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Multifold digipack edition + extensive booklet. Amgen presents the historic recording of Éliane Radigue's Asymptote Versatile (1963-64), widely recognized as the oldest surviving composition by the pioneering French electronic music composer. This monumental work was performed for the very first time at the Huddersfield Contemporary Music Festival on November 26, 2023, marking a truly historic event as Radigue had resolutely refused permission for this work to be presented in concert - until now…
2000 release ** Limited edition of 500 hand numbered copies. Packaged in mini-LP sleeve. "In all six tracks of this CD, Murayama uses a cymbal, a snare drum and small objects (as well as his voice on track 6). Four of the pieces (2-5), recorded in Tokyo, were composed by Murayama based on collaborations with Soundworm (Shoji). Several clusters of two or three mikes were deployed in different areas of the studio, with one of the mikes of one cluster placed outdoors. (In addition, there were two c…
A spellbinding five-CD box set documenting the entire enigmatic production of one of the missing links in experimental electronic and prototypical industrial music: Anne Gillis. From her groundbreaking 1983 Devil's Picnic release through her 2005 installations and exhibitions, this comprehensive collection unveils the hidden world of a visionary French composer whose work anticipated much of what would follow in electroacoustic composition and sound art.
Since the early 1980s, Manon Anne Gillis …
"How and why do we continue to make art in this bizarre time? Let me try here to offer a small break from insanity. I do believe that for listeners in our small pond, focused attention on sonic expression might help the individual keep a connection with their humanity and reinforce positive human endeavors—love, empathy, and truth-seeking. These seemingly obvious pursuits now need support as they are so unbelievably at risk. I offer this music as an aural refuge for mind and body. Such small bre…
Echo of Being / Grace in Rot is a powerful sonic meditation on grief by the duo Neti-Neti, composed of vocalist Amirtha Kidambi and percussionist Matt Evans. The project originated from improvisation sessions born out of personal loss, evolving from an intimate exchange into a practice that bridges the personal and the political.
1994 release ** Cardboard sleeve. The album features fragments of concerts organised in 1999-2004 as part of the Ujazdowski Castle Centre for Contemporary Art's "Strefa" Program. The recordings come from collections of Dominik "Wolfram" Kowalczyk, Jarosław Żwirblis, Jarek Guła, Marcin Witkowski, and from the artists' archives - thanks to them for making them available. Featuring: Andrzej Załęski, Pavel Fajt, Anna Zaradny, Polwechsel, Bartek Qźniak, Robert Piotrowicz, Burkhard Stangl, Ruins, Ceza…
Abhorrent Expanse thrives on contradictions and draws strength from the muddled wastes between firm stylistic distinctions. The group conjures harrowing visions of the descent into true hysteria, abstracting the familiar hallmarks of extreme metal into ancient soliloquies intoned in forgotten tongues. Tectonic grinding, relentless needling, and claustrophobic encapsulation give way to violent flashes, pangs of dripping saturation, and wildly unnerving murmurs. Following the release of their debu…
Whisker is a duo consisting of modular synthesist Ben Baker Billington and bassist Andrew Scott Young. These are two space cadets who have emerged from the burned-out basements and sweaty lofts of the midwest noise scene to become leading figures in the Chicago music community. Billington has mastered trippertronics under his Quicksails project and provided tactile drum work to the pivotal Chicago industrial collective ONO, while Young’s bass playing has graced records by Ryley Walker, Circuit d…
*2025 stock* Carol Genetti and Peter Maunu’s music might best be described as genre bending, stream of consciousness, improvised spontaneous composition. Drawing on elements from the second Viennese School is as natural and organic as a contrasting modal, folk inspired melody, albeit with a deranged noise accompaniment. Investigations of delicate sounds might be interrupted by abstractions of animal voices. Quick reflexes determine sudden directional shifts, allowing the music to adapt to its ne…
*2025 stock* "Macrodose" marks Bill Harris's third solo record, following "Blinking Glue" (2022) and "Onomat" (2021). Harris's unique approach to solo drumming combines acoustic and electronic elements, utilizing feedback and timbral manipulation to create a distinctive auditory experience. Where Blinking Glue was a single-take, live performance which represented a snapshot of his live solo set, Macrodose returns to a similar format of Onomat, encapsulating shorter sonic spaces in a number of di…
*75 copies limited edition* Emerging from the resonant stillness of a centuries-old monastery, Monastero unfolds as a series of improvised modern compositions — each track a spontaneous dialogue between space and sound. The instrumentation drifts fluidly between structure and abstraction, allowing reverb-soaked tones and percussive textures to breathe and bloom within the natural acoustics of stone walls and vaulted ceilings, giving the music a haunting, sacred dimension.
The legendary double bass master is not appearing in our catalogue for the first time, but for the first time we have the honour of publishing music that has not appeared on Paul Rogers' albums many times before. A recital for solo double bass! If one could wish for the bass to speak, we believe that it does so most fully and poignantly when played by this wonderful master.
*2025 stock* Normil Hawaiians had a transformative 1982. With two 7” singles and a 12” EP under their belts they suddenly found themselves disillusioned with the increasingly generic sounds surrounding them, so they forced the hand of change and began reaching out with that very hand. The band’s true constant in Guy Smith soon found himself with a new crew of musicians, Simon Marchant, Noel Blanden and Mark Tyler. Normil Hawaiians’ communal take on post punk quickly sprouted leaves from its mout…
The final album of Henry Birdsey’s (Tongue Depressor) textured and immersive country laments project, Old Saw. This final document highlights the range of the project’s vision, evading easy categorization.. Some of the most direct and emotive music yet from Birdsey.
Tip! Benjamin Bennett has worked as an improvising percussionist for 10 years, touring North America and Europe as a soloist, in various ensembles, and ad-hoc collaborations. He developed a unique approach to percussion which took the lineage of free-jazz, free-improvisation, Berlin reductionism, and extended technique playing as its foundation. In searching for an expanded sonic palette, and more fluid movement between various techniques, he distilled the drumset into a small collection of drum…
First time meeting of Sam Wenc (US/pedal steel + objects) and Stefano Grasso (Milan/percussion + recorder). The record is one take, broken into 10 tracks, exploring the boundaries of the rhythmic grid, never quite landing inside it, but hovering on its perimeter, through extended technique, melody, and disharmony.
One of the best ever recordings by the mighty AMM, here composed of Eddie Prevost, Keith Rowe and John Tilbury. Original 1992 CD on Matchless Recordings.