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Whisker is a duo consisting of modular synthesist Ben Baker Billington and bassist Andrew Scott Young. These are two space cadets who have emerged from the burned-out basements and sweaty lofts of the midwest noise scene to become leading figures in the Chicago music community. Billington has mastered trippertronics under his Quicksails project and provided tactile drum work to the pivotal Chicago industrial collective ONO, while Young’s bass playing has graced records by Ryley Walker, Circuit d…
Luke Schneider’s new EP 'For Dancing in Quiet Light' finds the pedal steel guitarist further refining his singular ambient vocabulary—gentle, resonant, and quietly radiant. Following two releases on Third Man, this Leaving Records debut is inspired by the intersection of breath and movement, drawing influence from his rural Tennessee surroundings and Lou Reed’s little-known tai chi soundtrack Hudson River Wind Meditations. These compositions offer a delicate but emotionally resonant companion fo…
Hyperjazz Records presents the self-titled debut album from Tera Tera, an unexpected collaboration between two visionaries of the Italian music scene. Drummer Jacopo Battaglia, founder of the cult Italian trio Zu and collaborator with Mike Patton and The Bloody Beetroots, joins forces with guitarist Adriano Viterbini, founder of the rising sensation I Hate My Village and collaborator with Rokia Traorè and Bombino. Born from two intense jam sessions of pure improvisation, this album emerged throu…
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time. L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists …
Water Damage is ten people from one town and one sound from twelve people. For Instruments, the plus two are guitarist David Grubbs and saxophonist Patrick Shiroishi, neither of whom blunt the angle or confound the aim. The tempo? Slow and low. Four tracks, averaging twenty minutes each, the pace never above a comfortable walk. The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and "Reel 25" takes after the Shocklee Brothe…
Molly Raben's In the Kingdom of Flowers arrives as one of the year's most revelatory debuts - a breathtaking collection of solo organ improvisations that reimagines one of music's most ancient instruments through the lens of contemporary experimental practice. Released by Pennsylvania's Love's Devotee label in a limited edition of 300 copies, this remarkable album showcases Raben's extraordinary technical prowess alongside her deep understanding of the organ's mechanics, history, and social cont…
Officer!, an English interjection used to address a police officer, a "bobby" in London, to ask for directions, information, or help. And perhaps, since the 1980s, this word might have taken on a certain authority, aggression, with several exclamation points against these increasingly repressive police forces, under the yoke of the various political regimes of the English right wing (the Torries), an era begun by Mrs. Thatcher, the unstoppable Margaret, who left her mark on her time, her society…
Guitarist Ava Mendoza, violinist gabby fluke-mogul, anddrummer Carolina Pérez release their debut album, MamaKilla, named for the Inca goddess of the moon. Mama Killaoffers eight tracks of high-volume, riff-based guitar-violinimprovisation bolstered by thunderous drumming. Working together for the first time, these three musicians havecreated a record that blends country, blues, and psychedelicrock with blast beats and the heaviness of black, death anddoom metal, wrapping it all in feedback, dis…
After impressions of Unguja and Borneo islands, Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with 'Impressões de Várias Ilhas'.
2025 stock Accidental Journey, 10 years drifting thru Genres and combining Materials. Where does a decade start, where does it end? Years come; hours go. A group of ten. 0-to-9, 1-to-0, calendar years went by, flying high. Time is irrelevant, and yet, we like a look back to stare forthright. So, here it is, a big dark tempting audiobook for people with time, Acid Zen citizens, deep listening folks, slow consumers, with a desire for thrill, thrills for desire. A double CD. 40 exclusive contempora…
After a recent output on Moon Glyph, Nicolas Gaunin is back on Artetetra with a new digital EP of tender digital folklore hymns for personal mini-worlds. Known for his composition style centered on interlocking polyrhythms and bidimensional sound fonts advancing the field of a possible 2.0 exotica, in Huti ゲーム Gaunin momentarily abandons his customary musical vocabulary to experiment with an atypical ‘ensemble’ approach: percussions interweave with string samples and synthetic choirs. This chang…
LAHAR is the new musical work of Bandung power duo KUNTARI, Indonesia. A deeply atmosferic, bone-melting session of ancestral doom sounds delivered by the contemporary Indonesian primal music specialists. LAHAR is a Javanese term which was adopted in geology to describe a violent type of mudflow or debris flow composed of a slurry of pyroclastic material, rocky debris and water. The material flows down from a volcano, typically along a river valley. Lahars are often extremely destructive and dea…
2025 stock We're not exactly fans of the super group concept, but we sometimes enjoy providing soups like this. Angélica Salvi, Ece Canli, João Pais Filipe and Pedro Augusto are four musicians and composers who have followed, in parallel, an important national and international path in the fields of experimental music, electronics and sound research. All with recently released albums, the connections they have established multiply between collaborations and co-editions but never in this close wa…
2025 stock This Lovers & Lollypops’ brand new release was born out of an invitation from Curtas of Vila do Conde to Black Bombaim and João Pais Filipe to provide the soundtrack of “Dragonflies with Birds and Snake“, a film by Wolfgang Lehmann.
Snakes & Thunder explores the coexistence of meanings and sound as motion, focusing on balance, connection, and similitude. The album reflects on proximity and rhythm, inviting wandering, myth-making, and embracing the strange.
Peachfuzz’s ‘Impeachment’ showcases innovative interplay among Lisbon’s João Pereira, João Almeida, and Norberto Lobo. Their music spans meditative drones to energetic bursts, blending acoustic and electronic elements with playful spontaneity.
The Oganesson Remixes EP follows the March 2025 release of the “Oganesson” digital single, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney, indie music icons Broken Social Scene, and International Anthem labelmate Makaya McCra…
Samara Lubelski crafts intricate, fragile sonic worlds—simultaneously delicate and chaotic. Her music explores creation, destruction, and liminality, evoking alien yet lyrical landscapes where every gesture births its opposite, forever shifting between presence and disappearance.
Unplugged post rock from this new guitar group. I don’t know if awkwardness is usually a good thing in music but these recordings feels restrained and yeah, slightly awkward in a really charming and beautiful way. i’ve listened to the tape countless times, and it’s still a bit of a mystery to me, maybe also to the musicians themselves. I like music I don’t really get and I think this tape is really goodA: bendy boo, low flo, waves B: kunstige satelitter, d mol, slomomall
People Like Us returns with "Copia", Vicki Bennett’s first new album since 2018. Exploring the abundance of collage and sampling, it reflects on timeless connectivity and the fluidity of past, present, and future. "Copia" reshapes sound into a rich, playful, and thought-provoking sonic tapestry.