Experimental / Solo Instrument

Solo percussion set by Mark Sanders on drums, cymbals, gongs, blocks and drinking glasses, recorded on 14 February 2015 and pressed on site during Christian Marclay's exhibition at White Cube Bermondsey, London.

Devra Hoff alone with her acoustic double basses, sometimes layered: original pieces and arrangements of traditional songs, a meditative companion to her Anne Briggs album, with Tara Jane O'Neil and Julia Holter on two tracks. Edition of 500 CDs.

Saxophone and laptop: the first record of Chris Pitsiokos’s project on four-channel audio, rhythms from irrational numbers and shifting polarity. Each copy with original artwork.

Aunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country…

Solo recording by French trombonist Christiane Bopp, who uses voice, mutes, bass drum and objects to turn the instrument into a field of whispers, drones, fractured melodies and sudden eruptions.

Solo cello and voice by Julia Biłat, recorded live near Berlin: splintered harmonics, rough bow textures and resonant drones in improvised compositions that move like a passage through shadow.

Four CDs from Jon Rose's Rosenberg Museum, the decades-long project around the violin: homemade and hacked string instruments, true and invented violin stories, and 37 tracks from the museum now housed in central Australia.

Jessica Pavone's sixth solo viola album builds on the open strings and their sympathetic resonances, with electronic effects as a playing partner and guest appearances by Fred Frith on guitar and Joe Lally on bass.

Solo guitar by Swiss improviser Florian Stoffner: six pieces he recorded himself at Bee Street studio, mixed by John Butcher, stretching the instrument's vocabulary through texture, space and spontaneous invention.

'Σ [sigma]' is the new album by composer, saxophone player and improviser Antonio Raia. The first chapter of a trilogy dedicated to Berlin — where Raia spent several weeks recording alongside producer Francesco Donadello in different locations — 'Σ [sigma]' reflects on the relationship between body, space and sound, understood as a performative gesture closely linked to the space that hosts it.  Recorded inside the Wasserturm in Prenzlauer Berg—the oldest water tower in Berlin, built in 1877—'Σ …

The debut album of the French master improviser from the early 80s finally available again! her impressive release-list over the years - solo, duos, trios, big projects – shows a range of works with most of the current improvisers, to new music (Cage, Scelsi) and dance and theatre with two main constants - playing live plus the celebration of improvisation. This album here shows in a wonderful way how it all started – a strong player with her voice and her instrument. Recorded at Studio Achille,…

Tip! *300 copies limited edition* "Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from p…

Taping, expanding, and challenging the parameters of how we perceive rhythm and percussion, comes “Notte”, the debut solo LP by the Italian journeyman drummer and composer Piero Perelli. Ranging from the infectiously hypnotic to complex abstractions and sheets of ambience, every step of the way it's an engrossing listen that shouldn't be missed.

‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…

Documentary recordings of Hartmut Geerken and Michael Ranta’s November and December 1976 tour of the Middle East and East Asia. Geerken is known for his long relationship with Sun Ra (including compiling a discography), but he wears many other hats too: musician, film-maker, archivist. Ranta is a percussionist best known for his famous “Improvisation Sep.1975” collaborative record with Toshi Ichiyanagi and Takehisa Kosugi. This is a CD reissue of an LP boxset, originally released in 2010 as the …

*50 copies limited edition* »A Grey City With Its Beast« is a solo recording for choor khuur, composed and performed by Anqi Liu and recorded in San Diego in 2026. The choor khuur is an older Mongolian bowed instrument related to the morin khuur, yet it has its own construction and behaviour: a skin-covered body, horsehair strings and bow, a sound peg, and a Mongolian knife inserted between the bridge and body permit minute adjustments of tuning and timbre. Temperature, humidity, pressure, and t…

»Memorial« grew out of Nate Wooley’s work alongside Annea Lockwood recording the Columbia River, and in particular from a visit to Kettle Falls in northern Washington, once one of the river’s great salmon fishing and meeting grounds and a place of enormous importance to the Sinixt and other Indigenous peoples of the Upper Columbia. The falls disappeared from view following the construction of the Grand Coulee Dam in 1940, submerged beneath what is now Lake Roosevelt, yet beneath the still surfac…

Wall of Sound is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally. Ulrich Krieger's Wall Of Sound is a series of CDs about music that invites the listener to indulge themselves in sound. It doesn't guide an audience through a narrative, like a song, but offers the listener slow changing and developing soundscapes, acoustic sculpt…

»Baby Ghost« is the debut album by double bassist and vocalist Jordan Sand. Released through Hallow Ground, it blurs the lines between different genres and modes of expressions, improvisation and composition and showcases the unique playing style the composer has developed. Sand blends her voice with the bowed harmonics and subharmonics of her double bass. At once conceptually rigorous and musically open-ended, Sand’s wordless meditations on death and what comes after are both visceral and explo…

After more than 30 years of recorded output, Riparian stands as Eyvind Kang’s first solo instrumental album. Centered on the viola d’amore, it is an intimate and meditative work that extends his lifelong exploration of sound, improvisation, and ecological listening.A longtime collaborator of Jessika Kenney, Bill Frisell, Laurie Anderson, Bennie Maupin, Stuart Dempster, and many others, Kang has also contributed to landmark recordings by SUNN O))) (Monoliths and Dimensions) and Blonde Redhead (Mi…

*200 copies limited edition* Following the acclaimed Tectonic Plates, his celebrated collaboration with John Butcher and Mark Sanders, Alan Niblock returns to 577 Records with Sonic Breath, a striking solo work built from the elemental encounter between improvised voice and double bass. On Sonic Breath, Niblock treats the double bass not simply as an instrument but as a resonant environment for the voice. Breath, vibration, texture and gesture become the primary materials, allowing the music to …

*100 copies limited edition* Solo. Acoustic but with unexpected sounds, without unnecessary virtuosity but full of surprises. Characterized by cowbells which, however, instead of being played, in the course of the concert are hung from the body and allowed to resonate. Soft, not aggressive. Melodic and full of noise. Dirty; and the dirt is the interesting part of it. An unshouted cry. A rustic in search of shibumi.

The piece consists, as the title suggests, of three parts. Each of these parts contains a so-called large form. These consist of 39 tracks each and are played on deadwood, a drum, and on 39 pine cones, respectively. The note values, the corresponding rests, as well as the tempi are rolled. In part, the durations of the individual sequences are also determined with the dice according to a strict concept. Besides the mentioned sound sources, stones, water, footsteps, church bells, etc. also appear…

Debut solo album by the cellist and composer, half of the duo Live Footage: sixteen miniatures for cello and Roland Space Echo cut in a Tokyo apartment facing a freeway, extended technique standing in for portamento, filters and noise. Mastered by Rashad Becker. LP on Faitiche.

Cellist and composer Aliya Ultan announces Looks Far Woman, a new solo album out June 26 on Kou Records, recorded, mixed, and produced by Randall Dunn (Sunn O))), Jóhann Jóhannsson). The album takes its name from a guiding figure in Aliya's personal mythology — a seer who moves between worlds carrying the medicine of patience, prophecy, and transmutation — drawn in part from Jamie Sams' The Thirteen Original Clan Mothers. Structured as a six-part song cycle — Wind Song, Road Song, Mountain Song,…

"Another window opens - and with it, another singular mystery of modern impressionism joins the catalogue of Les Disques Omnison. Classicaly trained yet reshaped by Paris experimental and improvisation scene, Jeanne Gorisse pushes her "bass" practice further on her second solo album, a follow-up to her 2024 debut "Immersion Libre". Alongside the double bass, she explores bowed electric bass, and re-records herself to tape on several tracks; creating an intimate dialogue between the acoustic and …

Solo and duo improvisations by John Butcher (tenor and soprano saxophones) and Eddie Prévost (percussion), recorded live at Iklectik, London, on 4 April 2018. Matchless catalogue number MRCD 100.

Eddie Prévost's first solo percussion album, six pieces recorded at Gateway Studio, Kingston, England, on 10 September 1996, produced by Evan Parker.

*119 copies limited edition* Bury the bag full of nostalgic complaints on "how things used to be better" at Schoonselhof, and get blown away by the fresh Air Force that is Adia Vanheerentals! We are damn proud to present Adia’s first solo release! Seemingly from out of nowhere, Vanheerentals has been blowing minds in many different shapes the past years: as band leader in Bodem, in various free improv set ups, as a guest with The Groovecats, in a trio with Elisabeth Klinck and Maya Dhondt and as…

**200 copies ** The first solo release from Danish drummer Anders Vestergaard. The LP documents four pieces executed on a self-made setup of varying acoustic percussion instruments and electronic feedback-chains, with a skeletal yet intricate structure, moving through differing expressions of insectile hyper dynamism and mesmeric equilibrium. The title also designates the instrumentation being part electric part non-electric; and it equally describes the mood, both beautiful and grotesque, convi…

Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom.  In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement.  All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and deep soulfulness…

Double bassist and composer Henry Fraser announces the release of Pneuma, a new solo album out June 12 on Kou Records and recorded, mixed, and co-produced by Randall Dunn (Sunn O))), Jóhann Jóhannsson) and Ben Greenberg (Uniform, Marc Ribot). Across eight concise movements, Fraser explores breath, resonance, and the evolving relationship between composition and improvisation, shaping an intimate sonic landscape in which the double bass seems to inhale, bloom into overtones, and dissolve back int…

Flutist and composer Taiga Ultan announces the release of Shade Zero, her debut full-length album out June 26 on Kou Records and recorded, mixed, and produced by Randall Dunn (Anna von Hausswolff, Annea Lockwood, Danny Elfman). Structured as a three-part work, the album traces a gradual transformation from virtuosic flute performance rooted in classical discipline to extended techniques, spoken language, and poetic reflection. At the center of Shade Zero is an investigation into the relationship…

Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence. Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…

Julia Eckhardt is a musician and organiser in the field of the sonic arts, a founding member and artistic co-director of Q-O2 workspace in Brussels—a laboratory for experimental music and sound art—and co-director of the Oscillation festival. She received training as a classical viola player and worked in various ensembles and orchestras, including the National Orchestra of Belgium, before founding Q-O2 in 1995 with a few friends to play contemporary music and practice improvisation. Brussels ar…

And I sing again. This time I won’t whisper,
 because this time it’s for you. I hear about you on the radio,
 and I’ve seen the pictures of the boss and his henchmen—
Hatred and determination in their eyes.
 Their actions leave no doubt:
 to them, you are garbage.
 The history that came before echoes faintly.
 And here, routine carries on.
 On the radio, 
a broadcast of your silence. 
 'A Broadcast of Your Silence' came about almost by accident, after several failed attempts to write for solo do…

Recorded in a neighbourhood church in the city of Ghent, Belgium. Penumbra is a fully improvised album. It was born from a personal urgency of searching for ways to keep creating sound in moments of uncertainty. It grew from a desire to move beyond the limit of a single instrument, to experiment with different materials, objects, and instruments. Merging, melting, creating, sounds, poems, and acoustics that inspire me. Penumbra is a state of uncertainty and urgency, moving with freedom and doubt…

For Hind Rajab is a deeply personal and meditative exploration of sound, memory, and sonic embodiment. Across the album’s intimate unfolding, Khoury draws on extended techniques, silence, and subtle timbral shifts to create a landscape where each gesture resonates with emotional and cultural depth. Inspired by and dedicated to Hind Rajab, the work weaves contemplative lyricism with bold experimentation, revealing the violin as an instrument of both introspective nuance and radical presence. The …

“Saudade” is the new solo album by Ramon Moro — a journey for trumpet, flugelhorn and analog effects.Eight compositions move through melancholy, memory and light, blending contemporary jazz, ambient textures and refined sound research. The album opens with See You Soon, a brief poetic prelude that sets an intimate, cinematic tone. From Atena, Eirene and Afrodite — tributes to the archetypal feminine — to Tatreez, inspired by the Palestinian embroidery tradition, the record shapes a suspended and…

Pat Thomas returns to Otoroku for his fourth collection of solo piano improvisations, this time recorded in a studio setting at London’s Fish Factory.