C(or)N(e)T
Enter the hypnotic sound-world of C(or)N(e)T - the new collaboration between cornet players, inventors and virtuoso musical wizards Pierre Bastien & Louis Laurain. Recorded in residence at The Rose Hill studios in 2023 this utterly unique album is a kind of electro-acoustic Fiesta! At times it’s a combination of organic techno and free jazz, like a joyful train ride through a mechanised junglescape.. Their set up is wildly creative and full of modified objects: automaton cornet mutes, underwater…
Live Improvisations
1990 release ** "For fans of that particular brand of noisy avant-gardism for which Robert Christgau coined the term "skronk," guitarist/violinist Fred Frith and saxophonist Tim Hodgkinson need no introduction. Charter members of the 1970s avant rock outfit Henry Cow, each has spent a lot of time making unspeakable noises with his instrument, and often those noises have been unspeakably glorious. This collection of live recordings -- all of them taken from live gigs around England in May of 1990…
Decisive Moments: Hot Real-Time Electro-Acoustic Collective Composition
1994 release ** "For this recording of nine improvised compositions by CCMC, the group has culled the best of a series of recording sessions of "spontaneous music". Snow likens this type of music to photographer Cartier-Bresson." Paul Dutton, John Oswald, Michael Snow, Al Mattes, John Kamevaar, Jack Vorvis."
Interface As Notation
*2025 stock* Adachi's full CD released from private label (established by his wife). All tracks are improvisation, and are used his self-made electronic equipments named Tomomin, Tomoring, Tomominsynthesizer, Sensor Shirt and so on.
Recorded from 2005 to 2011. All tracks were recorded on a 2-channel recorder directly without overdubs and any prepared sound samples. A computer was used as a real-time signal processor for instruments and voice. Dedicated to Theo van Doesburg and Marcel Duchamp. To…
Au Royaume Du Silencieux
1992 release ** "The 3rd and final album by Les Granules. The pieces on this album are recorded in real time and without overlays. Each of the composed or improvised pieces was subsequently the subject of serious alterations by collage. Slight differences in pulsation, tuning, and subtle shifts from one beat to another, from one type of sound recording to another, were highlighted rather than hidden, producing the effect of a mosaic or quilt. "
Jean Derome: flutes, alto sax, calls, drum machine…
Edaphon
In London I found a perfume that smelled like a brownie made entirely out of wet soil. It was inedible, but still very “cake”. “It’s our signature scent”, said the shopkeeper. But I used to make that cake as a child, with my child hands. I looked at the square bottle and it was me. Chocolate-like, but of the earth. Under our balcony I used to make garden stew in a clay pot with mud and pebbles. I stepped frantically on puffball mushrooms under a tree to make the steam. It didn't matter that the …
Taking big bites of the khandas three cafes deep
DNS - taking big bites of the khandas three cafes deep is a live recording of improvisatory miniatures that mimic the form of collage. It is the first collaborative effort of Joseph Schlam and Alexander Cooper, made in the attic of a childhood home, and launches the label’s efforts. Drawing from the duo’s shared upbringing in North Carolina’s Piedmont region, the duo convened over the course of a week, the results of which prompted the creation of BLTC.
Live improvisation amplified in stereo via…
Dirty
Live recording from Mamer's solo performance 'The Imitator Series Ⅷ: Dirty' on June 25, 2024 at Old Heaven Books.
Underground Factory
Live recording from Mamer's solo performance 'The Imitator Series V: Underground Factory' on June 18, 2024 at Old Heaven Books.
Fake Jazz
Live recording from Mamer's solo performance 'The Imitator Series Ⅺ: Fake Jazz' on July 3, 2024 at Old Heaven Books.
Vibratory noise in anthropogenic habitats
*Dubbed on reused ferro tapes* Guitar music measured mostly by quietude not amplitude. Bold recording techniques - new amp. Everything recorded during a period of two nights.
High Tide
*2025 repress* Able Noise are a cross-continent duo based between The Hague (NL) and Athens (GR), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glisteni…
Crucible
Crucible by Loren Mazzacane Connors & Suzanne Langille is a profound exploration of the raw emotional landscapes that can be sculpted through minimalistic yet deeply evocative sounds. The album resides at the intersection of experimental blues and avant-garde, creating a sound that is both hauntingly intimate and expansively atmospheric.
Each track seems to dwell in a space where the boundaries of music blur into a meditative state, driven by Loren's sparse guitar work and Suzanne's ethereal voc…
The other side of the air
*80 copies limited edition* An improvised meeting between clarinet and a small, hand-built pipe organ. Sounds converge from these two instruments, coalescing and diverging to explore subtle nuances of resonance and timbre. The form of these pieces creates a unique space through stasis and repetition.
wræżlivøść
*200 copies limited edition* wræżlivøść involves intense emotions, messages, memories and experiences, blending contrasting styles beyond conventional genres. From post-romantic piano to radical electronic sounds, the final shape of the album was formed in the last two weeks of August, when Kamil Piotrowicz combined recordings made over the past year: from a noise-ambient session in New York, through home recordings in the village of Strzeń near Warsaw, to the recording of his graduation concert…
Fierce / Lighten
*100 copies limited edition* The late Hironari Iwata, best known for his experimental work with "Toukaseibunshi", explored even more uncharted territory under the alias "Haiginsha". This long-lost cassette from 1986 has been resurrected with a meticulous remaster, sourced from one of the few remaining original tapes, courtesy of noise pioneer Toshiji Mikawa. The album weaves a striking tapestry of guitar, melodica, recorder, voice and industrial percussion, each element bending and colliding in …
Demonstration Record
Tip! What you see before you, “iffy” cover and all is a solo project from noise-rock pioneer and The Dead C veteran Bruce Russell. Recorded on a mobile phone in the southern summer of 2023-24. This collection of live performances, sound collages, and solo improvisations have been pressed into a black slab with an “unfinished” cover. Bruce Russell, “Mr.Noisy”, the man that’s been “giving rock'n'roll a prison haircut since 1984” is letting us in, providing an “open-house” into the sonic alchemy of…
A Harsh Smoker’s Sonic Compilation
Big tip! A Harsh Smoker’s Sonic Compilation is an audio album featuring thirty-three original tracks in the form of a high-quality, custom-made paper booklet linked to a digital release! All audio tracks are accessible through a link or QR code contained within the compilation/booklet. The hosting page is fully private without any tracking or advertisement. Both MP3 and original audio formats are available to listen to and/or download. It is possible to stream the album using the mp3 player host…
The Flower School
*CD Version* Since exploding on the improvised music scene a couple of years ago Tennessee native Zoh Amba has found herself engaging with an ever-widening group of collaborators as she tours across the US and Europe. She's forged some enduring partnerships, working regularly with drummer Chris Corsano, bassist Thomas Morgan, and pianist Micah Thomas, among others, but one of the deep pleasures of improvised music is when a first-time meeting produces sparks. Indeed, that's certainly the case wi…
Archeology // Archeologia
Biiiiiiiig Tip! "It has taken me over 50 years to write these words. Since my initial successes in the 1970’s many have urged me to “release” unpublished works from the same period, pieces that featured the VCS3 synths or the amazing Serge (which I regret not having used enough) or pieces featuring soundscapes from my classic environmental composition style. For reasons of persistence and empathy, Lawrence English at Room 40 was the most persuasive; now, nearly 3 years after our agreement, a new…