records. That said, I'm pretty sure he would have loved Eric Arn's Orphic Resonance. The first time I ever saw Eric play was as part of the classic second line-up of Crystalized …
Rumanikos, Kokin, Mixolydian, Kourd Atar, Pigmy, Slendro
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
Howl
Howl by Daisy Rickman offers a luminous journey through Cornish and English folk, steeped in mythic sun worship, nocturnal dreamscapes, and meditative storytelling. Recorded and performed entirely by Rickman herself, this second album channels solitary creativity and multi-instrumental textures into ten radiant pieces where sun, memory, and spirit intertwine in slow-burning, ornamental songforms.
Neverlasting
Bilders' Neverlasting, released in October 2025 via Carbon and Grapefruit, is an album of literate, restlessly inventive art-rock led by New Zealand poet and songwriter Bill Direen. Blending hard psychedelia, gothic folk, and lyrical commentary on personal and planetary adversity, the record’s 15 songs showcase Direen's songwriting at once timeless and deeply rooted in the underground spirit of Aotearoa.
Blue Navigator
Pleased as punch are we to be reissuing Michael Hurley's long-lost 1984 album, Blue Navigator. Admittedly, Secret Seven and Mississippi collaborated on a dandy 8-track version a decade ago, but the record has mostly been available as an obscure import CD -- if at all -- for many a year. The reason for this is that the Rooster Records HQ burned down in 1987, taking master tapes, extra covers and whatever else there was with it. This was a general bummer, but especially so for us Hurley fans, sinc…
Dagobah
Dagobah is the first LP (following a couple of cassettes and a CD) by Kool Music, the solo guitar project helmed by Glasgow-based polymath, Jasper Baydala. Jasper has previously had some exposure on the label, when his image appeared on the cover of Joanne Robertson's Black Moon Days LP (FTR 179LP, 2015). At that point we knew of Jasper as a video artist and writer, but Joanne assured us he was an excellent musician as well. And so began the road to Dagobah. The soubriquet Kool Music has a bit o…
Lunchtime for Birdy
First graspable release by Leaf Peepers, a Massachusetts duo comprised of Turner Falls' Omeed Goodzari and Worcester's Nick Bisceglia. Omeed is well-known hereabouts as member of Donkey No No, and also for his solo recordings, which include the superb Zoltar Hid All the Locks / Minnows LP (FTR 349LP, 2018). Nick has recorded with his band Husks, and has also participated on sessions by Wendy Eisenberg and Chris Weisman among others. In fact, the both of them helped out on Chris's last album, Rom…
What Do You See Everyday?
Another fantastic slab by Virginia-based guitarist Jordan Perry, whose style fuses disparate threads from the American Primitive and avant-garde songbooks into a unique alloy. For this album Primitivism has largely been eclipsed by avant urges. Still, there is one track, 'Days Have Gone By Volume' where Jordan is joined by guitarist Ned Oldham for a piece evoking Fahey in more than its title. But that is the exception. Most of What Do You See Every Day? is filled with abstractions for acoustic g…
Live At Teater Tribunalen
Huge Tip! ** Edition of 300.** The long overdue first proper jazz album on Discreet Music! After years of releasing experimental electronics, drone, and avant-garde sound art, the Swedish label finally documents what's been happening in their own backyard: ferocious, life-elevating free jazz performed by three of Sweden's leading improvisers. Niklas Persson Trio - saxophonist Niklas Persson, double bassist Patric Thorman, and drummer Raymond Strid - started ten years ago on Thorman's initiative.…
Kin
Over the years Sharron Kraus's musical career has pulled her in many directions and seen her collaborate with artists, poets, writers, and researchers, creating soundtracks, podcasts, musical accompaniments, and responses. She is an intuitive improviser, a compelling performer and a weaver of musical spells. The spine supporting this body of work is songwriting, though, and it is to this most natural combination of words and music that she always returns. If prose writing is a tool for analysis …
Tarantism
The fourth release by this Durham NC-based duo is also their second on Feeding Tube. We did their excellent When Sorrows Encompass Me 'Round cassette in 2021 (FTR 378CS), and are delighted to be able to do this new one on 45 RPM vinyl. The players, as always are Courtney Werner on cello and fiddle, with Evan Morgan playing guitars, banjo, pump organ, and shruti box. Tarantism came together in the depths of the Plague in the spring and summer of 2020 while the pair was living on a mountainside ne…
Dragon's Return
LP with obi strip, incl. booklet. Australian composer Oren Ambarchi and Norwegian guitarist Fredrik Rasten present Dragon's Return, a compelling new score for Eduard Grecner's 1967 Slovak cult film of the same name. Released via Viernulvier Records, this collaboration emerged from a live performance at the Videodroom Festival during Film Fest Ghent in October 2024, where the musicians premiered their improvisational soundtrack alongside the restored black-and-white parable. What began as a singu…
Red Amber
Because he is a relentless seeker of strange truths (especially as they relate to music), Nigel Cross was the gent who uncovered the fact that the London-based artist, Jill Tipping, had been a member of a Sunforest-style folk-rock group back in the day . . . Here are some notes from Jill on what's what. It's early '70s London and in a small all-girls grammar school a band is born. There had been an extant group of sixth-formers -- The Folk Group -- who provided musical filling at morning assembl…