Improvisations January 1997
A double LP of acid-drenched improvisation, Improvisations January 1997 finds the GOL Orchestra and the now-defunct Telinga Ensemble navigating the outer limits of psychedelic sound and collective creation.
Puppet Island
Australian supergroup with Oren Ambarchi, Brendan Walls and Nicholas Kamvissis.
Choices
The first meeting on disc between two of the finest and most innovative electroacoustic instrumentalists in Germany: Argentine-born, Berlin-based Lucio Capece (soprano saxophone, bass clarinet, preparations, mini megaphone) and Hamburg-based Birgit Ulher (trumpet, mutes, radio, speaker). Recorded live on May 14th, 2010 at the Blurred Edges Festival in Hamburg, Choices documents three pieces that explore the expanded sonic possibilities of prepared wind instruments through extended techniques and…
Overdeveloped pigeons
2011 release ** Limited to 200 copies. "Alessandra Rombolá (flutes and objects) and Michel Doneda (soprano and sopranino saxophones, radio, objects) set off to discover rare birds whose breath provides the momentum: plaintive, expressive, even vocal birds, or more common game which, if it doesn't play the overdeveloped braggart a bit, is all the more forgotten. In place of songs, which follow one another, it seems, according to the artificial development of the said species (from fragments of pi…
Penumbrae
Matchless Recordings presents a live concert by Eddie Prévost - bowed percussion and Jennifer Allum - violin.
This album is composed of two parts: Investigative Study recorded at The Welsh Chapel, Southwark Bridge, Road, London on 13th July 2010, and Dolwilym Penumbra, recorded at the Mwnci Studios on the Dolwilym Estate, west Wales on 12th October 2010.
Jennifer Allum alternates two bows, a 17th century German one and a 'conveyor-belt' bow. Eddie Prévost picks a mass-produced model and two more…
Mirrors
There is not a lot to say when a young talented percussionist meet one of the master of improvised music, also percussionist ; we can just sit and listen what happens. this is what exactly did the guys at cosabeat studio during "mirrors" recording session. the result is incredible. you can really feel the musicians concentration and then understand the importance of every sound they created. this is a focused, brilliant, top class "sound dialogue" between two of the most dedicated artist i …
Corgroc
Barcelona-based Ferran Fages is known both for his lyrical acoustic guitar playing (on solo discs such as Cançons a per un Lent Retard and Al Voltant d'un Para/'lel) and for hard-edged electronics (with groups such as Cremaster and Octante). His work in Ap'strophe—a duo with Athens-based zither player Dimitra Lazaridou-Chatzigoga—is an intriguing combination of these two sides of his music: there is plenty of resonant acoustic playing, but this is set against both the metallic textures of Lazari…
Instant Coffee!
Instant Coffee! is a playful, genre-defying romp through experimental pop, noise, and improvisation, with Instant Coffee channeling the DIY spirit of The Residents and the irreverence of Half Japanese.
New Monuments
Formed for the purpose of playing 2008's Instal Fest, this trio comprises C Spencer Yeh (of Burning Star Core), Ben Hall (of Graveyards) and Don Dietrich (of Borbetomagus), coming together for the common cause of relentless, ear-blasting improv. Sax-toting noise legend Dietrich is no stranger to the more abrasive school of free improv, having been operating in the field since the early 1980s, but the comparatively fresh-faced Yeh and Hall hold their own here (manning violin and traps, respective…
Berlinerstrasse 20 (2009)
2009 release (slimcase slightly damaged) **
Bass Clarinet – Lucio CapeceTrombone – Radu MalfattiRecorded 5 July 2009 at Kulturbunker, Mühlheim.
Parallèles
Reissue of a magnificent, impossible-to-categorize French classic originally released on the hopelessly obscure d'Avantage label in 1976. Pretty much the definition of musical anarchy, "Paralleles" begins with an atonal duo for trombones, wends its was through accompanied poetry readings and cornet solos, vamps into a rap delivered by Vince Taylor (France's answer to Eddie Cochran and Bowie's inspiration for Ziggy Stardust!) on 'Rock N Roll Station' (which Nurse With Wound deconstructed later on…
Lunula
Barcelona's Octante—Ruth Barberán (trumpet, speaker, microphones), Alfredo Costa Monteiro (accordion, objects), Ferran Fages (oscillators, pick-ups), and Margarida Garcia (electric bass)—create what one reviewer calls "a crackling and crunching kind of sound" that's "utterly condensed." The quartet has essentially become "one common music machine" where distinguishing individual instruments becomes nearly impossible. The two extended improvisations (each around 29 minutes) recorded in Barcelona …
New York Nuts & Boston Baked Beans
Violinist/vocalist C Spencer Yeh & unrivaled saxophone elder-titan Paul Flaherty team up without the assistance of acclaimed drummer Chris Corsano for the first time.Along for the jamz is bonkers Boston trumpeteer Greg Kelley. After performing numerous times and honing a distinct group dynamic as a trio over many years with celebrated percussionist Chris Corsano, Yeh and Flaherty decided to try it out one-on-one. The record comprises of the best from two live sets from a short duo tour in the No…
Rot
Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo Schindler studied flute on conservatory and architecture on university. starting as guitarist + saxplayer with rock and rockjazz. after moving to munich, performing free jazz, experimental and improvised music, Neue Musik, compositions for stage- and radio-play, lyric-publi…
Hasardi
For their second official CD release (after a handful of cassettes and CD-Rs) this Helsinki quintet of horns, guitars, drums, and vocals forsake any sense of live atmosphere by mashing four years of recordings into a disorienting, rude collage of over the top takes on multiple forms of extreme music. More early 90s, Bad Vugum-damaged rock than 00s Fonal psych-folk, Hasardi is a tangent of the punk/hardcore continuum that veers wildly and often into free jazz, noise and just general weirdness. Ha…
Dun
Trio improvisations recorded at the Church of St. James the Great, Friern Barnet, north London, November 2007. Matt Davis (trumpet & field recordings), Matt Milton (violin) and Bechir Saade (bass clarinet & flute) - three improvisers following that strain of British improv interested in amplifying the quiet and concentrating on minute gestural nuance. An entirely acoustic affair meets electronics in reverberant sacred space.
The music opens with "a spectrum of Saade's bass clarinet multiphon…
Organic, Playco 1969
The stable Quartetto that pianist Davide Mosconi, saxophonist Enzo Gardenghi, percussionist Marco Cristofolini, and cellist and violinist Gustavo Bonora brought to life beginning in the late '60s constituted the core of what would, in the early years of the next decade, become the larger improvising ensemble NADMA. The group was also an elegant and accomplished expression of the musical objectives of its members. This music expresses the rich yields that Davide Mosconi cultivated from his explor…
Spacecraft / Unified Patchwork Theory
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consecutive nights at the Accademia Filarmonica Romana. The program included tape music, Fluxus performance art pieces, and live electronic works. It was also the beginning of the group MEV.
One year later, the group was in Rome, Italy, but also involved i…
Brevi Momenti di Presenza
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music.
stots
2005 release ** "The music contained in this awesome CD could be defined as an outsider's version of electro-acoustic composition, using improvisation & field recordings as the main material to build the pieces with. The point of departure for making the whole song cycle was the conscious misunderstanding of language; coming from the idea that you can never say exactly the same thing in a different language (so 'i love you' means something else then 'je t'aime'). 'Stots' and all the song title…